Bibliography
an asterisk (*) indicates entries which derive from references in previous bibliographies, but which have been neither located, seen nor verified by the compiler
Contributions by J.P. Losty, Robert Skelton and Susan Stronge, National Portrait Gallery, London ISBN: 978 1 85514 409 5
Gayford, Martin, “Hodgkin’s Abstracts.” www.bloomberg.com, 12 April.
Wright, Karen. “The later, greater Howard Hodgkin.” Telegraph Review, 5 April.
Wullschlager, Jackie. “With a song in his art.”TheFinancial Times, 5 April.
Teerman, Tim. “The colourful life of Howard Hodgkin.” www.timesonline.com, March.
Hollinghurst, Alan. “Orgy of Color.” The Guardian, March.
Artist's Studios. “Howard Hodgkin.” The Guardian, 26 April.
The Art Fund Helps Buy Hodgkin. “Masterpiece for Bath.” Artdaily.org, September.
Eyre, Hermione. “
If you don't
think philosophy can make you happy, you haven't read Seneca.” The
Independent, 3 September.
Carlson, Ben. Review: Howard Hodgkin at the Yale Center For British Art. Modern Painters, May.
Glover, Michael. “The Old Masters.” The Independent, 13 April.
Kimmelman, Michael. “Blasts Of Color, Evoking Memories.” The New York Times, 16 February
Eagan, Matt. “Explosion of Emotion.” Hartford Courant, 2 February.
Howard Hodgkin. “Prints at Abbot Hall Art Gallery Kendal.” www.24 Hour Museum.com 23 March.
“Mozart Dances.” The Times, London, 6 July.
Brown, Ismene.
“Mark Morris
Frolicking with Mozart.” The Telegraph, 6 July
Rosenblum, Robert. “A trumpet blast for Howard Hodgkin, the ‘painter laureate’.” The Art Newspaper, December.
Collings, Mathew. “Help The Lazy.” Modern Painters, September.
“Hodgkin: A life in colour.” THE JOURNAL(Newcastle), Jun 27, p. 34.
2006 Hensher, Philip. “He’s made splodges beautiful.” The Mail on Sunday, 25 June.
“The weasel Christopher Hirst.” The Independent, 24 June.
Sewell, Brian. “Hodgkin’s worst enemy? It turns out to be colour. “ The Evening Standard, 16 June.
Blacker, Terence. “When art slides into smug mockery.” The Independent, 16 June.
Güner, Fisun. “Not for every palette.” MetroLife, 14 June, p. 27.
Campbell-Johnston, Rachel. “A colorful case of overkill.” The Times(London), 13 June.
Dorment, Richard. “The late blooming of a master.” The Daily Telegraph, 13 June.
Searle, Adrian. “Quick, fetch a mop.” The Guardian, 13 June.
Brown, Mark. “Tate Tribute, Hodgkin On Show.” The Guardian, 13 June.
Gayford, Martin. “Diary of an evolution.” Telegraph Magazine, 3 June.
Litt, Toby. “Talking in colour.” Modern Painters, June.
Cooke, Rachel. “True Colours’, Observer, 26 May
Tóbín, Colm. “I Hate Painting.” The Guardian, 13 May
Preview: Howard Hodgkin at the Tate Modern. The Observer, 16 April.
Preview: Howard Hodgkin at the Irish Museum of Modern Art. Artforum, February.
“The Colour Co-Ordinator.” The Irish Times, 25 February
Foley,
Catherine. “Imma shows its true colours.” The Irish Times,
28 January.
David Acton: ‘Howard Hodgkin prints: a catalogue raisonné’ [review of monograph by Heenk], in Burlington Magazine, Mar. 2005, vol.147 no.1224, pp.192-194.
“Two Eyes for Colour.” Bath Chronicle, 12 August
Contemporary voices: works from the
UBS Art Collection (1 work). Museum of Modern Art, New York, 4 Feb. – 25 Apr. 2005; incl. interview
with HH by Ann Temkin, pp.66-75.
Ana Finel
Honigman: ‘The color of
turmoil’
[review of New York exhib.], in Artnet Magazine (online), 2004.
Donald Kuspit:
‘Howard Hodgkin: Gagosian
Gallery’ [review of New York exhib.], in Artforum, Feb. 2004,
vol.42 no.6, pp.149-150.
Stephen Maine:
[review of monograph by
Heenk], in The Art Book, Mar. 2004, vol.11 no.2, pp.39-41.
Alan
Hollinghurst: ‘Howard Hodgkin’
[review of New York exhib.], in Modern Painters, Spring 2004,
vol.17 no.1, pp.116-118.
Tessa Sidey:
‘Hodgkin’ [review of
Heenk monograph], in Print Quarterly, June 2004, vol.21 no.2,
pp.208-211.
Howard
Hodgkin: prints. Bernard Jacobson Print Gallery, London, 10 Feb. –
20 Mar. 2004 (PV
card).
Louisa Buck: ‘The
nature of the beast’
[incl. review of Alan Cristea exhib.], in Art Newspaper, Mar.
2003, vol.13 no.34, p.30.
Geordie Greig:
‘Mind’s eye’, in Tatler, Apr. 2003, pp.198-202.
‘Meet Cliburn
2005 artist: Sir Howard
Hodgkin’, in Cliburn News: the Newsletter of the Van Cliburn
Foundation (online), Fall 2003.
David Cohen:
‘Gallery going’ [inc.
review of New York exhib.], in The
New York Sun, 20 Nov. 2003; revised version repr. in artcritical.com(online).
Daniel Kunitz: ‘The lost content’, in Modern Painters, Winter 2003, vol.16 no.4, pp.96-98.
Howard Hodgin:
hand-painted prints 1987-2003. Alan Cristea Gallery, London, 4 June
– 5 July 2003 (PV card).
Howard Hodgkin. London: Illuminations, 2002; VHS/PAL col. videocassette, 26 mins, in series theEYE ; filmed in 2001 Dulwich exhib. & in artist’s studio; interview with John Wyver (transcript publ. in Art now: interviews with modern artists, London: Continuum, 2002, pp.28-45).
P. Holmes:
‘Report card: Howard Hodgkin’,
in Art Review, May 2002, vol.53, p.43.
‘Ornamental
invention’, in Tate:
The Art Magazine, Summer 2002, no.29, p.29.
Michael White:
‘I’m going to scream,
I am’ [interview on stage-designs], in Sunday Telegraph, 9
June 2002.
Moira Jeffrey: ‘A
brush with the big
blue’ [review of Edinburgh exhib.], in The Herald, 9 Aug. 2002,
p.24.
Robert Clark:
‘Howard Hodgkin: Edinburgh’
[review of exhib.], in The Guardian, The Guide section, 10-16
Aug. 2002, p.34.
Charles Darwent:
‘Balloons in need
of a pin’ [review of Edinburgh exhib.], in The
Independent on Sunday, 11 Aug. 2002, Arts Supplement, p.10.
Laura Cumming:
‘Bigger, but definitely
not better’ [incl. review of Edinburgh exhib.], in The Observer,
11 Aug. 2002, Review Supplement, p.11.
Iain Gale:
‘Artist summons up the
sensational
in living colour’ [review of Edinburgh exhib.], in Scotland on
Sunday, 11 Aug. 2002.
Vicky Allan:
‘Howard’s way’ [interview],
in Sunday Herald, 11 Aug. 2002, p.3.
Giles Sutherland:
‘Writings on the
wall’ [incl. review of Edinburgh exhib.], in Sunday Herald,
11 Aug. 2002, Review Section, p.16.
Neil Cameron:
‘Howard Hodgkin: Dean
Gallery, Edinburgh’ [review of exhib.], in The Guardian, 12
Aug. 2002, p.17.
Duncan Macmillan:
‘Full of empty promise’
[incl. review of Edinburgh exhib.], in The Scotsman, 13 Aug.
2002, pp.12-13.
John Russell
Taylor: ‘Making a bigger
splash’ [incl. review of Edinburgh exhib.], in The Times, 14
Aug. 2002, section T2, pp.10-11.
‘Exhibition of
the week: Howard Hodgkin
– Large paintings 1984-2002’ [review of Edinburgh exhib.], in The
Week, 17 Aug. 2002.
James Beechey:
‘Seductive distillations
of melancholy’ [review of Edinburgh exhib.], in Financial Times,
17-18 Aug. 2002.
Philip Hensher:
‘It’s simply a National
disgrace’ [incl. review of Edinburgh exhib.], in Scottish Mail
on Sunday, 18 Aug. 2002, Review section, p.6.
Martin Gayford:
‘A slow developer who
works on a grand scale’ [review of Edinburgh exhib.], in Sunday
Telegraph, 18 Aug. 2002.
Martin Gayford:
‘Room for improvement’
[incl. review of Edinburgh exhib.], in The Spectator, 24 Aug.
2002, vol.289 no.9081, pp.37-38 (ref. p.38).
Andrew Brown:
‘Meagre feast’ [incl.
review of Edinburgh exhib.], in Modern Painters, Autumn 2002,
vol.15, pp.42-44.
Eddie Harrison:
[review of Edinburgh
exhib.], in Metro, 2 Sept. 2002.
Brian Cooper:
‘Hodgkin and the colour
of memories’ [review of Edinburgh exhib.], in Church of England
News, 3 Oct. 2002.
Matthias Thibaut:
‘Der maler der
Erinnerung:
Howard Hodgkin wurde 70 Jahre alt’, in Weltkunst, 15 Oct. 2002,
vol.72 no.11, pp.30-32.
* M.D. Cohen:
‘The Blue
Hill Art and Cultural Center / Pearl River: Line, letter or color as
a central element to imagery’, in Art New England, Dec. 2002 /
Jan. 2003, vol.24 no.1, pp.35-36.
Howard
Hodgkin. Pace Gallery, New York, 2002 (no catalogue)
Howard Hodgkin:
new small prints.
Galerie Lütz & Thalman, Zürich, 8 Feb. – 27 Mar. 2002 (PV card).
Howard
Hodgkin: stage designs (15 works). Peter Pears Gallery, Aldeburgh, 8
– 23 June 2002;
publ. by Anthony d’Offay, London; 55p, 34 illus (33 col); text by
John-Paul Stonard, Howard Hodgkin: stage designs, pp.9-12; ISBN:
094756487X.
Howard
Hodgkin: small prints. Ingleby Gallery, Edinburgh, 8 June – 21 July
2001 (no catalogue; PV
card).
Howard
Hodgkin: large paintings
1984-2002 (20 works). Scottish National Gallery of Modern
Art, Dean
Gallery, Edinburgh, 7 Aug. – 6 Oct. 2002; 72p, 28 illus (26 col.);
biog., exhibs, bibl.; introd. by Richard Calvocoressi, pp.9-11; texts
by Robert Rosenblum, On Howard Hodgkin, pp.13-19, & Richard
Kendall, Howard Hodgkin’s large paintings,
pp.21-29; ISBN: 19032783339.
Twentieth
century British printmaking,
from William Nicholson to Howard Hodgkin (3 works; illus. in col.).
Austin/Desmond Contemporary Books,
London, 10 May – 6 June 2002.
New: recent
acquisitions of
contemporary
British art (1 work). Scottish National Gallery of Modern
Art, Edinburgh, 6 July – 17 Nov. 2002.
Abstraction (1
work; illus. in col.). Ingleby Gallery, Edinburgh, Aug. 2002.
Black and
white: prints by Hodgkin,
Picasso, Ensor, Dierickx, Fautrier, Giacometti, de Stael, Barcelo,
Matisse,
Dubuffet (c.5 prints by HH). Hachmeister Galerie, Münster,
1 Sept. – 26 Oct. 2002.
The galleries
show. Royal Academy of Arts, London, 14 Sept. – 12 Oct. 2002; works
by HH
presented by Gagosian Gallery, London; accompaned by publication The
galleries book: 33 contemporary fine art galleries in London, section
11.
Nicholas Wroe:
‘The colour of emotion:
The Guardian profile: Howard Hodgkin’, in The Guardian, Saturday
Review, 24 Mar. 2001, p.6.
Jonathan Meades:
‘True colours’
[interview],
in The Times Magazine, 31 Mar. 2001, pp.32-35, 37.
Ivo Kranzfelder:
‘Malerei als Reflexion
über die Psychologie der Darstellung’, in Künstler: Kritisches
Lexikon der Gegenwartskunst, 2. Quartal 2001, Ausgabe 54 Heft11,
pp.3-13.
Julian Mitchell:
‘Howard Hodgkin in
Milan: an artist at the height of his powers’ [review of exhib.],
in Modern Painters, Summer 2001, vol.14 no.2, pp.42-44.
Elisabeth
Mahoney: ‘Howard Hodgkin’
[review of Edinburgh exhib.], in The Guardian, 8 June 2001.
Tim Adams: ‘It’s
the vision thing’
[interview], in The Observer Review, 10 June 2001, p.3.
Barry Didcock: ‘A
knight’s tale’,
in Sunday Herald – Directory, 17 June 2001.
Michael Glover:
‘Conversations with
greatness’ [interview], in The Independent, 21 June 2001, p.11.
Richard Cork:
‘Howard’s way’, in The Times, 23-29 June 2001, p.23.
Paul Levy:
‘Hanging it Howard’s way’
[review of Dulwich exhib.], in Evening Standard, 28 June 2001.
Richard Dorment:
‘Splashes of
inspiration’
[revew of Dulwich exhib.], in Daily Telegraph, 11 July 2001.
Adrain Searle:
‘Rainbow warrior’
[review of Dulwich exhib.], in The Guardian, 17 July 2001,
pp.12-13.
Martin Gayford:
‘Zinging off the walls’
[review of Dulwich exhib.], in The Spectator, 21 July 2001,
vol.287
no.9024, p.39.
Martin Herbert:
‘Howard Hodgkin’
[review of Dulwich exhib.], in Time Out, 1-8 Aug. 2001, p.58
Brian Sewell: ‘A
Grand Old Darling
but definitely not GOD’ [review of Dulwich exhib.], in Evening
Standard, 10 Aug. 2001.
John Harvey: ‘San
Francis and Howard
Hodgkin’ [incl. review of Dulwich exhib.], in Modern Painters,
Autumn 2001, vol.14 no.3, pp.52-3.
BS [= Barry
Schwabsky]: ‘Howard Hodgkin’
[review of Dulwich exhib.], in Artforum, Oct. 2001, vol.40 no.2,
p.170.
Howard
Hodgkin: small prints (15 works). Alan Cristea Gallery, London, 4
May – 2 June 2001;
40p, 16 col. illus.; preface by Alan Cristea, pp.4-5; half-title reads: Howard
Hodgkin: Volume l: Small prints.
Philadelphia
collects Howard Hodgkin (c.12 works). Philadelphia Museum of Art,
24 Mar. – 20 May 2001
(no catalogue).
Howard
Hodgkin: piccoli dipinti (18 works). Galleria Lawrence Rubin,
Milan, [29 Mar. – 4 May]
2001; 55p, 18 col. illus.; biog., exhibs., bibl.; text by Alberto Fiz, La
memoria del visibile, pp.5-8 (English translation, Visual
memory, pp.47-50).
Howard
Hodgkin: small prints. Ingleby Gallery, Edinburgh, 6 June – 21 July
2001 (PV card).
Howard
Hodgkin: Into the woods (4 carborundum etchings). Alan Cristea
Gallery, London, 7 –
30 June 2001; 32p, 9 col. Illus.; biog., exhibs.; introd. by Alan
Cristea;
half-title reads: Howard Hodgkin: Volume II: Into the Woods.
Howard
Hodgkin: paintings and works
on paper. Robert Sandelson, London, 12 June – 28 July 2001
(no catalogue; PV card).
Howard
Hodgkin: early prints. The Hub, Edinburgh (organised with Ingleby
Gallery, Edinburgh), 15 June
– 28 July 2001 (PV card).
Green on
Greene (1 work; illus. in col.). Sperone Westwater, New York, 1
Nov.
– 15 Dec. 2001.
Aspects of
modern British and Irish art (1 work; illus. in col.).
Austin/Desmond
Fine Art, London, 21 Nov. – 21 Dec. 2001; text on HH by Edward
Lucie-Smith,
repr. from London Magazine, 1965.
Richard Shone:
‘London: Moynihan,
Hodgkin,
Hume’ [incl. review of d’Offay exhb.], in Burlington Magazine, Feb.
2000, vol.142 no.1163, pp.119-121.
* John Tusa:
‘Lessons in
art and life: interview with Howard Hodgkin’, in The
Independent on Sunday, 7 May 2000.
Margaret Howard:
[review of BBC Radio
3 interview with John Tusa on 7 May 2000], in The Tablet, 20
May 2000.
* ‘Howard
Hodgkin’, in Sunday Telegraph, 28 May 2000
Michael Glover:
‘A passion for
pachyderms’,
in Art News, Summer 2000, vol.99 no.7, pp.170-171.
Richard Cork:
‘New, improved additional
values’ [review of National Gallery exhib.], in Times 2, 14
June 2000, pp.20-21; repr. as ‘Encounters: new art from old’ in
Richard Cork: Annus mirabilis: art in the year 2000, New Haven,
London: Yale University Press, 2003, pp.119-123 (ref. pp. 119-120).
Encounters:
new art from old (1 work, based on Georges Seurat’s ‘Bathers at
Asnières’, 1884;
illus. in col.). National Gallery, London, 14 June – 17 Sept.
2000; text by Richard Morphet, ref. pp.165-175.
Aspects of
modern British art (1 work; illus. in col.). Austin/Desmond Fine
Art, London, 22
Nov. 2000 – 12 Jan. 2001; text on HH by Richard Morphet, reprinted
from 1976 Oxford catalogue.
Lynn Barber:
‘Hodgkin’s true colours’
[interview], in The Observer Magazine, 31 Oct. 1999, pp.44-45,
47-48, 51.
James Hall:
‘Howard Hodgkin: Anthony
d’Offay’ [review of exhib.], in World of Interiors, Nov.
1999, vol.19 no.11, pp.172-173.
Martin Gayford:
‘What’s it all about,
Sir Howard?’ [review of dOffay exhib.], in The Independent,
1 Nov. 1999, p.10.
‘London’s only
old master’, in Evening Standard, 10 Nov. 1999.
Jonathan Jones:
‘Desperate pleasures’
[interview], in The Guardian, 11 Nov. 1999, pp.12-13.
John McEwen: ‘All
correct in heaven’
[incl. review of d’Offay exhib.], in Sunday
Telegraph, 19 Dec. 1999, p.11.
Richard Cork:
‘Raging, ageing bull’
[review of d’Offay exhib.], in The Times, 19 Nov. 1999, p.51;
repr. as ‘Howard Hodgkin’ in Richard Cork: Breaking down the
barriers: art in the 1990s, New Haven, London: Yale University
Press,
2003, pp.447-450.
‘Every daub has
its day’ [incl. review
of d’Offay exhib.], in The Observer Review, 21 Nov. 1999, p.11.
Martin Gayford:
‘Great memories’
[review of d’Offay exhib.], in Daily Telegraph, 1 Dec. 1999,
p.26.
Frances Spalding
‘Seductive tease
from an outsider’ [review of d’Offay exhib.], in The Mail on
Sunday, 5 Dec. 1999.
* New
painting. Anthony d’Offay Gallery, London, 1999.
Signature
pieces: contemporary British
prints and multiples (1 work; illus. in col.). Alan Cristea
Gallery, London, 5 Jan. – 6 Feb. 1999; text by Marco Livingstone,
p.24.
Paul Levy: ‘First
he took Manhattan’
[revew of New York exhib.], in The
Independent, 7 May 1998.
Terry Grimley:
‘Modern art tastes catch
up with British pacemaker’, in Birmingham Post, 27 July 1998.
* A. Woods:
‘The
place where silence becomes objects: interview with Howard Hodgkin’,
in Transcript, vol.3 no.2, Oct. 1998.
* [Howard
Hodgkin]. Haas & Fuchs, Berlin, 1998; text by Alan Woods.
* [Howard
Hodgkin]: works on paper. Staatliche Museum für Naturkunde und
Vorgeschichte Oldenburg, 1998.
Howard
Hodgkin: prints. Ingleby Gallery, Edinburgh, 5 Aug. – 12 Sept. 1998
(no catalogue;
PV card).
Howard Hodgkin
(13 works). Gagosian Gallery, New York, 1 May – 13 June 1998;
48p, 16 col. Illus.; biog., exhibs, bibl.; incl. texts by W. Somerset
Maugham (from The Alien Corn, 1931), p.5, James Fenton, poem In
Paris with you, p.7, & Doris Lockhart Saatchi, Max Gordon
1931-1990, pp.29-31; ISBN: 1880154226.
Howard Hodgkin
(11 etchings illustrated). Galerie Lutz & Thalmann, Zürich,
18 Sept. – 14 Nov. 1998; 32p., 13 illus (12 col.); biog., exhibs.,
bibl.; introd. by Gabriele Lutz (parallel German/English text); ISBN:
3952155810.
* Will
Ameringer Fine Art, New York, 1998.
* Galleria
Lawrence Rubin,
Milan, 1998.
Howard
Hodgkin, Pablo Picasso, Karel
Dierickx, Louis Soutter, Mark Tobey: drawings and prints (c.5 prints
by HH). Hachmeister Galerie, Münster, 13 Jan. –
12 Feb. 1998.
‘Die Farbe
fluchtiger Emotion: Howard
Hodgkins Gemalde in der Hayward Gallery, London’ [review of exhib.],
in Neue Zürcher Zeitung, 27 Jan. 1997.
Sasha Grishkin:
‘A leader among today’s
British painters’ [review of Hayward exhib.], in The Canberra Times,
7 Feb. 1997.
Brian Fallon:
‘Hodgkin gets his due’
[review of Hayward exhib.], in The Irish Times, 19 Feb. 1997,
p.12.
Edward
Lucie-Smith: ‘Critic’s diary’
[incl. review of Hayward exhib.], in Art Review, Mar. 1997,
vol.49, pp.26-28, 30.
Norbert Lynton:
‘Howard Hodgkin: Tuppence
coloured’ [review of Hayward exhib.], in Modern Painters, Spring
1997, vol.10 no.1, pp.109-111.
Caroline Boucher:
‘Frankly Howard’
[report of talk given at Whitechapel Art Gallery], in The Observer,
13 July 1997, p.11.
* [Howard
Hodgkin]. Susan Sheehan Gallery, New York, 1997.
Hockney to
Hodgkin: British master
prints 1960-1980 (2 works). New Orleans Museum of Art, 1997;
text by Pat Gilmour.
Contemporary
prints (2 works; illus, 1 in col.). Yvonne Andrews, Thomas Dane,
London,
[1997 ?].
Masterpieces
of modern printmaking (1 work; illus. in col.). Alan Cristea
Gallery, London, 23 June
– 1 Aug. 1997; text, p.30.
David Sweet:
‘Issues in architecture’,
in Art and Design, 1996, vol.4 no.2, pp.182-192.
Richard Shiff,
A.M. Homes: ‘The subject
in question: Richard Shiff reviews “Howard Hodgkin: paintings”’
[review of New York exhib.; & untitled interview with A.M. Homes],
in Artforum, Jan. 1996, vol.34 no.5, pp.62-67.
Mario Naves: ‘The
pleasure trade: Howard
Hodgkin at the Met’ [review of New York exhib.], in The New Criterion,
Jan. 1996, vol.14 no.5, pp.49-51.
Robert Hughes:
‘Delight for its own
sake’ [review of New York exhib.], in Time, 22 Jan. 1996, vol.147
no.4.
Frank Kermode: ‘A
likely story’ [review
of Fort Worth exhib. Catalogue & Graham-Dixon monograph], in London
Review of Books, 25 Jan. 1996, p.11.
David Anfam: ‘New
York and Fort Worth:
Howard Hodgkin’ [review of exhib.], in Burlington Magazine, vol.138,
pp.151-152.
Janet Tyson:
‘Painting the town’
[review of Fort Worth exhib.], in Star (Fort Worth), 29 Mar.
1996.
William Boyd:
‘Abstract with memories’
[review of Fort Worth exhib.], in Modern Painters, Spring 1996,
vol.9 no.2, pp.36-39 (repr. in Writers on Howard Hodgkin, 2006,
pp.119-130).
Drew Milne:
‘Whose line is it anyway?’
[on contemporary poems responding to modern paintings, incl. Wendy
Mulford’s
poem on HH’s ‘The Bay of Naples’], in Tate: the art magazine,
Spring 1996, no.8, pp.48-53 (ref. pp.51-52).
Brooks Adams:
‘Hodgkin’s subtexts’
[review of Fort Worth exhib.], in Art in America, May 1996,
vol.84, pp.90-97, 125.
NR [= Nan
Rosenthal]: ‘Howard Hodgkin:
“Venice, evening”’, in The Metropolitan Museum of Art Bulletin, Fall
1996, vol.54 no.2 (‘Recent acquisitions: a selection: 1995-1996’),
pp.64-65.
Carmela Thiele:
‘Sconer Abend, klarer
Morgen’, in Art: das Kunstmagazin, Sept. 1996, no.9, pp.100-101.
‘Howard’s way’,
in Elle Decoration,
Nov. 1996.
Martin Gayford:
‘The lonely artist’
[interview], in Daily Telegraph, 23 Nov. 1996.
Peter Parker:
‘The secret world concealed
inside the paintings of Britain’s greatest colourist: Interview: Howard
Hodgkin’, in The New Statesman, 29 Nov. 1996, vol.125 no.4312,
pp.39, 41.
James Cary
Parkes: ‘Abstractly fabulous’,
in Gay Times, Dec. 1996, pp.28-30
Martin Gayford:
‘Is that a guest or
a gun turret?’ [review of Hayward exhib.], in Harpers & Queen,
Dec. 1996.
Celia Lyttleton:
‘Knowing me, knowing
hue’ [review of Hayward exhib.], in The Tatler, Dec. 1996,
p.42.
Andrew
Graham-Dixon: ‘Portrait of the
artist as an older man’ [review of Hayward exhib.], in Vogue,
Dec. 1996, p.196.
Tim Hilton: ‘In
the coded realm of
the senses’, in The Independent on Sunday, 1 Dec. 1996, p.14.
Adrian Searle:
‘Remembrance of sunsets
past’ [review of Hayward exhib.], in The Guardian, 3 Dec. 1996,
p.10.
Isabel Carlisle:
‘Don’t look at me
askance’ [review of Hayward exhibs.], in The Times, 3 Dec.
1996, p.44.
Charlie Porter:
‘Abstracts have perfect
line of vision’ [review of Hayward exhib.], in The Express,
6 Dec. 1996.
William Packer:
‘Loaded brushstrokes’
[review of Hayward exhib.], in Financial Times, 7-8 Dec. 1996.
Tim Hilton: ‘A
world of his own’
[review of Hayward exhib.], in The
Independent on Sunday, 8 Dec. 1996, p.24.
Philip Hensher:
‘A passionate, colourful
past’ [review of Hayward exhib.], in The Mail on Sunday, 8
Dec. 1996.
William Feaver:
‘Howard Hodgkin shows
his colours (but not in a black and white newspaper, he doesn’t’
[review of Hayward exhib.], in The Observer Review, 8 Dec. 1996.
X.B.: ‘Howard
Hodgkin’ [review of
Hayward exhib.], in The Big Issue, 9-15 Dec. 1996, pp.29-30.
Bryan Robertson:
‘Light fantastic’
[review of Hayward exhib.], in The Independent, 10 Dec. 1996,
pp.4-5.
Richard Cork:
‘The master and all he
surveys’ [review of Hayward exhib.], in The Times, 10 Dec.
1996, p.33.
Richard Dorment:
‘When colour makes
life sweet’ [review of Hayward exhib.], in Daily Telegraph,
11 Dec. 1996, p.19.
Alasdair Steven:
[review of Hayward
exhib.],
in Hammersmith Chronicle, 12 Dec. 1996.
Martin Gayford:
‘Colour conundrum’
[review of Hayward exhib.], in The Spectator, 14-21 Dec. 1996,
vol.277 no.8787, pp.80, 82.
Ian Ellis:
‘Howard Hodgkin deserves
to be given some space’ [letter in response to review of 8 Dec. 1996],
in The Independent on Sunday, 15 Dec. 1996, p.18.
John McEwen:
‘Tortoise outruns soulless
hare’ [incl. review of Hayward exhib.], in Sunday Telegraph,
15 Dec. 1996, p.9.
Waldemar
Januszczak: ‘Too bright for
his own good’ [review of Hayward exhib.], in Sunday Times,
15 Dec. 1996, Arts pp.8-9.
Sarah Kent:
‘Framed!’ [review of
Hayward exhib.], in Time Out, 18 Dec. 1996 – 1 Jan. 1997,
no.1374,
p.53.
Brian Sewell:
‘Stop me if you’ve
seen this one before’ [review of Hayward exhib.], in Evening Standard,
19 Dec. 1996, p.45.
‘Propelling the
past into the present’
[review of Hayward exhib.], in Highbury and Islington Express,
20 Dec. 1996, p.30.
‘Exhibition of
the week: Howard Hodgkin’
[review of Hayward exhib.], in The Week, 21 Dec. 1996, p.22.
Adam Nicolson:
‘Howard’s way’ [revew
of Hayward exhib.], in Sunday Telegraph Magazine, 29 Dec. 1996,
p.46.
Howard
Hodgkin: prints (c.25 works). Hachmeister Galerie, Münster, 24 Feb.
– 28 Mar.
1996.
* Portrait
of the artist. Anthony d’Offay Gallery, London, 1996.
Brancusi to
Beuys: works from the Ted Power Collection (3 works; illus, 1 in
col.). Tate Gallery, London, 19 Nov. 1996
– 16 Feb. 1997.
Siri Huntoon:
‘Translating past into
painting’ [review of Graham-Dixon monograph], in Art News,
Feb. 1995, vol.94, p.75.
Lynn Barber: ‘An
abstraction of
opposites’,
in Art Review, Mar. 1995, vol.47, pp.28-29.
Andrew Deacker:
‘Art from the heart:
Howard Hodgkin’s intimate, luminous paintings turn heads at the Met’
[review of New York exhib.], in Diversion, Oct. 1995, pp.170-172,
175-176.
George Melrod:
‘Post-Pop pizzazz’,
in Art and Antiques, Nov. 1985, vol.18 no.10, pp.39-40.
Joanna Pitman:
‘Showing his colours’
[interview], in The Times Magazine, 4 Nov. 1995, pp.8-9, 11,
13, 15.
* Howard
Hodgkin: prints
1977-95. Jim Kempner Fine Art, New York, 1995.
Howard
Hodgkin: graphics. Smith Andersen Gallery, Palo Alto (CA), 1995 (no
catalogue)
Carborundum
etchings (1987-1994) by
Howard Hodgkin. Belloc Lowndes Fine Art, Chicago, 25 May 1995
- ; folded card, 6p, 4 col. Illus.; biog., exhibs.
Howard Hodgkin
paintings (80 works illustrated). Metropolitan Museum of
Art, New York, 30 Oct. 1995 - 28 Jan. 1996;
travelling
to Modern Art Museum of Fort Worth (TX), 31 Mar. – 14 July 1996;
Kunstverein
für die Rheinlande und Westfalen, Düsseldorf, 17 Aug. – 13 Oct.
1996; [Hayward Gallery, London, 5 Dec. 1996 – 23 Feb. 1997].
Fort Worth (TX): Modern Art Museum of Fort Worth; London: Thames and
Hudson, 1995; 216p, 354 illus (81 col.); biog., bibl.; text by Michael
Auping, A long view, pp.9-32; text of correspondence between
John Elderfield & the artist, An exchange, pp.65-80; text
by Susan Sontag, About Hodgkin, pp.105-112 (repr. in Writers
on Howard Hodgkin, 2006, pp.97-109); catalogue raisonné
of oil paintings, edited by Marla Price, pp.137-200; ISBN (Thames &
Hudson ed.): 0500092567.
* Where you
were even
now. Kunsthalle Winterthur, 1995.
The Boltons
Collection of British
contemporary art (4 works). The Boltons Collection of British
Contemporary Art, [1995 ?].
Peter Blake,
Patrick Caulfield, Howard
Hodgkin: paintings from the 60’s and 70’s (5 works; illus. in
col.). Waddington Galleries, London, 22 Feb.
– 25 Mar. 1995.
William Feaver:
‘Anthony d’Offay,
London, exhibit’ [review of d’Offay exhib.], in Art News, vol.93,
p.73.
Richard Shone:
‘London and New York:
Howard Hodgkin’ [review of Knoedler exhib.], in Burlington Magazine, Jan.
1994, vol.136 no.1090, pp.45-46.
Jeffrey Kastner:
‘Anthony d’Offay
Gallery, London’ [review of d’Offay exhib.], in Flash Art, Jan./Feb.
1994, vol.27 no.174, p.103.
Eric Gibson:
‘Howard Hodgkin’ [review
of Knoedler exhib.], in The New Criterion, Mar.1994, vol.12,
pp.41-42.
Lilly Wei:
‘Howard Hodgkin’s mandarin
pastimes’ [review of d’Offay & Knoedler exhibs.], in Art
in America, Apr. 1994, vol.82, pp.92-97.
Naves Mario: ‘The
British invasion
of New York’ [incl. review of Knoedler exhib.], in New Art Examiner, May
1994, vol.21, pp.33-35.
Jon Stock:
‘Jewels in his crown’
[interview on the occasion of British Museum exhib.], in Daily
Telegraph,
25 May 1994, p.19.
Richard Dorment:
‘Bump and grind of
Indian art’ [review of British Museum exhib.], in Daily Telegraph,
25 May 1994, p.19.
Iain Gale: ‘Small
is beautiful’ [review
of British Museum exhib.], in The Independent, 26 May 1994,
pp.10-11.
Sheila Canby:
‘New Mughal and Deccani
paintings in the Howard Hodgkin collection’ {review of British Museum
exhib.], in Apollo, June 1994, vol. 139 no.338, pp.61-62.
A. Bellerio:
‘India: antiche miniature
e dipinti’ [review of Verona exhib.], in F.M.R., June 1994,
no.86, pp.8-10.
* ‘Howard’s
way’, in Harper’s & Queen, July 1994, p.20.
Andrew
Graham-Dixon: ‘The way it was’,
in World of Interiors, July 1994, pp.86-89.
* Marco
Livingstone: ‘Howard’s
way’, in Vogue (UK), July 1994, p.26.
Sue Hubbard:
‘Brief history of paint’
[review of Serpentine exhib.], in The
New Statesman and Society, 1 July 1994, vol.7 no.309 (vol.123
no.4191),
pp.32-33.
A.S. Byatt: ‘The
colour of feeling’
[review of Graham-Dixon monograph], in The
Independent on Sunday, 10 July 1994, pp.30-31.
Andrew Billen:
‘The Life interview’,
in The Observer, Life, 10 July 1994, pp.10-14.
Andrew
Graham-Dixon: ‘Remembrance of
things past’ [reprint of ch.2 of Graham-Dixon monograph], in The
Independent, 19 July 1994, section II p.23.
Julian Bell: ‘The
great unpretender:
stripes, splodges, stipples and waves: the indescribable splendours
of Howard Hodgkin’ [review of Graham-Dixon monograph], in Times
Literary Supplement, 22 July 1994, no.4764, p.16.
Marina Vaizey:
‘Passion for the physical’
[incl. review of Graham-Dixon monograph], in The Times, 28 July
1994, p.41.
Nancy
Princenthal: ‘Prints &
photographs
published’, in The Print Collector’s Newsletter, July –
Aug. 1995, vol.36 no.3, pp.103-112 (ref. pp.104-105).
David Sylvester:
‘An artist whose métier
is black and white’ [review of Graham-Dixon monograph], in Daily
Telegraph, 6 Aug. 1994, p.6.
NR {= Nan
Rosenthal]: ‘Howard Hodgkin:
“When did we go to Morocco?”’, in The Metropolitan Museum of
Art Bulletin, Fall 1994, vol.52 no.2 (‘Recent acquisitions: a
selection: 1993-1994’), p.78.
Alan Ross:
‘Painted memoirs’ [review
of Graham-Dixon monograph), in London Magazine, Oct. – Dec. 1994,
vol.34 nos.7/8, pp.138-139.
Andrew Motion:
‘Once more with feeling’
[review of Graham-Dixon monograph], in Modern Painters, Winter
1994, vol.7 no.4, pp.83-85.
* Jim Lewis:
‘Howard Hodgkin’,
in Harper’s Bazaar, Dec. 1994, pp.182-187.
* [Howard Hodgkin]. Dimock Gallery, The George Washington University, Washington (DC), 1994.
The silent
partner: re-viewing the
picture frame (1 work). University Gallery, University of
Essex, Colchester, 13 June – 1 July
1994.
*
Paintmarks. Kettle’s Yard, Cambridge, 17 July – 4 Sept. 1994;
travelling to
Southampton City Art Gallery, 29 Sept. – 6 Nov. 1994; Mead Gallery,
University of Warwick, 12 Nov. – 10 Dec. 1994.
* Arts Section: Entertainment UK: Howard Hodgkin. ITV (Arts Section), 26, 28 & 30 Oct. 1993; dir.Fiona Adam, prod. Elaine Gallagher.
* Howard Hodgkin. BBC2 (The Late Show), 26 & 30 Oct. 1993; dir. Bernadette O’Brien.
* Howard Hodgkin. BBC Radio 3 (Nightwaves), 28 Oct. 1993; interview with Christopher Cook.
* John Russell:
‘In New
Delhi, pursued by an enormous tree’, in The
New York Times, 28 Mar. 1993, p.33.
Heidi Burklin:
‘Howard Hodgkin: Glut
von Bordeaux auf der Zunge’, in Art: das Kunstmagazin, July 1993,
no.7, pp.18-24.
Nancy
Princenthal: ‘Prints &
photographs
published’, in The Print Collector’s Newsletter, July –
Aug. 1993, vol.24 no.3, pp.107-111 (ref. pp.108-109).
Tom Lubbock:
‘Howard Hodgkin: for me’,
in Modern Painters, Autumn 1993, vol.6 no.3, pp.34-37.
* Paul Levy:
‘What’s
new from Freud and Hodgkin’, in The
Wall Street Journal, 18 Sept. 1993.
Edward
Lucie-Smith: ‘In profile: Howard
Hodgkin’ [interview, on occasion of d’Offay exhib.], in Art Review,
Oct. 1993, vol.45, pp.4-6.
John McEwen:
‘Colour too deep for
comfort’,
in Sunday Telegraph, 10 Oct. 1993, Review p.6.
Andrew
Graham-Dixon: ‘Truants of the
memory’, in The Independent Magazine, 16 Oct. 1993, pp.38-43,
45.
Laurence Marks:
‘Every one on board’
[interview], in The Observer, 17 Oct. 1993, Arts section p.8.
John Russell
Taylor: ‘Howard Hodgkin’
[review of d’Offay exhib.], in The Times, 22 Oct. 1993, p.35.
Esther Harris:
‘Artspeak’ [letter
in response to review in 16 Oct. 1993 issue], in The Independent
Magazine, 23 Oct. 1993.
Michael Champion:
‘Pretentious –
nous?’ [letter in response to review in 16 Oct. 1993 issue], in The
Independent Magazine, 23 Oct. 1993.
James Hall:
‘Souvenirs of life’ [review
of d’Offay exhib.], in The Guardian, 25 Oct. 1993, pp.4, 6.
Brian Sewell:
‘The mark of a lesser
spotted leopard’ [incl. review of d’Offay exhib.], in Evening
Standard, 28 Oct. 1993, pp.28-29; repr. as ‘Howard Hodgkin’
in The reviews that caused the rumpus, and other pieces. London:
Bloomsbury, 1994; pp.284-286; repr. in An alphabet of
villains. London: Bloomsbury, 1995; pp.107-109.
Giles Smith: ‘”A
stripe is a stripe,
a splodge is a splodge”’ [interview], in The Independent, Weekend,
30 Oct. 1993, p.52.
* Tim Hilton:
‘Obscure
objects of desire’ [review of d’Offay exhib.], in The
Independent on Sunday, 31 Oct. 1993, p.35.
Celia Lyttelton:
‘Howard’s way’
[revew of d’Offay exhib.], in The Tatler, Nov. 1993, p.24.
Richard Cork:
‘Painting from memory’
[review of d’Offay exhib.], in The Times, 2 Nov. 1993, p.41.
Daniel Farson:
‘Knight errant’ [incl.
review of d’Offay exhib.], in The Mail on Sunday Review, 7
Nov. 1993, p.34.
David Lillington:
‘Howard Hodgkin’
[review of d’Offay exhib.], in Time Out, 17-24 Nov. 1993, p.40.
* Martin
Filler: ‘Howard Hodgkin
is tired of being a minor artist’, in The New YorkTimes, 5 Dec.
1993, p.43.
* H R Crane
& Steven
Vita: ‘Interview’, in Veery (Chicago: The Foxglove Company),
1992, no.2, pp.1-2.
Raimund Stecker:
‘Venezianische Emotionen
– Howard Hodgkin, ein nicht nur englischer Maler’, in Die
Kunst-Bulletin, Jan. 1992, no.1, pp.19-25.
Heather Guthrie:
‘Focus on the artist’,
in Eastern Daily Press, 3 Feb. 1992.
Barbara MacAdam:
‘Speaking of the
unspeakable’
[review of book ‘The way we live now’], in Art News, Mar. 1992,
vol.91 no.3, p.20.
Zoe Heller:
‘Howard’s way’, in Harper’s & Queen, Apr. 1992, pp.152-156.
* Maggie
Parham: ‘Art for
AIDS sake’ [review of book ‘The way we live now’], in Evening
Standard Magazine, 8 May 1992, pp.76-77.
David Lee: ‘BBC
billboard project’,
in Arts Review, July 1992, vol.44, pp.234-235.
Andrew
Graham-Dixon: ‘Sudden shafts
of reality’ [on HH’s collection of Indian art], in The Independent,
27 Oct. 1992, p.14.
Frances Spalding:
‘An interview with
Howard Hodgkin’ [about Margery Fry & her house in Holland Park],
in The Charleston Magazine, Winter 1992 – Spring 1993, no.6,
pp.26-33.
Ulrich Wiesner:
‘Report from Europe:
new catalogues’ [incl. review of monograph by Topsfield & Beach],
in Oriental Art, Winter 1992/3, vol.38 no.4, pp.269-272 (ref.
pp.269-271).
* [Howard
Hodgkin]. Kerlin Gallery, London, 1992.
Howard
Hodgkin: prints (c.30 works) . Hachmeister Galerie, Münster,
Mar. –
Apr. 1992.
* Ready
steady go: painting
of the Sixties from the Arts Council Collection. South Bank Centre
touring exhibition, 21 Jan. – 23 Feb. 1992; travelling
to Stockport, Wakefield, Burnley, Ipswich, Coventry, Nottingham,
Wrexham,
Swansea, Dudley & Bath (to Oct. 1993).
The poetic
trace: aspects of British
abstraction since 1945 (1 work; illus. in col.). Adelson Galleries,
New York, 12 May – 30 June 1992.
* A benefit
reception
and exhibition of centennial prints in honor of the 100th
anniversary of the Modern Art Museum of Fort Worth. Charles Cowles
Gallery, New York, 1992.
* Singular
and plural,
recent accessions, drawings and prints: 1945 to 1991. Museum of
Fine Arts, Houston, 1992.
Susan Sontag [text], Howard Hodgkin [illustrations]: The way we live now. London: Jonathan Cape, 1991; 32p, 5 col. Illus. Fasimile commercial edition of Karsten Schubert limited edition (“All royalties from this edition of The Way We Live Now are being given to AIDS charities in the United Kingdom and the United States” – p.5); ISBN: 0224029169.
Julian Barnes: Evermore ; pictures by Howard Hodgkin, text by Julian Barnes. London: Palawan Press, 1996; 1) standard edition of 150 signed & numbered copies, with 6 original etchings, in hand painted blue wrappers, enclosed in cardboard box & sleeve, selling at £750; 2) special blue edition of 50 signed & numbered copies, comprising the etchings of the standard edition, with each page of the book hand-painted, & 2 individual prints, signed by the artist; enclosed in sleeve and portfolio box in silver bookcloth; selling at £1500.
Indian paintings and drawings from the collection of Howard Hodgkin (42 works). British Museum, London, 27 May – 21 Aug. 1991; Arthur M. Sackler Gallery, Smithsonian Institution, Washington, 15 Sept. 1991 – 12 Jan. 1992; Museum Zeitberg, Zürich, 21 June – 11 Oct. 1992 (as The artist as collector); Ashmolean Museum, Oxford, 20 Oct, 1992 – 7 Feb. 1993; monograph by Andrew Topsfield & Milo Cleveland Beach as catalogue; bibl.; text by HH, Notes on the collection, pp.9-11.
* Tom Lubbock:
‘Howard
Hodgkin: small paintings 1975-89’ [review of British Council exhib.],
in Alba, Jan. – Feb. 1991, p.29.
Robert G.
Edelman: ‘Howard Hodgkin’
[review of Knoedler exhib.], in Art News, Feb. 1991, vol.90 no.2,
p.134.
Robert C. Morgan:
‘Howard Hodgkin’
[review of Knoedler exhib.], in Arts Magazine, Feb. 1991, vol.65
no.6, p.78.
Andrew
Graham-Dixon: ‘Heavy rain’,
in The Independent Magazine, 16 Feb. 1991, pp.36-37.
* Geordie
Greig: ‘The fine
art of healing’, in Sunday Times Magazine, 10 Mar. 1991,
pp.42-46.
* Aidan Dunne:
‘The Howard
way to make a breadboard sensual’, in The Sunday Tribune, 31 Mar.
1991, p.22.
Rosemary Simmons:
‘Master-class: Howard
Hodgkin: new hand-coloured prints’, in Printmaking Today, Spring
1991, no.2, pp.1, 7-8.
* Brian Fallon:
‘The colour
of saying’, in The Irish Times, 2 Apr. 1991, p.8.
Marina Vaizey: ‘A
map of the modern’
[incl. review of Waddington exhib.], in Sunday Times, 7 Apr.
1991.
‘Where they eat’
[HH’s choice of
restaurants], in Time Out, 17-24 Apr. 1991, p.36.
Cathy Courtenay:
‘Artist’s books:
‘The way we live now’’ [review of artist’s book], in Art
Monthly, May 1991, no.146, p.27.
Geoffrey Newman:
‘Rain man’, in Times Higher Education Supplement, 2 Aug. 1991.
* Robert
Hughes: ‘Aftershock
of the new’, in The Observer Magazine, 25 Aug. 1991, pp.22-25.
* James Hall:
‘The essence
of Paris’, in The Independent Magazine, 31 Aug. 1991, pp.42-45.
John Pollex:
‘Altered forms’, in Ceramic Review, Nov. – Dec. 1991, no.132,
pp.16-21.
* [Howard
Hodgkin]. Brooke Alexander Editions, New York, 1991.
* [Howard
Hodgkin]. Waddington Graphics, London, 1991.
* [Howard
Hodgkin]. Locks Gallery, Philadelphia, 1991.
* [Howard
Hodgkin]. Castlefield Gallery, Manchester, 1991.
Howard Hodgkin
(24 works). Ikeda & Lokker, London, 1991; 51p, 24 col illus.;
biog., exhibs.; introd. & catalogue by Yoko Ikeda & Raymond
Lokker (parallel English/Japanese text).
‘The way we live now’ [HH’s hand-coloured etchings and working
proofs for the limited edition publication]. Karsten Schubert
Gallery, London, 27 Mar. – 20 Apr. 1991 (no catalogue).
* Smith
collects contemporary. Smith College Museum of Art, Northampton
(MA), 1991.
The absent
presence: the uninhabited
interior in 19th and 20th
century British art (1 work; illus. in col.). Graves Art Gallery,
Sheffield, 19 Jan. – 2 Mar. 1991; Geffrye Museum, London, 21 Mar.
– 2 June 1991.
British art
from 1930 (1 work; illus. in col.). Waddington Galleries, London,
27 Feb.
– 23 Mar. 1991.
* Not Pop:
what the others
were doing. Bernard Jacobson Gallery, London, 10 Sept. –
8 Oct. 1991.
Nicholas
Treadwell: ‘Nicholas Treadwell
on Hodgkin’, in The Independent, 30 Jan. 1990.
* Andrew
Graham-Dixon: ‘Velazquez:
the greatest living artist’, in Vogue (UK), Mar. 1990, vol.154,
pp.314-318, 368.
* Alistair
Hicks: ‘The
fire of London’, in Art and Auction, May 1990, vol.12,
pp.212-217.
* Andrew
Graham-Dixon: ‘Hanging
in the balance’ [interview], in The
Independent, 10 July 1990, p.11.
Guy Burn: [review
of Lumley Cazalet
exhib.],
in Arts Review, 13 July 1990, vol.42 no.14, pp.374-375.
[review of Nantes
exhib.], in L’Oeil,
July/Aug. 1990, nos.420-421, p.111.
* Alexandra
Enders: ‘At
home and abroad’, in Art and Antiques, Nov. 1990, vol.7, p.39.
* [review of
Nantes exhib.],
in Connaissance des Arts, Nov. 1990, no.465, p.28.
Robin Stemp:
[review of Cambridge
exhib.],
in Arts Review, 2 Nov. 1990, vol.42 no.22, p.600.
John Russell: ‘A
Hodgkin original’
[review of New York exhib.], in The New York Times Magazine,
11 Nov. 1990, pp.56-60, 62.
* Michael
Kimmelman: ‘Howard
Hodgkin / The British imagination: 20th-century paintinbgs,
sculpture and paintings’, in The New York Times, 23 Nov. 1990,
p.C4.
* Richard
Dorment: ‘Howard’s
way’, in Telegraph Weekend Magazine, 24 Nov. 1990, pp.50-55.
* Michael M.
Thomas: ‘He
behaved at the Pierre, got shocked at Bergdorf’s ...’, in The
New York Observer, 26 Nov. 1990, pp.1, 17.
Ian Brunskill:
‘Hodgkin steps out’
[review of British Council touring exhib.], in Artscribe
International, Nov. – Dec. 1990, no.84, pp.14-15.
Andreas Beyer:
‘Howard Hodgkin: Titelei’,
in Kunstforum, Nov.-Dec. 1990, Bd.110, pp.210-222.
* Mark Stevens:
‘Shades
of the past’, in Vanity Fair, Dec. 1990, vol.53, pp.172-173.
Richard Cork:
‘Painting to ease the
passing of time’ [interview on the occasion of Edinburgh erxhib.],
in The Times Saturday Review, 1 Dec. 1990, pp.16-17.
Andrew Gibbon
Williams: ‘Small works
of wisdom’ [review of Edinburgh exhib.], in The Times, 14 Dec.
1990, p.17.
Tom Lubbock:
‘Viewer virtuosity and
red herrings’ [review of Edinburgh exhib.], in The
Independent on Sunday, 16 Dec. 1990, p.19.
John McEwen:
‘Marriage of material
and temperament’ [incl. review of Edinburgh exhib.], in Sunday
Telegraph, 16 Dec. 1990.
Marina Vaizey:
‘Flying international
colours’ [incl. review of Edinburgh exhib.], in Sunday Times,
16 Dec. 1990, section 5, p.8.
Sir Richard
Francis: ‘Pictorial guide
to Venice’ [in series Picture Choice], in The
Independent, 18 Dec. 1990, p.21.
David Heaphy:
‘Art critic swallows
the Tate line’ [letter in response to review of 22 Dec. 1990], in The
Scotsman, 31 Dec. 1990.
* Andreas
Beyer: ‘Howard
Hodgkin: Galerie Michael Werner, Koln’, in Artis: Zeitschrift für
neue Kunst, Dec. 1990 – Jan. 1991, no.42, pp.70-71.
William Crozier:
‘Howard Hodgkin: the
artist’s eye’, in Modern Painters, Winter 1990/1991, vol.3
no.4, pp.16-19, 21.
* [Howard
Hodgkin]. Jan Kesner Gallery, Los Angeles, 1990.
* [Howard
Hodgkin]. Ganz Gallery, Cambridge, 1990.
Howard Hodgkin
(14 works illustrated). Michael Werner, Cologne, 18 Sept. –
15 Oct. 1990; 56p, 23 illus (14 col.); exhibs.; texts by Wilfried
Dickhoff, “Like an open book”/”Wie ein offense Buch”, pp.4-9,
& Timothy Hyman, Making a riddle out of the solution/Die
Losung zum Ratsel machen, pp.10-25 (parallel English/German text);
repr. as Howard Hodgkin: the carnal presence of emotion in
Wilfried
Dickhoff: After Nihilism: essays on contemporary art, Cambridge:
Cambridge University Press, 2000, pp.60-63.
Howard Hodgkin
(14 works illustrated). M. Knoedler & Co., New York, 6 Nov.
– 1 Dec. 1990; 44p, 22 illus (14 col.); exhibs., bibl.; texts by
Wilfried
Dickhoff, “Like an open book”, pp.4-6, & Timothy Hyman, Making
a riddle out of the solution, pp.7-13.
Howard
Hodgkin: small paintings
1975-1989 (27 works). Musée des Beaux-Arts, Nantes, 15 June –
15 Sept. 1990; travelling to Centre Cultural de la Fundació Caixa de
Pensions, Barcelona, 1 Oct. – 18 Nov. 1990; Scottish National Gallery
of Modern Art, Edinburgh, 8 Dec. 1990 – 24 Feb. 1991; Douglas Hyde
Gallery, Trinity College, Dublin, Mar. – May 1991; organised by British
Council; 96p, 40 illus (35 col.); biog., exhibs., bibl.; texts by
Henry-Claude
Cousseau, Hodgkin: inalienable painting, pp.6-8, Timothy Hyman, Howard
Hodgkin: making a riddle out of the solution, pp.9-15, &
Deepak Ananth, Hodgkin’s poetics, pp.81-84; ISBN: 0863551076.
Howard
Hodgkin: graphic work: fourteen
hand-coloured lithographs and etchings 1977-1987. Lumley Cazalet
Ltd., London, 21 June – 20 July 1990; 31p, 14 col.
Illus.; biog., exhibs.; introd. by John Russell, pp.2-3.
* Pharmacy. Jan
Kesner Gallery, Los Angeles, 1990.
Glasgow’s
Great British art exhibition
(2 works; 1 illus. [upside-down] in col.). McLellan Galleries,
Glasgow Museums and Art Galleries, 27 Mar. – 9 May 1990.
Tribute to
Peter Fuller (1 work). Beaux Arts, Bath, 20 Oct. – 20 Nov. 1990.
*
Masterpieces from the
Arts Council Collection. Ueno Royal Museum, Tokyo, 25 – 29 Oct.
1990.
* Brian Sewell:
‘Ivon Hitchens
and Howard Hodgkin’, in The Tatler, 1989; repr. in The reviews
that caused the rumpus, and other pieces. London: Bloomsbury, 1994;
pp.280-284.
Brooks Adams:
‘Review of exhibitions:
New York’ [incl. review of Knoedler exhib.], in Art in America, Jan.
1989, vol.77 no.1, pp.143-144.
Margaret Moorman:
‘Reviews: Howard
Hodgkin’ [review of Knoedler exhib.], in Art News, Jan. 1989,
vol.88 no.1, p.129.
Peggy Cyphers:
‘New York in review’
[incl. review of Knoedler exhib.], in Arts Magazine, Jan. 1989,
vol.63 no.5, p.106.
* Patricia G.
Walker: ‘Howard
Hodgkin: M. Knoedler & Co., Inc.’ [review of exhib.], in Cover,
1 Jan. 1989, p.16.
* Mirabel
Cecil: ‘Howard’s
way’, in World of Interiors, Feb. 1989, pp.70-79.
* Christopher
Andreae: ‘Each
Hodgkin painting holds layers of pondering’ [review of Knoedler exhib.],
in The Christian Science Monitor, 13 Apr. 1989, vol.81, pp.10-11.
* Alistair
Hicks: ‘Howard
Hodgkin – the artist as collector’, in Antique, Summer 1989,
pp.21-24.
Jann Parry: ‘An
eye for a dance’
[on HH’s designs for the Royal Ballet], in The
Observer, 16 July 1989, p.39.
* Pauline
Peters: ‘The
collector’, in Telegraph Weekend Magazine, 28 Oct. 1989,
pp.18-27.
* Colin
Gleadell: ‘The
art market: Auction trends in the Eighties’, in Art International,
Winter 1989, vol.9, pp.72-75.
* Lynne Cooke:
‘Special
report: British art in the Eighties’, in Journal of Art, Nov.
1989, vol.2, pp.24-26.
* [Howard
Hodgkin]. Museum Ludwig, Cologne, 1989.
Works on paper
(1 work; illus. in col.). Waddington Galleries, London, 1 –
25 Feb. 1989.
Bilderstreit:
Widerspruch, Einheit
und Fragment in der Kunst seit 1960 (3 works). Museum Ludwig,
Cologne, 8 Apr. – 28 June 1989.
Twentieth
century works (1 work; illus. in col.). Waddington Galleres,
London, 26 Apr.
– 20 May 1989.
David Sylvester:
‘Colour dialogue’
[interview], in Vogue (UK), Jan. 1988, vol.149, pp.122-125.
Margaret
Sheffield: ‘Frame ups (&
downs)’, in Connoisseur, Mar. 1988, pp.112-117 (ref. p.117).
* Andrew
Graham-Dixon: ‘On
the edge’, in The Independent, 5 Apr. 1988, p.13.
* William
Feaver: ‘Whoosh
in Venice’, in The Observer, 9 Apr. 1988, p.38.
* Geoffrey
Newman: ‘Celebrations
of radiance’, in Times Higher Education Supplement, 27 May 1988,
p.15.
* Brian Sewell:
‘Art’,
in Evening Standard, 9 Aug. 1988.
* David Sexton:
‘Howard’s
way back’, in Sunday Telegraph Magazine, 21 Aug. 1988, p.65.
Richard Dorment:
‘Drawn towards the
light’ [review of Waddington exhib.], in Daily Telegraph, 26
Aug. 1988, p.12.
Tim Hilton:
‘Beyond the boundary’
[review of Waddington exhib.], in The
Guardian, 31 Aug. 1988, p.17.
Peter Fuller:
‘Howard Hodgkin and Robert
Natkin’ [incl.review of Waddington exhib.], in Modern Painters, Autumn
1988, vol.1 no.3, pp.76-77.
* William
Feaver: ‘Hodgkin’s
Venice: the greedy eye attracted’, in World of Interiors, Sept.
1988, p.173.
Giles Auty:
‘Howard’s way’ [review
of Waddington exhib.], in The Spectator, 3 Sept. 1988, vol.261
no.8356, p.30.
William Feaver:
‘Whoosh in Venice’
[review of Waddington exhib.], in The
Observer, 4 Sept. 1988, p.38.
Andrew
Graham-Dixon: ‘Drawing on life’
[incl. review of Waddington exhib.], in The
Independent, 6 Sept. 1988, p.16.
William Packer:
‘Overlaid with witty
eroticism’ [review of Waddington exhib.], in Financial Times, 6
Sept. 1988.
Alistair Hicks:
‘Beneath the surface’
[incl. review of Waddington exhib.], in The Times, 6 Sept. 1988,
p.16.
Mark Currah:
‘Howard Hodgkin,
Waddingtons’
[review of exhib.], in City Limits, 8-15 Sept. 1988, p.81.
Larry Berryman:
‘Howard Hodgkin’
[review of Waddington exhib.], in Arts Review, 9 Sept. 1988,
vol.40 no.18, p.616.
Michael Shepherd:
‘Hodgkin’s Venetian
hours’ [review of Waddington exhib.], in Sunday Telegraph,
11 Sept. 1988, p.19.
Marina Vaizey:
‘British shows of
strength’
[incl. review of Waddington exhib.], in Sunday Times, 11 Sept.
1988, p.C 11.
Michael Archer:
‘Howard Hodgkin’
[review of Waddington exhib.], in Art Monthly, Oct. 1988, no.120,
pp.16-17.
* John Russell:
‘The poetic
renderings of Howard Hodgkin’ (review of Knoedler exhib.], in The
New York Times, 14 Oct. 1988, p.C24.
* [Howard
Hodgkin]. Bjorn Olsson Gallery, Stockholm, 1988.
Howard Hodgkin
(13 works illustrated). Waddington Galleries, London, 24 Aug.
– 17 Sept. 1988; traveling to M. Knoedler & Co., New York, 8 Oct.
– 3 Nov. 1988; 32p, 13 col. Illus.
* 1900 to
now: Modern
Art from Rhode Island Collections. Museum of Art, Rhode Island
School of Design, Providence (RI), 22 Jan.
– 1 May 1988.
Works on paper
(1 work; illus. in col.). Waddington Galleries, London, 1 –
25 Feb. 1989.
The British
picture (1 work; illus. in col.). L.A. Louver, Venice (CA), 5 Feb. –
5 Mar. 1988.
Twentieth
century works (1 work; illus. in col.). Waddington Galleries,
London, 26 Apr.
– 20 May 1989.
1988: the
world of art today (1 work; illus in col.). Milwaukee Art Museum, 6
May – 28 Aug.
1988.
A golden age:
the artist works with
paper: a selection of very fine prints and works on paper by JanetFish,
Howard Hodgkin [et al.] (1 work; illus. in col.). Meredith
Long & Company, Houston, 19 July – 9 Sept. 1988.
100 years of
art in Britain (1 work; illus. in col.). Leeds City Art Gallery, 4
Oct. 1988
– 15 Jan. 1989.
The pastoral
landscape: the legacy
of Venice and the modern vision (1 work). National Gallery of Art
& Phillips Collection,
Washington,
6 Nov. 1988 – 22 Jan. 1989; catalogue publ. as Places of delight:
the pastoral landscape, Washington: Phillips Collection; London:
Weidenfeld & Nicolson, 1988.
The Saint
Louis Art Museum Annual
Report 1986, 1987, pp.4-5, 36.
David Sylvester:
‘Artist’s dialogue:
Howard Hodgkin: the texture of a dream’, in Architectural Digest, Mar.
1987, vol.44 no.3, pp.54, 62, 66, 70, 74.
Leslie
Geddes-Brown: ‘Preparing faces
for posterity: commissioning portraits’, in Country Life, 7
May 1987, no.1881 (19), pp.100-101.
* Frederick
Lowe: ‘None
but the brave deserves the fair’, in Yellow Silk, July 1987,
vol.23, pp.41-42, 44.
Timothy Hyman:
‘Mapping London’s
other landscape’, in Art International, Autumn 1987, no.1,
pp.51-61 (ref. pp.57, 60-61).
LSU [= Lora S.
Urbanelli]: ‘Howard
Hodgkin: “David’s Pool”’, in Rhode Island School of Design, Oct.
1987, vol.74 no.2 (‘Museum Notes 1987’), p.43.
State of the
art: ideas and images (1 work). Institute of Contemporary Arts,
London, 14 Jan. –
1 Mar. 1987; traveling to Laing Art Gallery, Newcastle, 13 Mar. –
26 Apr. 1987; Harris Museum and Art Gallery, Preston, 9 May – 21 June
1987; Cartwright Hall, Bradford, 27 June – 23 Aug. 1987; Sainsbury
Centre for Visual Arts, Norwich, 1987.
2D/3D: art and
craft made and designed
for the twentieth century (1 work; illus. in col.). Laing
Art Gallery, Newcastle upon Tyne, & Northern Centre for Contemporary
Art, 14 Jan. – 8 Mar. 1987.
British art in
the 20th
century: the Modern movement (3 works; illus. in col.). Royal
Academy of Arts, London, 15 Jan. – 5 Apr. 1987; publ. by Prestel-Verlag,
Munich; ref. pp.91 (text by Robert Rosenblum), 382-384 (essay by Norman
Rosenthal, ‘Three painters of this time: Hodgkin, Kitaj and Morley’)
&.434 (text by Mary Rose Beaumont).
Current
affairs: British painting
and sculpture in the 1980s (3 works; illus, 2 in col.). Museum
of Modern Art, Oxford, 1 – 29 Mar. 1987; tour organised by British
Council, to Mücsarnok, Budapest, 24 Apr. – 31 May 1987; Národní
Galerie, Prague, 19 June – 7 Aug. 1987; Zacheta, Warsaw, 14 Sept.
– 31 Oct. 1987; text by David Elliott, p.20.
Art of our
time (4 works from The Saatchi Collection; illus. in col.). Royal
Scottish
Academy, Edinburgh, 7 Aug. – 5 Sept. 1987; organised by The Saatchi
Collection; text on HH by Alastair Hicks, pp.13-14.
* Recent
abstract painting. John Good Gallery, New York, 9 Jan. – 8 Feb.
1986.
20th century
original prints. Christopher Hull Gallery, London, 5 Feb.
– 1 Mar. 1986 (no catalogue; PV card).
Studies of the
nude (1 work; illus. in col.). Marlborough Fine Art, London, 19
Mar.
– 2 May 1986.
The window in
twentieth-century art (1 work; illus in col.). Neuberger Museum,
State University of
New York, Purchase (NY), 21 Sept. 1986 – 18 Jan. 1987; Contemporary
Arts Museum, Houston, 24 Apr. – 29 June 1987.
William Feaver:
‘London: allusions
veiled and classical’ [review of Whitechapel exhib.], in Art News,
Jan. 1986, vol.85 no.1, p.119.
‘Un prix pour
l’art’ [on award
of the Turner Prize], in Connaissance des Arts, Jan. 1986,
no.407,
p.96.
John Caldwell:
‘Collecting and the
International: seven new acquisitions’, in Carnegie Magazine,
Jan. – Feb. 1986, vol.58 no.1, pp.6-10.
G. Hedley: ‘Less
haste, more Hodgkin’
[letter], in Museums Journal, 11 Feb. 1986, vol.25, p.208.
‘Prints &
photographs published’,
in The Print Collector’s Newsletter, Mar. – Apr. 1986, vol.17
no.1, pp.16-18 (ref. p.17).
Susan Fisher:
‘Dolan Maxwell Gallery,
Philadelphia’ [review of exhib.], in New Art Examiner, Apr. 1986,
vol.13, p.60.
Jed Perl: ‘Winter
notebook: recent
abstract painting’ [incl. review of John Good Gallery exhib.], in The
New Criterion, Apr. 1986, vol.4 no.8, pp.57-67 (ref. pp.57-58).
Keith Clemens:
‘Artists and places
nine: Howard Hodgkin’, in The Artist, Aug. 1986, vol.101 no.8,
pp.1, 12-14.
Gregory Burn:
[review of Odette Gilbert
Gallery exhib.], in Arts Review, 1 Aug. 1986, vol.38 no.15,
p.419.
Susan Gill:
‘Howard Hodgkin: Knoedler’
[review of New York exhib.], in Art News, Sept. 1986, vol.85
no.7, pp.115-119.
Gregory Galligan:
‘A small thing but
painting: the new work of Howard Hodgkin’, in Arts Magazine,
Sept. 1986, vol.61 no.1, pp.65-67.
E. Heartney: ‘New
editions’ [new
prints], in Art News, Oct. 1985, vol.85 no.8, pp.101-105 (ref.
p.105).
M. Moorman:
[review of new prints], in Art News, Oct. 1986, vol.85 no.8,
p.105.
* Judith
Dunham: ‘Howard
Hodgkin’s accumulated memories’, in Print News, Winter 1986,
no.8, pp.4-7, 25.
‘I begin pictures
full of hope: four
questions posed to Howard Hodgkin’ [interview with Luciana Mottola],
in 891: international artists’ magazine, Dec. 1986, vol.3 no.7,
pp.12-15.
* Howard
Hodgkin: prints. Albright-Knox Art Gallery, Buffalo, 1986.
Howard Hodgkin
(17 works illustrated). M. Knoedler & Co., New York, 10 May
– 5 June 1986; 36p, 17 col ills.
Howard Hodgkin
collection for
Designers
Guild [4 fabrics designed by HH]. Designers Guild, London,
12 May 1986 - ; travelling to International Contemporary Art Fair,
Olympia,
London, 29 May – 1 June 1986; 1p.
Howard
Hodgkin: prints. Odette Gilbert Gallery, London, 30 July – 13 Sept.
1986 (no catalogue;
PV card).
* Made in
India. Museum of Modern Art, New York, 1985.
The
Turner Prize 1985 (1 work illus.). Tate Gallery, London, [17
Oct. – 1 Dec.] 1985 (HH announced the winner
on 12 Nov. 1985).
* Jane Addams
Allen: ‘After
‘Year of the French’, can contemporary be far behind?’, in The
Washington Times Magazine, 4 Jan. 1985.
* Shirley
Gonzales: ‘Hodgkin’s
trip into ‘deep space’’ [review of New Haven exhib.], in New
Haven Register, 20 Jan. 1985.
* Naomi Ilzuka:
‘Splashing
abstractions at the BAC’, in After Hours, 31 Jan. 1985, p.4.
William Feaver:
‘Inside Europe: England’,
in Art News, Feb. 1985, vol.85 no.2, pp.57-59 (ref. 58).
Kenneth Baker:
‘Too much and/or not
enough: a note of Howard Hodgkin’ [review of Washington exhib.], in Artforum,
Feb. 1985, vol.23 no.5, pp.60-61.
‘Un peintre
anglais en vue’ [review
of New Haven exhib.], in Connaissance des Arts, Feb. 1985,
no.396,
p.16.
* Vivien
Raynor: ‘At Yale,
the ‘Afterthoughts’ of Howard Hodgkin’ [review of New Haven exhib.],
in The New York Times, 10 Feb. 1985, p.C24.
* Bernard
Hanson: ‘Hodgkin
on view at Yale’ [review of New Haven exhib.], in The Hartford
Courant, 24 Feb. 1985, p.49.
Gregory Galligan:
‘Howard Hodgkin:
forty paintings’ [review of Washington exhib.], in Arts Magazine, Mar.
1985, vol.59 no.7, pp.122-125.
Eric Gibson: ‘The
Hodgkin paradox’,
in Studio International, Mar. 1985, vol.198 no.1008, pp.23-25.
John Coleman:
‘Omnibus: the new art’,
in Studio International, Mar. 1985, vol.198 no.1008, pp.34-35.
Jeff Perrone:
‘Entrees: diaretics:
entreaties: bowing (wowing) out’ [incl. review of New Haven exhib.],
in Arts Magazine, Apr. 1985, vol.59 no.8, pp.78-83 (ref.
pp.80-81).
* Ursula Bode:
‘Gefallig
verwirren a: Der Maler Howard Hodgkin in Hannover’ [review of exhib.],
in Hannoverische Allgemeine Zeitung, 24 Apr. 1985.
* Gisela
Burkamp: ‘Durch
und durch sinnenhaftes Ereignis’ [review of Hanover exhib.], in Lippische
Landeszeitung, 30 Apr. 1985.
David Sweet:
‘Howard Hodgkin at Yale
Center for British Arts [sic] and Larry Poons at Andre Emmerich, New
York’ [incl. review of New Haven exhib.], in Artscribe, May –
June 1985, no.53 (i.e. 52), pp.52-53.
Judith Higgins:
‘In a hot country’,
in Art News, Summer 1985, vol.84 no.6, pp.56-65.
* Roberto
Tassi: ‘Howard
Hodgkin: un maestro della pittura inglese’, in Vogue (Italia), June
1985, pp.160-165.
* Christine
Temin: ‘Hodgkin
paints sensual emotions’, in The Boston Globe, 27 June 1985.
Decorative
vegetable gardens’, in Good Housekeeping, Aug. 1985, pp.75-78.
* Timothy
Hyman: ‘Howard
Hodgkin: making a riddle out of the solution’, in Art and Design, Sept.
1985, vol.1, pp.6-11.
* Edward
Lucie-Smith: ‘Exhibitions’,
in Illustrated London News, Sept. 1985, vol.273, p.76.
* William
Feaver: ‘Art’,
in Vogue (UK), Sept. 1985, vol.142, pp.46, 52.
Laurence Marks:
‘Portrait of the artist
as a compulsive collector’, in The
Observer, 15 Sept. 1985, p.19.
Michael Shepherd:
‘Hodgkin at the new
Whitechapel’ [review of exhib.], in Sunday Telegraph, 22 Sept.
1985, p.15.
* William
Packer: ‘An anniversary
and return’, in Financial Times, 24 Sept. 1985, p.19.
John Russell
Taylor: ‘Toughness under
the lyric grace’ [incl. review of Whitechapel & Tate exhibs.],
in The Times, 24 Sept. 1985, p.9.
Alistair Hicks:
‘Talking about art’
[review of Whitechapel exhib.], in The Spectator, 28 Sept. 1985,
vol.255 no.8203, pp.35-36.
Marina Vaizey:
‘The intimate room within’
[review of Whitechapel exhib.], in Sunday Times, 29 Sept. 1985,
p.42.
John Russell:
‘London and Yale, Hodgkin
at Whitechapel’ [review of exhib.], in Burlington Magazine, Oct.
1985, vol.127 no.991, pp.729-730.
Brian Sewell:
‘The mark of a hypnotist’
[review of Whitechapel & Tate exhibs.], in The London Standard,
3 Oct. 1985, p.23.
John Spurling:
‘Dotted about the place’
[incl. review of Whitechapel & Tate exhibs.], in The
New Statesman, 4 Oct. 1985, vol.110 no.2845, p.32.
Frances Spalding:
‘The nub of feeling’
[review of Whitechapel & Tate exhibs.], in Times Literary
Supplement,
4 Oct. 1985, no.4305, p.1103 (& illustration on p.1093).
Richard Cork:
‘Howard’s way’ [review of Whitechapel exhib.], in The Listener,
10 Oct. 1985,
vol.114 no.2930, p.37; repr. as ‘Howard Hodgkin’ in Richard Cork: New
spirit, new sculpture, new money: art in the 1980s. New Haven,
London: Yale University Press, 2003; pp.180-183.
Mary Rose
Beaumont: ‘Howard Hodgkin:
at the Whitechapel Art Gallery, the Tate Gallery and Bernard Jacobson’
[review of exhibs.], in Arts Review, 11 Oct. 1985, vol.37 no.20,
p.515.
Michael McNay:
‘Howard Hodgkin’ [review
of Whitechapel exhib.], in The Guardian, 12 Oct. 1985, p.10.
* Sally
Brampton: ‘Howard
Hodgkin: art into life’, in Elle (UK), Nov. 1985, p.86.
Andrew
Graham-Dixon: ‘The abstract
threshold’ [review of Whitechapel exhib.], in The Literary Review, Nov.
1985, p.89, pp.28-29.
Anne McHardy: [on
the award of the Turner
Prize], in The Guardian, 13 Nov. 1985, p.32.
Alistair Hicks:
‘Galleries’ [incl.
comment on award of the Turner Prize], in The Times, 19 Nov.
1985, p.10.
John Caldwell:
‘Collecting and the
International: seven new acquisitions’, in Carnegie Magazine,
Nov./Dec. 1985, vol.57 no.12, pp.1, 6-10 (ref. pp.1, 10).
Charles Harrison:
‘Hodgkin’s moment’
[review of Whitechapel exhib.], in Artscribe, Dec. 1985 – Jan.
1986, no.55, pp.62-64.
* Ally van der
Pauw: ‘Howard
Hodgkins Zuchtjes van Pijn en Plezier’, in Haagse Post, 7 Dec.
1985, pp.52-55.
Howard
Hodgkin: opera grafica
1977-1983 (3 works). Galleria Comunale d’Arte Moderna, Bologna,
1985;
organised by the British Council. Milan: Nuove edizioni Gabriele
Mazzotta, 1985; 52p, 31 illus (13 col.); biog., exhibs.; introd. by
Malcolm Hardy, British Council; text by Enrico Crispolti, Appunti
sulla “poetica” di Hodgkin, pp.11-16; ISBN: 8820206382.
Howard
Hodgkin: works on paper:
paintings
created in India, 1978. Hand colored prints, 1977-83 (5 paintings
& 24 prints). L.A. Louver, Venice CA, 8 Jan.
– 2 Feb. 1985; card, 4p.
Howard
Hodgkin: recent paintings. Yale Center for British Art, New Haven
(CT), 15 Jan. 1985 – (PV card).
Howard
Hodgkin: Bilder 1973 bis 1984 (37 works). Kestner-Gesellschaft
Hannover, 19 Apr. – 27 May
1985; biog., exhibs., bibl.; introd. by John McEwen, pp.15-22; interview
with David Sylvester, pp.23-36
Howard
Hodgkin: prints 1977 to 1983 (25 works). Tate Gallery,
London, 18 Sept. – 1 Dec. 1985;
60p, 60 illus (17 col.); introd. by Richard Morphet, pp.9-17; Complete
catalogue of prints 1977-1985, compiled by Elizabeth Knowles,
pp.51-59; A printing chronology, p.60; ISBN: 0946590303.
* Form
colour surface:
painting about itself. Barbara Krakow Gallery, Boston, 1984.
Four rooms: an
Arts Council touring
exhibition devised by: Howard Hodgkin, Marc Camille Chaimowicz, Richard
Hamilton, Anthony Caro (1 work by HH; 3 illus, 1 col.). Liberty,
London, 10 Feb. – 10 Mar. 1984; Central Art Gallery, Wolverhampton,
7 Apr. – 12 May 1984; Southampton Art Gallery, 26 May – 8 July 1984;
Newport Museum and Art Gallery, 21 July – 25 Aug. 1984; Aberdeen Art
Gallery, 8 Sept. – 7 Oct. 1984; Mappin Art Gallery, Sheffield, 20
Oct. – 18 Nov. 1984; organised by Arts Council of Great Britain; incl.
extract from interview with HH for BBC ‘Arena’ programme, 1984,
by Nigel Finch, p.11.
An
international survey of recent
painting and sculpture (1 work; illus.). Museum of Modern
Art, New York, 17 May – 19 Aug. 1984.
* Summer
selection. M. Knoedler & Co., New York, July – Aug. 1984.
The hard-won
image: traditional method
and subject in recent British art (2 works; illus., 1 in col.); Tate
Gallery, London, 4 July – 9 Sept.
1984; text by Richard Morphet.
The Turner
Prize (2 works). Tate Gallery, London, [26 Oct. – 2 Dec. 1984].
The British
art show: old allegiences
and new directions 1979-1984 (2 works). Arts Council touring
exhibition, at Birmingham Museum and Art Gallery
& Ikon Gallery, Birmingham, 2 Nov. – 22 Dec. 1984; Royal Scottish
Academy, Edinburgh, 19 Jan. – 24 Feb. 1985; Mappin Art Gallery,
Sheffield,
16 Mar. – 4 May 1985; Southampton Art Gallery, 18 May – 30 June
1985; publ. Orbis Publishing, London, 1984.
* Four rooms: Howard Hodgkin in conversation with Nigel Finch. BBC televsion series ‘Arena’, 21 Feb. 1984.
* Howard Hodgkin. WETA – TV (Washington, D.C.), Channel 26, 11 & 14 Nov. 1984; sponsored by The Phillips Collection, Washington (D.C.).
* Oliver
Matthews: ‘Indian
paintings and drawings: Howard Hodgkin’ [review of Hayward exhib.],
in Antique Collector, Mar. 1984, pp.58-59.
* Gijs Van
Hensbergen: ‘Howard’s
hues’, in Ritz, Mar. 1984, no.86, p.6.
Graham Hughes:
‘Four rooms: Anthony
Caro, Marc Camille Chaimowicz, Richard Hamilton, Howard Hodgkin’ [review
of Liberty’s exhib.], in Arts Review, 2 Mar. 1984, vol.36 no.4,
p.105.
James Burr: ‘The
most revealing things
we do’ [incl. review of Wolverhampton exhib.], in Apollo, Apr.
1984, vol.266 no.119, p.300.
Charlotte Ellis:
‘Four rooms’ [review
of Liberty’s exhib.], in The Architectural Review, Apr. 1984,
vol.175 no.1046, pp.62-63.
Richard Shone:
‘Four rooms’ [review
of Liberty’s exhib.], in Burlington Magazine, Apr. 1984, vol.126
no.973, pp.244-247.
John Russell:
‘Maximum emotion with
a minimum of definition’ [review of New York exhib.], in The New
York Times, 15 Apr. 1984, p.H33.
John Russell:
‘The ‘emotional situations’
of Howard Hodgkin’ [review of New York exhib.], in International
Herald Tribune, 21-22 Apr. 1984, p.6.
* Michael
Brenson: ‘Art:
Howard Hodgkin and Paris legacy’ [incl. review of New York exhib.],
in The New York Times, 27 Apr. 1984, p.C23.
Christiane
Bergob: ‘Letter from London’
[incl. review of Liberty’s exhib.], in Kunstforum International,
Apr./May 1984, no.3-4, pp.312-314.
* Kay Larson:
[review of
New York exhib.], in New York Magazine, 28 May 1984, p.94.
Jane Withers
& Anthony Fawcett: ‘The
man on the flip side’, in The Times, 29 May 1984, p.12.
[32m. recorded
interview with HH at his
exhibition in the British Pavilion at the 1984 Venice Biennale’],
in Audio Arts, 1984, vol.7 nos.1-2 (‘Actuality: Audio Arts
at the Venice Biennale 1984’), audio-cassette 1 side 1.
Anthony Fawcett,
Jane Withers: ‘Howard
Hodgkin at the Venice Biennale’, in Studio International, [Summer]
1984, vol.197 no.1005, pp.16-17.
Hannah Vowles:
‘Taking liberties: Four
rooms exhibition’ [review of Liberty’s exhibn.], in Studio
International, [Summer] 1984, vol.197 no.1005, pp.26-27.
Max Wykes-Joyce:
‘Howard Hodgkin: prints
made in New York’ [review of Bath exhib.], in Art and Artists,
June 1984, no.213, p.27.
* Alexandra
Pringle: ‘Art:
Howard’s blend of images and textures’, in Harpers & Queen, June
1984, p.189.
* Patrick
Kinmonth: ‘Howard
Hodgkin’, in Vogue (UK), June 1984, vol.141, pp.140-141.
* Marina
Vaizey: ‘Dancing
among the ruins’ [review of Venice exhib.], in Sunday Times, 10
June 1984, p.39.
John McEwen:
‘Finding form at fifty’,
in Sunday Times Magazine, 10 June 1984, pp.38-41.
* John Russell
Taylor: ‘Myth
taking on the cloak of reality’ [review of Venice exhib.], in The
Times, 12 June 1984, p.9.
* William
Feaver: ‘Copy,
parody, variation, fake’, in The
Observer, 17 June 1984, p.19.
* William
Packer: ‘Venice
through the looking glass’, in Financial Times, 19 June 1984,
p.19.
Dirceu Brisola:
‘Os eleitos de Veneza’
[incl. review of Venice exhib.], in Veja (Brazil), 20 June 1984,
pp.134-135.
* Terence
Mullaly: ‘Abstracts
in abundance – and in a setting to suit’, in Daily Telegraph, 23
June 1984, p.11.
Judith Bumpus: ‘A
dream of Venice’
[interview], in Art and Artists, July 1984, no.214, pp.14-17.
Robert Hughes:
‘Gliding over a dying
reef: the Venice Biennale’ [review of exhib.], in Time, 2 July
1984, vol.214, pp.76-77.
* Manuela
Hoelterhoff: ‘The
Venice Biennale: no paradise for art’, The Wall Street Journal, 31
July 1984, p.32.
‘Howard Hodgkin
and Patrick Caulfield
in conversation’, in Art Monthly, July-Aug. 1984, no.78, pp.1,
4-6.
[text], in Il
Giornale della Biennale:
Il Giornale dell’Arte, July – Aug. 1984, no.14, p.30.
Paul Levy:
‘Venice vidi vici’ [incl.
review of Venice exhib.], in Harpers
& Queen, Aug. 1984, p.32.
Annelie Pohlen:
‘A few highlights but
no festival’ [review of Venice exhib.], in Artforum, Sept. 1984,
vol.23 no.1, pp.103-106.
John Yau: ‘Howard
Hodgkin’ [incl.
review of New York exhib.], in Artforum, Sept. 1984, vol.23 no.1,
p.117.
Milton Gendel:
‘Report from Venice:
cultured pearls at the Biennale’, in Art in America, Sept. 1984,
vol.72 no.8, pp.45-53 (ref. pp.48-49).
William Feaver:
‘Venice: remembrance
of things past’, in Art News, Sept. 1984, vol.83 no.7, pp.135-136
(ref. p.136).
Edward
Lucie-Smith: ‘Critic’s diary’
[incl. review of British Museum exhib.], in Art Review, Sept.
1994, vol.46, pp.15-17.
Liana Bortolon:
‘I misteriosi giardini
di Hodgkin’ [review of Venice exhib.], in Grazia, 2 Sept. 1984,
vol.57 no.2271, pp.32-35.
Prudence Carlson:
‘Howard Hodgkin at
Knoedler’ [review of New York exhib.], in Art in America, Oct.
1984, vol.72 no.9, pp.192-193.
Paul Richard:
‘Shining light: at the
Phillips Collection, Howard Hodgkin’s gentle art’ [review of Washington
exhib.], in The Washington Post, 11 Oct. 1984, pp.B1, B4.
Jane Addams
Allen: ‘Howard Hodgkin:
letting it flow’ [review of Washington exhib.], in The Washington
Post, 12 Oct. 1984, pp.C1-C2.
* Edward J.
Sozanski: ‘Magnetic
works of vibrant color’ [review of Washington exhib.], in The
Philadelphia
Enquirer, 23 Oct. 1984, p.4D.
Pamela Kessler:
‘Forty storied paintings
by Howard Hodgkin’ [review of Washington exhib.], in The Washington
Post, 12 Oct. 1984.
John McEwen:
‘Late bloomer’ [review
of Washington exhib.], in Vanity Fair, Nov. 1984, vol.47, pp.68,
70, 73-74, 121.
* Gordon Burn:
‘The Tate’s
bold stroke for British art’, in Sunday Times Magazine, 11 Nov.
1984, p.45.
Bobbier Massie:
‘A palette of emotions’
[review of Washington exhib.], in The Washington Weekly, 12 Nov.
1984.
Leone Lawrence:
‘Howard Hodgkin’
[review of Washington exhib.], in New Art Examiner, Dec. 1984,
p.56.
Mark Stevens: ‘A
palette of emotions’
[review of Washington exhib.], in Newsweek, 3 Dec. 1984, p.82.
* Richard
Lacayo: ‘Returning
to the frame game’ [review of Washington exhib.], in Time, 3 Dec.
1984, p.72.
Mary S. Cohen:
‘The general effect
is one of celebration’ [review of Washington exhib.], in The
Christian
Science Monitor, 31 Dec. 1984, vol.77, pp.22-23.
Michael Clark:
‘Howard Hodgkin, The
Phillips Collection’ [review of Washington exhib.], in Washington
Review, Dec. 1984 – Jan. 1985, p.26.
Howard
Hodgkin: recent work (12 works). M.K. Knoedler, New York, 21 Apr. –
10 May 1984;
list of works, 1p.
Howard
Hodgkin: prints made in New
York. Festival Gallery, Bath, 24 May – 16 June 1984 (PV
card).
* Some
recent acquisitions. Museum of Modern Art, New York, 1983.
The Granada
Collection: recent British
paintings and drawings (1 work; illus. in col.). Whitworth
Art Gallery, Manchester, 15 Jan. – 26 Feb. 1983.
*
Acquisition priorities:
aspects of postwar painting in Europe. Solomon R. Guggenheim
Museum, New York, 20 May – 4 Sept. 1983.
Three little
books about painting:
2: Movement (1 work; illus in col.). Graves Art Gallery, Sheffield,
19 Nov. – 18 Dec. 1983; Laing Art Gallery, Newcastle, 4 – 29 Jan.
1984; Bolton Museum and Art Gallery, 10 Mar. – 7 Apr. 1984; organised
by Arts Council of Great Britain.
‘Prints &
photographs published’,
in The Print Collector’s Newsletter, Jan. – Feb. 1983, vol.13
no.6, pp.216-220 (ref. p.218).
John McEwen:
‘Howard Hodgkin: Indian
leaves’ [review of Tate & Jacobson exhibs.], in Studio
International,
Jan.-Feb. 1983, vol.196 no.998, p.57.
Ruth Bass:
‘Howard Hodgkin’ [review
of New York exhib.], in Art News, Feb. 1983, vol.82 no.2, p.146.
Richard
Armstrong: ‘Howard Hodgkin’
[review of New York exhib.], in Artforum, Mar. 1983, vol.21 no.7,
p.71.
Robert Cran:
‘Hodgkin’s choice: an
exhibition of Indian drawings’ [review of Hayward exhib.], in Art
International, Sept. – Oct. 1983, vol.26 no.4, pp.27-28.
Andrew Graham-Dixon: Howard Hodgkin. London: Thames and Hudson, 1994; 192p, 114 illus. (96 col.); biog., exhibs., bibl.; incl. selection of Artist’s statements, pp.178-179; ISBN: 0500277699.
Michael Auping, John Elderfield, Susan Sontag, with a catalogue raisonné by Maria Price: Howard Hodgkin paintings. London: Thames and Hudson, in association with The Modern Art Museum of Fort Worth, Texas, 1995; 216p, 354 illus (81 col.); published on the occasion of exhibition at the Metropolitan Museum of Art, New York; The Modern Art Museum of Fort Worth, Texas; Kunstverein fur die Rheinlande und Westfalen, Dusseldorf; & Hayward Gallery, London; biog., exhibs., bibl.; text by Michael Auping, The long view, pp.9-32; text of correspondence between John Elderfield & the artist, An exchange, pp.65-80; text by Susan Sontag, About Hodgkin, pp.105-112 (repr. in Susan Sontag: Where the stress falls: essays. London: Jonathan Cape, 2002, pp.151-160); Catalogue raisonné of oil paintings, compiled by Maria Price, pp.137-200; ISBN: 0500092567.
Andrew Graham-Dixon: Howard Hodgkin. London: Thames and Hudson, 2001 (revised and expanded edition); 232p, 143 illus (121 col.); biog., exhibs., bibl.; incl. expanded selection of Artist’s statements, pp.214-217; ISBN: 0500092982.
Liesbeth Heenk: Howard Hodgkin Prints: a catalogue raisonné. London: Thames and Hudson, 2003; 240p, 209 illus (83 col.); biog., exhibs., bibl.; introd. by Nan Rosenthal, ‘To make the most of an image …’, pp.7-24; interview, A conversation with Howard Hodgkin, pp.125-151; ISBN: 0500093091 (paperback edition, Howard Hodgkin: the complete prints, 2006; ISBN: 0500284393).
Enrique Juncosa (editor): Writers on Howard Hodgkin. Dublin: Irish Museum of Modern Art; London: Tate Publishing, 2006; contents: Enrique Juncosa: ‘Foreword’ & ‘Angkor Wat’, pp.6-9, pp.11-23; Colm Toíbín: ‘Howard Hodgkin’, pp.37-56; Bruce Chatwin: ‘Howard Hodgkin: Indian leaves’, pp.56-67 (previously publ. as ‘A portrait of the artist’ in Howard Hodgkin: Indian leaves, Petersburg Press, 1982, pp.5-17); James Fenton: ‘Remembering the Aurochs’, pp.69-81 (previously publ. in Howard Hodgkin, Anthony d’Offay Gallery, 1999-2000, pp.7-15), and ‘In Paris with you’, pp.83-85 (previously publ. in Out of Danger, Penguin Books, 1994); Susan Sontag: ‘About Hodgkin’, pp.97-109 (previously publ. in Howard Hodgkin paintings, Modern Art Museum of Fort Worth, Thames & Hudson, 1995, pp.105-112); Bruce Bernard: ‘Paintings 1975-1996, pp.111-117 (previously publ. in Howard Hodgkin: paintings 1975-1996, Hayward Gallery, 1996-1997); William Boyd: ‘Abstract with memories’, pp.119-130 (previously publ. in Modern Painters, Spring 1996, vol.9 no.2, pp.36-39); Julian Barnes: ‘Words for H.H.’, pp.144-154 (previously publ. in Howard Hodgkin, Gagosian Gallery, New York, 2003, pp.99-100); Anthony Lane: ‘True colors: Howard Hodgkin returns to New York’, pp.155-162 (previously publ. in The New Yorker, 24 Nov. 2003); Alan Hollinghurst: ‘Howard Hodgkin’, pp.163-170 (previously publ.in Modern Painters, Spring 2004, vol.17 no.1, pp.116-118); chronology, pp.185-199; ISBN: 1854376748.
Marla Price: Howard Hodgkin Paintings: catalogue raisonné. London, New York: Thames and Hudson, 2006; 384p, over 450 col. illus.; introd. by John Elderfield; ISBN: 0500093296 (June 2006).
* Painting:
American and
European. L A Louver Gallery, Venice (CA), 1982.
A private
vision: contemporary art
from the Graham Gund Collection (1 work; illus. in col.). Museum
of Fine Arts, Boston, 9 Feb. – 4 Apr. 1982.
Aspects of
British art today (7 works; 6 illus., 3 in col.). Metropolitan Art
Museum, Tokyo,
27 Feb. – 11 Apr. 1982; Tochigi Prefectural Museum of Fine Arts,
Utsonomiya,
24 Apr. – 30 May 1982; National Museum of Art, Osaka, 12 June –
25 July 1982; Hokkaido Museum of Modern Art, Sapporo, 9 Sept. – 9
Oct. 1982; organised by British Council.
Renate Puvogel:
’13 britische Künstler:
eine Ausstellung über Malerei’ [incl. review of Aachen exhib.], in Das
Kunstwerk, Apr. 1982, vol.35 no.2, pp.67-68.
‘Prints &
photographs published’,
in The Print Collector’s Newsletter, Mar. – Apr. 1982, vol.13
no.1, pp.21-25 (ref. p.22).
William Feaver:
‘Aspects of British
art today’ [review of Tokyo exhib.], in Flash Art, Summer 1982,
vol.16 no.108, p.71.
‘Prints &
photographs published’,
in The Print Collector’s Newsletter, July – Aug. 1982, vol.13
no.3, pp.97-101 (ref. p.98).
* Roger Bevan:
‘Howard
Hodgkin: Indian leaves’ [review of Tate exhib.], in Event, 22
Sept. 1982.
Frances Spalding:
‘Howard Hodgkin’
[review of Tate & Jacobson exhibs.], in Arts Review, 24 Sept.
1982, vol.34 no.20, p.484.
William Feaver:
‘Leaves from India’
[incl. review of Tate exhib.], in The
Observer, 26 Sept. 1982, p.32.
Marina Vaizey:
‘The spirit of India’
[incl. review of Tate exhib.], in Sunday Times, 26 Sept. 1982,
p.31.
Leslie
Geddes-Brown: ‘Painter of
perfection:
Leslie Geddes-Brown talks to Howard Hodgkin’, in Sunday Times,
26 Sept. 1982, p.31.
John Russell
Taylor: ‘Tradition remaining
strong and rich’ [incl. review of Tate & Bernard Jacobson exhibs.],
in The Times, 28 Sept. 1982, p.8.
* Richard
Cork: ‘Fragments
and figments’ [review of Tate exhib.], in The Standard, 14
Oct. 1982, p.23.
Andrew Motion:
‘Illusions of freedom’
[review of Tate exhib. & of ‘Indian leaves’ book], in Times
Literary Supplement, 22 Oct. 1982, no.4151, p.1160.
Geeta Kapur:
‘Hodgkin’s Indian leaves’
[review of Tate exhib.], in Art Monthly, Nov. 1982, no.61, p.10.
* John Russell:
‘Art: works
of Hodgkin displayed at Knoedler’s’ [review of New York exhib.],
in The New York Times, 19 Nov. 1982, p.C28.
* Robert
Hughes: ‘A peeper
into Paradise’ [review of Knoedler exhib.], in Time, 29 Nov.
1982, p.88; repr. in Nothing if not critical: selected essays
on art and artists, London: Collins Harvill, 1990, pp.281-285.
Howard
Hodgkin: forty-five paintings
1949-1975. Museum of Modern Art, Oxford, 14 Mar. – 18 Apr.
1982 (PV card).
Howard
Hodgkin: recent prints. Bernard Jacobson, London, 18 Sept. – 9 Oct.
1982 (no catalogue; PV
card).
Howard
Hodgkin’s
Indian leaves (15 works). Tate Gallery, London, 22 Sept. – 7
Nov. 1982; 16p, 4 col. Illus.;
text by Michael Compton, Howard Hodgkin’s Indian leaves, pp.6-13;
ISBN: 0905005880.
A new spirit
in painting (5 works; illus, 2 in col.). Royal Academy of
Arts, London, 15 Jan. – 18 Mar. 1981.
Landscape: the
printmaker’s view (1 work). Tate Gallery, London, May –
June 1981.
Alistair
Smith: a personal selection (1 work). Ulster Museum, Belfast, 29
May – 23 Aug. 1981.
* Group
show: Summer 1981. M. Knoedler & Co., New York, July – Aug.
1981.
New concepts
for a new art: Toyama
now (3 works; illus, 1 in col.). Museum of Modern Art, Toyama,
5 July – 23 Sept. 1981.
Prints by six
British painters:
Stephen
Buckley, Robyn Denny, Howard Hodgkin, John Hoyland, Richard Smith, John
Walker (8 works by HH). Tate Gallery, London, Nov. 1981 –
Feb. 1982; text by Elizabeth
Underhill;
incl. list of all of HH’s editioned & published prints to date.
13 britische
Künstler: eine
Ausstellung
über Malerei (4 works; 3 illus, 1 in col.). Neue Galerie
– Sammlung Ludwig, Aachen, 5 Dec. 1981 – 16 Feb. 1982; travelling
to Kunstverein Mannheim, 28 Feb. – 4 Apr. 1982; Kunstverein
Braunschweig,
6 Aug. – 19 Sept. 1982.
* Howard Hodgkin. London Weekend Television (The South Bank Show), 29 Mar. 1981.
David Bindman:
‘The good old avant-garde’
[review of Royal Academy exhib.], in Times Literary Supplement, 23
Jan. 1981, no.4060, p.82.
Bernard Levin:
‘Mammoth footprints
seen in Piccadilly’ [review of Royal Academy exhib.], in The Times, 28
Jan. 1981, p.14.
Richard Cork:
‘Report from London:
‘The artist’s eye’’, in Art
in America, Feb. 1981, vol.69, pp.43-55 (ref. pp.44-45, 47).
James Faure
Walker: ‘Awkward moments’
[review of Royal Academy exhib.], in Artscribe, Feb. 1981, no.27,
pp.12-15 (ref. p.12).
* Eunice de
Souza: ‘Pursuing
culture’, in Economic Times, 22 Feb. 1981, p.3.
David Sweet: ‘The
decline of
composition’,
in Artscribe, Mar. 1981, no.28, pp.18-23 (ref. p.23).
Richard Shone:
‘London: A new spirit
in painting at the Royal Academy’ [review of exhib.], in Burlington
Magazine, Mar. 1981, vol.123 no.936, pp.182-185 (ref. pp.182, 185).
Pat Gilmour:
‘Howard Hodgkin’ [on
HH’s prints], in The Print Collector’s Newsletter, Mar. –
Apr. 1981, vol.12 no.1, pp.1-5.
Palmer D. French:
‘Diluted abstractions:
Richard Phipps, Howard Hodgkin’ [incl. review of San Francisco exhib.],
in Artweek, 25 Apr. 1981, vol.12 no.16, p.8.
William Feaver:
‘A ‘New spirit’
– or just a tired ghost?’ [review of Royal Academy exhib.], in Art
News, May 1981, vol.80 no.5, pp.114-118 (ref. pp.115-116).
* Hilton
Kramer: ‘Howard
Hodgkin’, in The New York Times, 8 May 1981, p.C18.
Roberta Smith:
‘Fresh paint?’ [review
of Royal Academy exhib.], in Art in America, Summer 1981, vol.69
no.6, pp.70-79 (ref. pp.72-73, 77).
Jesse Murry:
‘Reflections of Howard
Hodgkin’s theatre of memory’, in Arts Magazine, June 1981, vol.55
no.10, pp.154-157.
Edward
Lucie-Smith: ‘Howard Hodgkin:
the wild card in the post-modernist pack talks to Edward Lucie-Smith’,
in Quarto, July 1981, no.19, pp.15-17.
Ted Castle: ‘The
paint dream’ [incl.
review of Knoedler & Jacobson exhibs.], in Art Monthly, July/Aug.
1981, no.48, pp.11-13.
Deborah C.
Phillips: ‘New editions’
[review of Jacobson exhib.], in Art News, Sept. 1981, vol.80
no.7, p.161.
Kathryn Howarth:
‘Howard Hodgkin at
Knoedler’ [review of New York exhib.], in Art in America, Oct.
1981, vol.69 no.8, pp.145-146.
Deborah C.
Phillips: ‘Howard Hodgkin’
[review of New York exhib.], in Art News, Nov. 1981, vol.80 no.9,
pp.200-202.
Howard Hodgkin
(12 works). M. Knoedler & Co., New York, 25 Apr. – 12 May
1981; 24p, 14 illus (13 col); biog., exhibs., bibl.; text by Lawrence
Gowing, Howard Hodgkin, pp.5-8..
Howard
Hodgkin: recent prints (11 works). Melbourne University Art
Gallery, 1 Dec. 1981
– 31 Mar. 1982; Tasmanian School of Arts, Hobart, Apr. – May 1982;
Contemporary Art Society of Adelaide, 4 – 30 May 1982; Art Gallery
of West Australia, Perth, 15 June – 20 July 1982; Newcastle Regional
Gallery, 1 – 31 Aug. 1982; University of Queensland Art Museum,
Brisbane,
Oct. – Dec. 1982; organised by University of Queensland Art Museum;
3p, 11 illus (1 col.); biog., exhibs., colls.; introd. by Stephen
Rainbird.
* [Howard
Hodgkin]. Macquarie Galleries, Sydney, 1981.
Pictures for
an exhibition (1 work by HH selected by Peter Blake, & 1 work by
Sickert selected
by HH). Whitechapel Art Gallery, London, 30 Mar. – 18 May 1980.
Prints by
Howard Hodgkin and Claes
Oldenburg (11 works by HH). Waddington Galleries, London,
10 Apr. – 10 May 1980.
Art anglais
d’aujourd’hui: collection
de la Tate Gallery, Londres (2 works; illus.). Musée Rath,
Geneva, 4 July – 14 Sept. 1980.
British art
1940-80: the Arts Council
Collection (1 work). Hayward Gallery, London, 9 July – 10
Aug. 1980.
Hayward Annual
1980: contemporary
painting and sculpture, selected by John Hoyland (1 work; illus.).
Hayward Gallery, London, 29 Aug. – 12 Oct.
1980; organised by Arts Council of Great Britain.
William Feaver:
‘The state of British
art: “It’s a bewilderment”’, in Art News, Jan. 1980, vol.79 no.1,
pp.62-68 (ref. p.67).
Adrian Searle:
‘London’ [incl. review
of Bristol exhib.], in Artforum, Jan. 1980, vol.18 no.5,
pp.76-77.
‘Prints &
photographs published’,
in The Print Collector’s Newsletter, Jan. – Feb. 1980, vol.10
no.6, pp.196, 201-203 (ref. p.201).
Roger Berthoud:
‘Howard Hodgkin behind
the enemy lines’, in The Times, 17 Apr. 1980, p.11.
Marina Vaizey:
[incl. review of
Waddington
exhib.], in Sunday Times, 27 Apr. 1980, p.40.
Fenella Crichton:
‘London’ [incl.
review of Waddington exhib.], in Art and Artists, June 1980,
vol.15 no.2, pp.40-43.
John Russell
Taylor: ‘Temperament vividly
revealed in abstract’ [incl. review of Hayward exhib.], in The
Times, 2 Sept. 1980, p.7.
John McEwen:
‘Pastiches’ [ibncl.
review of Hayward exhib.], in The
Spectator, 13 Sept. 1980, vol.245 no.7940, pp.27-28.
* William
Feaver: ‘The
Liverpool lottery’ [review of Liverpool exhib.], in The
Observer, 30 Nov. 1980.
John McEwen:
‘Provincial’ [review
of Liverpool exhib.], in The Spectator, 6 Dec. 1980, vol.245
no.7952, p.27.
* Roman
Piechocinski: ‘John
Moores Liverpool Exhibition XII’ [review], in Arts Alive Merseyside, Dec.
1980 – Jan. 1981, p.4.
* [Howard
Hodgkin: prints]. Waddington Galleries, London, 1980.
* Works of
the early 60s. M Knoedler Gallery, London, 1979.
To-day:
Brittiskt 60-
och 70-tal (3 works). Lunds Konsthall, 7 Apr. – 6 May 1979.
European
dialogue:
The Third Biennale of Sydney (2 works). Art Gallery of New
South Wales, Sydney, 14 Apr. – 27 May 1979.
Contemporary art for 17 Charterhouse Street [Central Selling Organisation, De Beers Consolidated Mines; works selected by the Contemporary Art Society] (1 work; illus.). Mall Galleries, London, 21 – 25
May 1979.
Narrative
paintings: figurative art
of two generations (1 work). Arnolfini, Bristol, 1 Sept. –
20 Oct. 1979; travelling to Institute
of Contemporary Arts, London, 26 Oct. – 25 Nov. 1979; City Museum
and Art Gallery, Stoke-on-Trent, 5 Jan. – 2 Feb. 1980; Fruit Market
Gallery, Edinburgh, 9 Feb. – 29 Mar. 1980; text by Timothy Hyman,
ref. pp.7-8.
This knot of
life: paintings and
drawings
by British artists (3 works). L.A. Louver Gallery, Venice
(CA), (part I:) 23 Oct. – 17 Nov. 1979.
Peter Moores
Liverpool Project 5:
The craft of art (9 works). Walker Art Gallery, Liverpool, 3
Nov. 1979 – 13 Feb. 1980.
* William
Packer: ‘Hodgkin’s
eye at the National Gallery’ [review of exhib.], in Financial Times, 23
June 1979, p.14.
John Spurling:
‘Hangmen’ [incl. review
of National Gallery exhib.], in New
Statesman, 29 June 1979, vol.97 no.2519, pp.963-964.
* Noel Riley:
‘Highlights:
Hodgkin’s eye’, in Antique Dealer and Collectors Guide, July
1979, p.63,
Richard Shone:
‘Current and forthcoming
exhibitions: London’ [review of National Gallery exhib.], in Burlington
Magazine, July 1979, vol.121 no.916, pp.455-459 (ref. p.456).
* Emmanuel
Cooper: ‘A personal
choice’ [review of National Gallery exhib.], in Morning Star, 2
July 1979, p.4.
* Edward
Lucie-Smith: ‘Getting
it all together’ [review of National Gallery exhib.], in Evening
Standard, 4 July 1979, p.32.
* Francis
Watson: ‘London
reviews: The artist’s eye’ [review of National Gallery exhib.],
in Arts Review, 6 July 1979, vol.31, p.357.
* Waldemar
Januszczak: ‘The
artist’s eye’ [review of National Gallery exhib.], in The
Guardian, 6 July 1979, p.8.
John McEwen:
‘Artist’s eye’ [review
of National Gallery exhib.], in The Spectator, 7 July 1979,
vol.243
no.7877, p.25.
* Andrew
McKenzie: ‘Painter’s
view of his work’, in Sheffield Morning Telegraph, 10 July 1979,
p.4.
Louis Collis
& Lavinia Learmont:
‘London’ [review of National Gallery exhib.], in Art and Artists, Aug.
1979, vol.14 no.4 (no.159), pp.42-48 (ref. p.42).
* Michael
Shepherd: ‘Hodgkin’s
eye’ [review of National Gallery exhib.], in What’s On in London, 10
Aug. 1979.
Suzanne Boorsch:
‘New editions’,
in Art News, Sept. 1979, vol.78 no.7, pp.42-43.
* William
Feaver: ‘Loitering
with deep intent’, in The Observer, 16 Sept. 1979, p.15.
Glenn Sujo:
‘Narrative painting, 2:
at Arnolfini’ [review of Bristol exhib.], in Art Monthly, Oct.
1979, no.30, pp.19-21.
Fenella Crichton:
‘England: London’
[review of National Gallery exhib.], in Pantheon, Oct.-Dec. 1979,
vol.37 no.4, p.326.
* Suzanne
Muchnic: ‘British
artists painting the town’, in Los Angeles Times, 9 Nov. 1979,
section IV, pp.1, 10.
Mixed
exhibition (3 works). Knoedler Gallery, London, Mar. 1978.
Groups (HH’s
name listed, but no works specified or illus.). Waddington
and Tooth Galleries, London, 4 – 28 Apr. 1978.
Critic’s
choice: an exhibition of
contemporary art selected by John McEwen (1 work). Institute
of Contemporary Arts, London, 7 Sept.
– 7 Oct. 1978.
Howard
Hodgkin: hand-coloured
lithographs;
Alistair Crawford: paintings & etchings (4 works by HH). Ian
Birksted Gallery, London, 25 Nov. – 14
Dec. 1978.
Tim Hilton:
‘Anthologist’ [review
of ICA exhib.], in The Spectator, 16 Sept. 1978, vol.241 no.7837,
p.25.
Linda Lee Bolton:
‘Howard Hodgkin’
[incl. review of Riverside exhib.], in Arts Review, 13 Oct. 1978,
vol.30 no.20, p.551.
* Waldemar
Januszczak: ‘A
train that has run out of steam but refuses to stop for more coal’,
in The Guardian, 29 Nov. 1978, p.12.
John McEwen:
‘Four British painters’
[i.e. John Hoyland, John Walker, Stephen Buckley & HH], in Artforum,
Dec. 1978, vol.17 no.4, pp.50-55.
Timothy Hyman:
‘Howard Hodgkin
interviewed
by Timothy Hyman’, in Artscribe, Dec. 1978, no.15, pp.25-28.
* William
Feaver: ‘A matter
of ways and means’, in The Observer, 3 Dec. 1978.
John McEwen:
‘Abstract prizes’ [incl.
review of Liverpool exhib.], in The
Spectator, 9 Dec. 1978, vol.241 no.7849, pp.36-37.
* William
Packer: ‘Critics
choice at the ICA’, in Financial Times, 16 Dec. 1978.
* [Howard
Hodgkin: Indian
views: exhibition of prints]. British Council touring exhibition,
in India, Malaysia & Columbia,
1978.
Hayward
Annual: current British
art selected by Michael Compton, Howard Hodgkin and William Turnbull (6
works in part 2; 4 illus.). Hayward Gallery, London, 25 May – 4
July 1977 (part one) & 20
July – 4 Sept. 1977 (part two).
British
artists of the Sixties, from
the collections of the Tate Gallery (1 work). Tate Gallery,
London, 1 June 1977 - .
British
painting 1952-1977 (2 works; illus.). Royal Academy of Arts,
London, 24 Sept.
– 20 Nov. 1977.
* Richard Cork:
‘The fresh
emerges which may help to change British art ...’, in The
Guardian, 20 July 1977, p.10.
* Norbert
Lynton, Francis
Golding, Paul Overy: ‘How newspaper critics paint art’, in The
Guardian, 23 July 1977, p.6.
* William
Feaver: ‘Full
house’, in The Observer, 24 July 1977, p.24.
* Michael
Shepherd: ‘The
better half’, in Sunday Telegraph, 24 July 1977, p.14.
* Edward
Lucie-Smith: ‘Squeaks
from the South Bank’, in Evening Standard, 28 July 1977, p.16.
John McEwen:
‘Hardy annual’ [review
of Hayward exhib.], in The Spectator, 30 July 1977, vol.239
no.7778,
p.28.
* Marina
Vaizey: ‘The best
of British’, in Sunday Times, 31 July 1977, p.39.
Malcolm
Quantrill: ‘London letter’
[incl. review of Tate exhib.], in Art International, July –
Aug. 1977, vol.21 no.4, pp.68-72 (ref. p.69).
Frances Spalding,
Janey Daley: ‘Hayward
Annual part II: two views’ [reviews of exhib.], in Arts Review, 5
Aug. 1977, vol.29 no.16, pp.508-509.
Tim Hilton:
‘South Bank-ruptcy’ [review
of Hayward exhib.], in Times Literary Supplement, 5 Aug. 1977,
no.3934, p.960.
Richard Shone:
‘Gallery: painting and
performance’ [incl. review of Hayward exhib.], in Architectural
Review, Sept. 1977, vol.162 no.967, pp.184-186 (ref. p.184).
James Faure
Walker: ‘Ways of disclosing:
mapping the Hayward Annual’ [review of exhib.], in Artscribe,
Sept. 1977, no.8, pp.20-26.
* Bruce
Bernard: ‘Personalities
of British painting’, in Sunday Times Magazine, 4 Sept. 1977,
pp.34-41.
* John Russell:
‘Tenacity
keeps British art alive’, in The New York Times, 25 Sept. 1977,
p.D33.
Noel Frackman:
‘Howard Hodgkin / Stanley
Boxer [et al.]’ [incl. review of New York exhib.], in Arts
Magazine, Nov. 1977, vol.52 no.3, p.29.
Donald B. Kuspit:
‘Howard Hodgkin at
Emmerich’ [review of exhib.], in Art in America, Nov.-Dec.
1977, vol.65 no.6, pp.134-135.
Leo Rubinfein:
‘Howard Hodgkin’
[review of New York exhib.], in Artforum, Dec. 1977, vol.16,
p.68.
* ‘Emmerich in
Zürich:
Hodgkin und Hockney’, in Basler Zeitung, 31 Dec. 1977, vol.30
no.327.
Howard
Hodgkin:
complete prints (31 works). Museum of Modern Art, Oxford, 12
June – 10 July 1977; 5p, 3 illus;
exhibs.; introd. by Penelope Marcus.
* Howard
Hodgkin: new
paintings. André Emmerich Gallery, New York, 15 Sept. –
5 Oct. 1977.
* Peintres
et sculpteurs
britanniques. Centre Culturel de la Ville de Toulouse, 1976..
John Moores
Liverpool Exhibition 10 (1 work; illus.; winner of Second Prize).
Walker Art Gallery, Liverpool, 6 May – 8 Aug. 1976.
* William
Feaver: ‘Hodgkin’s
intelligence tests’ [review of Oxford exxhib.], in The Observer, 21
Mar. 1976, p.30.
William Packer:
‘Keith Vaughan and
Howard Hodgkin’ [incl. review of Oxford exhib.], in Financial Times,
30 Mar. 1976, p.3.
Paul Overy:
‘Josef Albers: round and
round the square’ [incl. review of Oxford exhib.], in The Times, 30
Mar. 1976, p.14.
Lynda Morris:
‘Hodgkin and Caulfield’
[incl. review of Oxford exhib.], in The Listener, 1 Apr. 1976,
vol.95 no.2451, p.417.
Marina Vaizey:
‘Kaleidoscopes’ [incl.
review of Oxford exhib.], in Sunday Times, 4 Apr. 1976, p.39.
James Burr:
‘Round the galleries: bold
banalities’ [review of Serpentine exhib.], in Apollo, May.
1976, vol.103 no.171, p.444.
Bryan Robertson:
‘Art’ [incl. review
of Serpentine & Waddington exhibs.], in Harpers & Queen,
May 1976, p.76.
William Feaver:
‘Arte Milanese’ [incl.
review of Oxford exhib.], in Vogue (UK), May 1976, vol.133 no.7
(no.2130), p.16.
* William
Feaver: ‘Over
and out’, in Observer, 9 May 1976, p.27.
Paul Overy:
‘Moores the pity: time
to change the rules?’ [review of Liverpool exhib.], in The Times, 11
May 1976, p.13.
* Jane
Clifford: ‘Exhibition
shows patrons generosity’, in Daily Telegraph, 13 May 1976,
p.6.
Harold Osborne:
‘Howard Hodgkin’
[review of Serpentine exhib.], in Arts Review, 14 May 1976,
vol.28
no.10, p.239.
John McEwen:
‘Winning’ [incl. review
of Waddington, Serpentine & Liverpool exhibs.], in The Spectator,
15 May 1976, vol.236 no.7716, p.29.
Richard Cork:
‘Every blob counts!’
[review of Serpentine exhib.], in Evening Standard, 20 May 1976;
repr. as ‘Howard Hodgkin’ in Richard Cork: Everything seemed
possible: art in the 1970s’, New Haven, London: Yale University
Press, 2003, pp.221-224.
Marina Vaizey:
‘British understatement’,
in Sunday Times, 23 May 1976, p.35.
Caroline Tisdall:
‘Howard Hodgkin’
[review of Serpentine exhib.], in The
Guardian, 27 May 1976.
Barbara Wright:
‘John Moores Liverpool
Exhibition 10’, in Arts Review, 28 May 1976, vol.28 no.11, p.264.
Richard Morphet:
‘Howard Hodgkin’
[review of Oxford exhib.], in Studio International, May/June
1976, vol.191 no.981, p.297.
Bernard Denvir
& Lavinia Learmont:
‘London’ [review of Serpentine exhib.], in Art and Artists,
June 1976, vol.11 no.3, pp.40-41.
Fenella Crichton:
‘London letter’,
in Art International, Summer 1976, vol.20 no.6, p.14.
Jasia Reichardt:
‘Howard Hodgkin and
portraiture’ [review of Newcastle exhib.], in Architectural Design, July
1976, vol.46 no.7, p.444.
John McEwen:
‘Howard Hodgkin at the
Serpentine Gallery’ [review of London exhib.], in Art in America, July/Aug.
1976, vol.64 no.4, pp.110, 113.
Toni del Renzio:
‘Pop’, in Art
and Artists, Aug. 1976, vol.11 no.5, pp.14-19 (ref. pp.18-19).
William Feaver:
‘The view from Europe:
England: Involvement, assiduity and an openness of mind’, in Art
News, Oct. 1976, vol.75 no.8, pp.33-35.
Howard
Hodgkin:
forty-five paintings 1949-1975. Museum of Modern Art, Oxford, 14
Mar. – 18 Apr. 1976; organised by
Arts Council of Great Britain; travelling to Serpentine Gallery, London,
1 – 31 May 1976; Turnpike Gallery, Leigh (Lancs.), 5 – 26 June 1976;
Laing Art Gallery, Newcastle upon Tyne, 3 July – 8 Aug. 1976; Aberdeen
Art Gallery, 14 Aug. – 4 Sept. 1976; Graves Art Gallery, Sheffield,
11 Sept. – 3 Oct. 1976; 76p., 49 illus (46 col.); biog., exhibs.,
bibl.; introd. by Richard Morphet, pp.5-22.
Howard Hodgkin
prints. Tate Gallery, London, 4 May – 13 June 1976; 2p dupl.
typescript
(“Description
approved by the artist and based on a tape made at the Tate Gallery
April 1, 1976.”).
* The
British are coming:
contemporary British art. De Cordova Museum, Lincoln (MA), 1975.
* Third
Triennale India. Lalit Kala Akademi, New Delhi, 1975..
Art Fair, CAS:
Contemporary Art Society (1 work). Mall Galleries, London,
15 – 23 Jan. 1975.
* British
art mid-70s:
Englische Kunst Mitte der Siebzigerjahre. Jahrhunderthalle
Hoechst, 26 Mar. – 25 Apr. 1975; travelling to Forum Leverkusen, 7
– 28 May 1975.
British
Exhibition Art
6’75 Basel (1 work, illus.). Schweizer Mustermesse, Basel,
18 – 23 June 1975.
Timothy Hyman:
‘Howard Hodgkin’ [letter
clarifying errors in article in issue of May – June 1975], in Studio
International, July – Aug. 1975, vol.190 no.976, p.88.
William Feaver:
‘All this and real
beer, too’ [incl. review of Bristol exhib.], in The
Observer, 19 Oct. 1975.
John McEwen:
‘Howard Hodgkin’ [review
of Bristol exhib.], in The Spectator, 8 Nov. 1975, no.7689,
p.611.
An exhibition
of contemporary British
painters and sculptors (1 work; illus.). Lefevre Gallery,
London, 18 Apr. – 18 May 1974.
A collector’s
choice: an exhibition
of contemoporary artists (1 work). Peterloo Gallery, Manchester,
3 – 22 May 1974.
John Moores
Liverpool Exhibition 9 (1 work). Walker Art Gallery,
Liverpool, 13 June – 15
Sept. 1974.
“The Last
Festival”:
Peter Blake’s selection exhibition (2 works). Festival
Gallery, Linley House, Bath, 23 Aug.
– 14 Sept. 1974.
* New image
in painting:
1st International Biennial Exhibition of
Figurative
Painting. Tokyo Department Store, Tokyo, 6 – 18 Sept. 1974;
touring to Hanshin & Osaka.
* Marina
Vaizey: ‘The arts:
signs of life’, in Sunday Times, 29 Sept. 1974, p.35.
* Richard Cork:
‘Trapped
in the old-boy net’, in Evening Standard, 10 Oct. 1974, pp.24-25.
* Exhibition
of work by
David Hockney and Howard Hodgkin. Ashgate Gallery, Farnham, 1973.
La peinture
anglaise aujourd’hui (4 works; 2 illus.). Musée d’Art moderne de la
ville de Paris,
7 Feb. – 11 Mar. 1973; organised by British Council.
* Marina
Vaizey: ‘British
allsorts’, in Financial Times, 19 Feb. 1972, p.173.
* Hilton
Kramer: ‘Howard
Hodgkin’ [review of New York exhib.], in The New York Times, 24
Feb. 1973, p.25.
Gerrit Henry:
‘Reviews and previews’
[incl. review of New York exhib.], in Art News, Mar. 1973, vol.72
no.3, p.75.
William Feaver:
‘Hodgkin’s intelligence
tests’ [review of Oxford exhib.], in Observer Review, 21 Mar.
1976.
Bernard Denvir:
‘London letter’ [incl.
review of Paris exhib.], in Art International, Apr. 1973, vol.17
no.4, pp.42-47 (ref. pp.46-47).
Ellen Lubell:
‘Howard Hodgkin: Kornblee’
[review of New York exhib.], in Arts Magazine, Apr. 1973, vol.47
no.6, pp.81-82.
Sanford Schwarz:
‘New York letter’
[incl. review of New York exhib.], in Art International, May
1973, vol.17 no.5, pp.41-42.
Gregory Battcock:
‘New York’ [incl.
review of New York exhib.], in Art and Artists, June 1973, vol.8
no.3, pp.50-51.
Julien Clay: ‘La
peinture anglaise
aujourd’hui: Musée municipal d’art moderne Paris’ [review of
exhib.], in XX Siècle, Dec. 1973, no.41, pp.174-176.
Howard
Hodgkin: screenprints. Waddington Galleries II, London, 8 – 30 Mar.
1972 (PV card).
* Britisk
maleri 1945
to 1970. Kunstnerforbunder, Norway; British Council touring
exhib.; travelling to Trondhjems Kunstforening & Bergens
Kunstforening.
* Howard
Hodgkin, John
Hoskin. Arnolfini Gallery, Bristol, 1972.
* [group
show]. Kasmin Gallery, London, 1972.
Patrick
Caulfield, Howard Hodgkin,
Michael Moon (5 works by HH). Galerie Stadler, Paris, 21
Mar. – 15 Apr. 1972; incl. text by HH (in
French), on loose sheet.
S. [= Shelagh]
Hardie: ‘Howard Hodgkin,
John Hoskin’ [review of Bristol exhib.], in Arts Review, 1 July
1972, vol.24 no.13, p.398.
* [Howard
Hodgkin]. Park Square Gallery, Leeds, 1971.
H. Hodgkin. Galerie
Müller, Cologne, 15 Jan. – 25 Feb. 1971; card, 2p, illus;
biog., exhibs.
Critic’s
choice: 1971 selection
by Robert Melville (2 works; 1 illus.). Arthur Tooth &
Sons, London, 2 – 26 Mar. 1971.
Britisk
grafikk (1 work). Kunstnernes Hus, Oslo, 13 – 21 Mar. 1971.
Peter Fuller:
‘Howard Hodgkin’ [review
of Kasmin exhib.], in Arts Review, 10 Apr. 1971, vol.23 no.7,
p.206.
* John Russell:
‘The life
of colours’ [review of Kasmin exhib.], in Sunday Times, 11 Apr.
1971, p.29.
Judy Marle:
‘Hodgkin’ [review of
Kasmin exhib.], in The Guardian, 19 Apr. 1971.
Richard Cork:
‘The English game –
keeping all the options open’ [review of Kasmin exhib.], in Evening
Standard, 21 Apr. 1971, p.16.
Timothy Hilton:
‘UK commentary’ [incl.
review of Kasmin exhib.], in Studio International, June
1971, vol.181 no.934, pp.268-271.
William Feaver:
‘Art: Exhibitionism’,
in London Magazine, Aug.-Sept. 1971, vol.11 no.3, pp.112-120
(ref. p.119 & 2 illus. facing p.115).
Pop Art:
Nieuwe figuratie = Nouveau
Réalisme (1 work; illus.). XXIIIe Festival Belge d’Eté,
Casino Communal, Knokke-Le Zoute, June
– Sept. 1970.
Contemporary
British art (2 works, illus.). National Museum of Modern Art,
Tokyo, 9 Sept.
– 25 Oct. 1970; organised by The British Council.
* Edward
Lucie-Smith: ‘Force
of tradition’, in Sunday Times, 20 Sept. 1970, p.30.
Eric Rowan:
‘Private lives’ [review
of Bristol exhib.], in The Times, 1 Oct. 1970, p.15.
Bryn Richards:
‘Howard Hodgkin’ [review
of Bristol exhib.], in The Manchester Guardian, 2 Oct. 1970.
* Pop Art
graphics. Carnegie Festival of Music & the Arts, 1969.
Purchase
Awards 1965-1968 (2 works). Arts Council Gallery, Cambridge, 17 May
– 14 June
1969.
Artists from
the Kasmin Gallery (2 works; 1 illus.). Arts Council
Gallery, Belfast, 1 –
30 Aug. 1969.
* John Russell:
‘Quality
and quantity’, in Sunday Times, 30 Mar. 1969, p.57.
Simon Field:
‘London: objects – more
or less’ [incl. review of Kasmin exhib.], in Art and Artists,
Apr. 1969, vol.4 no.1, pp.56-58.
Robert Melville:
‘Problem solved’
[incl. review of Kasmin exhib.], in The
New Statesman, 4 Apr. 1969, vol.77 no.986, p.490.
Guy Brett: ‘On
and off the square’
[incl. review of Kasmin exhib.], in The Times, 10 Apr. 1969,
p.7.
* Norbert
Lynton: [review
of Kasmin exhib.], in The Manchester
Guardian, 11 Apr. 1969.
* Ian Dunlop:
‘April bulge
in art-exhibitions’, in Evening Standard, 14 Apr. 1969, p.17.
* Nigel
Gosling: ‘Prime
Pop ancestors’, in The Observer, 20 Apr. 1969, p.26.
* ‘Kasmin:
Howard Hodgkin’
[review of exhib.], in Art and Antiques, 26 Apr. 1969, vol.1,
p.13.
Pat Gilmour:
‘Graphics reviews’ [incl.
review of prints at Alecto Gallery], in Arts Review, 26 Apr.
1969, vol.21 no.8, p.277.
John Russell:
‘London’, in Art
News, May 1969, vol.68 no.3, p.43.
R.C. Kennedy:
‘London letter’ [incl.
review of Kasmin exhib.], in Art International, Summer 1969,
vol.13 no.6, pp.43-47.
First
Triennale
– India 1968 (3 works). Lalit Kala Akademi & National
Gallery of Modern Art, New Delhi,
11 Feb. – 31 Mar. 1968.
Arte
moltiplicata (3 works, illus.). Galeria Milano, Milan, from
11 Apr.
1968.
The Ind Coope
Art Collection (1 work). Arts Council touring exhibition,
opening at Oldham
Public Library, 8 – 30 June 1968, then touring.
* Prospect.
Stadtische Kunsthalle, Düsseldorf, 20 – 29 Sept. 1968.
Contemporary
Art Fair: English
galleries
/ Mostra mercato d’arte contemporanea: Gallerie inglesi (5 works
exhib. by Editions Alecto Limited, & 2 works, 1 illus.,
by Kasmin Gallery). Palazzo Strozzi, Florence, 16 Nov.
– 8 Dec. 1968.
Cinquième
Biennale de Paris: Manifestation Biennale et Internationale des Jeunes
Artistes (2 works). Musée d’Art Moderne de la Ville de
Paris, 30 Sept. – 5 Nov. 1967.
* Keith Sutton:
‘Galleries’,
in London Look, 11 Mar. 1967, p.44.
Guy Brett:
‘Painter’s series of shaped
canvases’ [review of Tooth exhib.], in The Times, 11 Mar. 1967,
p.7.
* Nigel
Gosling: ‘Heroic
pessimism on a bicycle’, in The Observer, 12 Mar. 1967, p.25.
* David
Thompson: ‘Art:
Howard Hodgkin’, in Queen, 15 Mar. 1967, no.428, p.24.
Bryan Robertson:
‘Howard’s end?’
[review of Tooth exhib.], in The Spectator, 24 Mar. 1967, vol.218
no.7239, pp.347-348.
Edward
Lucie-Smith: ‘London’ [incl.
review of Tooth exhib.], in Studio International, Apr. 1967,
vol.137 no.888, pp.196-198.
Norbert Lynton:
‘London’ [incl. review
of Tooth exhib.], in Art International, 20 Apr. 1967, vol.11
no.4, pp.46-47.
John Russell:
‘London’ [incl. review
of Tooth exhib.], in Art News, May 1967, vol.68 no.3, pp.18, 57,
61-64 (ref. p.62, ‘Hodgkin local
colors’).
Colour, form
and texture (2 works; 1 illus.). Arthur Tooth & Sons, 1 – 19
Feb. 1966.
London under forty (1 work). Galleria Milano, Milan, 13 Apr.1966 - ; travelling to Galleria de’Foscherari, Bologna, 7 – 25 June 1966.
* Howard Hodgkin, Peter Philips, Allen Jones. Galerie Aujourd’hui, Palais des Beaux-Arts, Brussels, May 1966.British
painters (3 works). Arthur Tooth & Sons, London, 12 – 30 Jan.
1965.
Pop Art,
Nouveau Realisme etc... (1 work). Palais des Beaux-Arts,
Brussels, 5 Feb. – 1
Mar. 1965.
* Op &
Pop, aktuell
Engelsk konst. Riksforbundet für bildende konst och SAN,
Stockholm, 1965.
London:
the new scene (9 works). Walker Art Center, Minneapolis, 6
Feb. - 14 Mar. 1965; travelling to
Washington Gallery of Modern Art, Washington DC, 1 Apr. – 2 May 1965;
Institute of Contemporary Art, Boston, 12 June – 25 1965; Seattle
Art Museum Pavilion, 8 Sept. – 10 Oct. 1965; Vancouver Art Gallery,
30 Oct. – 28 Nov. 1965; Art Gallery of Ontario, Toronto, 8 Jan. –
6 Feb. 1966; National Gallery of Canada, Ottawa, 18 Feb. – 20 Mar.
1966; organised by Walker Art Center, Minneapolis, in association with
the Calouste Gulbenkian Foundation, in collaboration with the British
Council; text by Martin Friedman (ref. pp.22-24), Alan Bowness, Jasia
Reichardt (ref. p.60).
Trends in
contemporary British
painting (1 work). Bear Lane Gallery, Oxford, 3 June – 3
July
1965.
* 25
peintres, 5 pays,
Chateau de Sarraz, Prix International de Peinture. Vaud,
Switzerland, 6 June – 26 Sept. 1965.
Corsham
painters and sculptors: an exhibition of paintings, drawings and
sculpture
by some artists now teaching at Bath Academy of Art, Corsham, with a
retrospective section of photographs of works by these and other artists
teaching at Corsham during the period 1946 to 1965; organized for the
Bath Festival 1965 (3 works & 6 photographs; 1 illus.). Arts
Council touring exhib., June 1965; traveling to Dartington College
of Art, Totnes, 17 July – 7 Aug. 1965; Graves Arts Gallery, Sheffield,
14 Aug. – 4 Sept. 1965; Walsall Art Gallery, 11 Sept. – 2 Oct. 1965;
Arts Council Gallery, Cambridge, 9 – 30 Oct. 1965; Middlesbrough Art
Gallery, 13 Nov. – 6 Dec. 1965.
* Franz
Schulze: ‘London’s
boisterous new art’, in Chicago Daily News, 6 Mar. 1965, p.5.
Robert Melville:
‘Objets d’art’
[incl. review of Tooth exhib.], in Architectural Review, Apr.
1965, vol.137, pp.291-293.
‘Howard Hodgkin’,
in Ark: the
Journal of the Royal College of Art, Summer 1965, no.38, pp.18-21
(4 illus., 2 in col.).
John Russell:
‘The London Summer season’
[incl. review of Tooth exhib.], in Art in America, June 1965,
vol.53 no.3, pp.130-133.
Jasia Reichardt:
‘La jeune génération
en Grande Bretagne’, in Aujourd’hui, July 1965, vol.9 no.50,
pp.68-81 (ref. pp.76-77) .
* Patricia Boyd
Wilson: ‘The
home forum’, in The Christian Science Monitor, 17 July 1965,
vol.57, p.8.
* London,
the new scope. Arthur Tooth & Sons, London, 1964.
* Figuratie
en Defiguratie. Museum voor Schone Kunsten, Ghent, 1964; travelling
to Musée des Beaux
Arts, Brussels.
Profile III:
Englische Kunst der Gegenwart [selected by] Sir Herbert Read, Roland
Penrose (3 works; 1 illus.). Stadtische Kunstgalerie Bochum,
19 Apr. – 7 June 1964.
Britische
Malerei der Gegenwart (3 works; 1 illus.). Kunstverein für
die Rheinlande und
Westfalen Düsseldorf, 24 May – 5 July 1964; travelling to Stuttgart;
Haus am Waldsee, Berlin, 30 Oct. – 5 Dec. 1964; & Bremen.
Nieuwe
realisten (1 work, illus.). Haags Gemeentemuseum, The Hague,
24 June
– 30 Aug. 1964.
New painting
61-64 (1 work, illus.). Arts Council of Great Britain, [11
July
– 24 Oct. 1964].
The new image (2
works). Arts Council Gallery, Belfast, [Sept.] 1964.
ICA
screen-print project (1 work, illus.). Institute of
Contemporary Arts, London,
10 – 28 Nov. 1964.
Neue Realisten
& Pop Art (1 work). Akademie der Künste, Berlin, 20 Nov.
1964 – 3 Jan. 1965.
* Roger
Berthoud: ‘One-man
show by one of our best’ [review of Tooth exhib.], in Evening
Standard, 24 Jan. 1964, p.5.
* ‘London day
by day: all
shapes and sizes’, in Daily Telegraph, 25 Jan. 1964, p.8.
Roger Coleman:
‘Up with the Jones’s’
[review of Tooth exhib.], in Arts Review, 25 Jan. – 8 Feb.
1964, vol.16 no.1, p.4 (col. illus.).
* Michael
Levey: ‘Twist
and shout’, in Sunday Times, 26 Jan. 1964, p.32.
Norbert Lynton:
‘Great high spirits’
[incl. review of Tooth exhib.], in The New Statesman, 31 Jan.
1964, vol.67 no.1716, pp.179-180.
James Burr:
‘Round the London galleries:
Born of stress’ [incl. review of Tooth exhib.], in Apollo,
Feb. 1964, vol.79 no.24, pp.145-148 (ref. pp.146-147).
* Edwin
Mullins: ‘Unknown
master’ [review of Tooth exhib.], in Sunday Telegraph, 2 Feb.
1964, p.13.
* Robert
Wraight: ‘On galleries:
Buskin’ with Ruskin’, in The Tatler, 5 Feb. 1964, no.251,
p.283.
* Peter Stone:
‘A potential
Renoir’, in Jewish Chronicle, 6 Feb. 1964, p.33.
‘Mr. Howard
Hodgkin’ [review of Tooth
exhib.], in The Times, 6 Feb. 1964, p.6.
Roger Coleman:
‘Up with the Jones’
[incl. review of Tooth exhib.], in Arts Review, 8 Feb. 1964,
vol.16 no.1, p.4.
Gene Baro: ‘Some
London galleries’
[incl. review of Tooth exhib.], in Arts Magazine, Mar. 1964,
vol.38 no.6, p.15.
Norbert Lynton:
‘London letter’ [incl.
review of Tooth exhib.], in Art International, Apr. 1964, vol.8
no.3, p.73.
Critic’s
choice: an exhibition of
contemporary British painting and sculptureselected by Philip
James, C.B.E.(1 work). Stone Gallery, Newcastle upon
Tyne, July 1963.
British
painting in the Sixties: an
exhibition organized by the Contemporary Art Society (3 works,
exhib. at Whitechapel Art Gallery; illus). Tate Gallery &
Whitechapel Art Gallery, London, 1 – 30 June 1963
Jasia Reichardt:
‘Pop Art and after’,
in Art International, 25 Feb. 1963, vol.7 no.2, pp.42-47 (ref.
p.47).
Norbert Lynton:
‘London letter’ [incl.
review of Tooth exhib.], in Art International, Mar. 1963, vol.7
no.3, pp.55-59, 64 (ref. p.58.).
Robert Melville:
[incl. review of Tooth
exhib.], in Architectural Review, Apr. 1963, vol.133 no.794,
pp.288-290.
Edward
Lucie-Smith: ‘The orators’
[incl. review of Whitechapel exhib.], in The Listener, 6 June
1963, vol.49 no.1784, p.970.
J.P.Hodin: [incl.
review of Tooth
exhib.],
in Quadrum, Summer 1963, vol.14, pp.161-164 (ref. p.163).
* Edward
Lucie-Smith: ‘The
impact-makers’, in Vogue (UK), Aug. 1963, vol.120, pp.58-59.
* Jane
Stockwood: ‘Sometimes it makes a good portrait’, in Harper’s
Bazaar, Nov. 1963, pp.107-108, 110.
* Britisk
Kunst. Sammenslutningen af Danske Kunstforeningen, Copenhagen,
1962-1963
(touring
exhib.)
ICA picture
fair. Institute
of Contemporary Arts, London, 28 Nov. – 18 Dec. 1962.
1962: one year of British art selected by Edward Lucie-Smith (3 works; 1 illus.). Arthur Tooth & Sons, London, 22 Jan. – 9 Feb. 1962.
Two young
figurative painters: Howard
Hodgkin and Allen Jones (12 works by HH). Institute of
Contemporary Arts, London, 15 Feb. – 24 Mar. 1962; 4p.;
text by Roger Coleman, pp.2-3.
Edward
Lucie-Smith: ‘White magic’
[incl. review of ICA exhib.], in The
New Statesman, 16 Feb. 1962, vol.63 no.1614, p.240.
[David Thompson]:
‘Two young figurative
painters’ [review of ICA exhib.], in The Times, 21 Feb. 1962,
p.13.
Conroy Maddox:
‘Two young figurative
painters’ [review of ICA exhib.], in Arts Review, 24 Feb. – 10
Mar. 1962, vol.14 no.3, p.19.
Nevile Wallis:
‘Symbolists of our time’
[review of ICA exhib.], in The Observer, 25 Feb. 1962.
Keith Sutton:
‘Round the London art
galleries’ [incl. review of ICA exhib.], in The Listener, 1 Mar.
1962, vol.47 no.1718, p.382.
* John Russell:
‘The world
of art: Henry Moore in Manhattan’, in Sunday Times, 8 Apr. 1962,
p.39.
Denis Bowen:
‘William Brooker and Howard
Hodgkin’ [review of Tooth exhib.], in The Arts Review, 20 Oct.
– 3 Nov. 1962, vol.14 no.20, p.19.
Edwin Mullins:
‘Sculpture and mechanics’
[incl. review of Tooth exhib.], in Apollo, Nov. 1962, vol.76
no.9, pp.712-714.
Robin [sic = Robyn] Denny: ‘London letter’ [incl. review of Tooth exhib.],
in Das Kunstwerk, Nov. – Dec. 1962, vol.16 no.5-6, pp.70-80
(ref. pp.78, 80).
G.S. Whittet:
‘Nature still gets in
the picture’ [incl. review of Tooth exhib.], in Studio, Dec.
1962, vol.164 no.836, pp.250-252 (ref. p.252).
Norbert Lynton:
‘London letter’ [incl.
review of Tooth exhib.], in Art International, 20 Dec. 1962,
vol.6 no.10, pp.41-44 (ref. p.43).
London Group
1961 (1 work). RBA Gallery, London, 9 – 29 Mar. 1961.
Contrasts: an
exhibition of work by
members of the A.I.A. (1 work). A.I.A. Gallery, London, May
1961.
London Group:
annual exhibition, 1960 (2 works). RBA Galleries, London, 15
Jan. – 5 Feb. 1960.
Herbert Read: Contemporary British art. Harmondsworth: Penguin Books, 1964 (revised ed. of book originally publ. in 1951); p.48, pl.61b.
Bryan Robertson, John Russell & Lord Snowdon: Private view. London: Thomas Nelson, 1965; pp.28, 278-279 (texts by John Russell; 4 photographs).
Aldo Pellegrini (tr. Robin Carson): New tendencies in art. London: Elek, 1966; pp.207, 233 (1 illus.).
Jean Dypréau: ‘Pop Art, Nouveau Réalisme, Assemblage, Affinités et Contrastes’, in Ernest Goldschmidt (ed.): Depuis 45: l’art de notre temps, II. Brussels: La Connaissance, 1970; pp.156-178 (ref. pp.159, 166).
Edward Lucie-Smith, Patricia White: [review of Kasmin exhib.], in Art in Britain, 1969-70. London: J.M. Dent, 1970; p.29. 96 (2 illus, 1 col.).
[catalogue entries for ‘Mrs. Nicholas Munro’ and ‘Dinner at West Hill’], in The Tate Gallery 1968-70. London: Tate Gallery, 1970; p.89.
Edward Lucie-Smith: Art today. London: Phaidon, 1977; pp.175-176 (1 illus.).
Richard Shone: The century of change: British painting since 1900. Oxford: Phaidon, 1977; pp.11, 34m 42, 219 (2 illus.).
[catalogue entry for ‘In a Hotel Garden’], in The Tate Gallery 1974-6: illustrated catalogue of acquisitions. London: Tate Gallery, 1978; p.112.
Arts Council Collection: a concise illustrated catalogue of paintings, drawings, photographs and sculpture purchased for the Arts Council of Great Britain between 1942 and 1978. London: Arts Council of Great Britain, 1979; p.129 (5 works illus.).
[catalogue entry for ‘Interior of a Museum’], in The Tate Gallery 1976-8: illustrated catalogue of acquisitions. London: Tate Gallery, 1979; p.96.
Bruce Chatwin: ‘A portrait of the artist’, in Howard Hodgkin: Indian leaves. London, New York: Petersburg Press, 1982; pp.5-17; repr. as ‘Howard Hodgkin’ in Bruce Chatwin: What am I doing here, London: Jonathan Cape, 1989, pp.70-78; repr. in paperback edition, London: Pan Books, 1990, pp.70-78; excerpt republ. in HH: ‘About my collection’, in Asian Art, Fall 1991, vol.6 no.4, pp.12-13.
The British Council Collection 1938-1984. London: British Council, 1984; pp.74, 165.
Lynne Cooke: ‘Richard Deacon, Howard Hodgkin, Leon Kossoff, Sean Scully, Victor Willing’, in Art of our time: the Saatchi Collection. London: Lund Humphries, 1984; volume 4, pp.34-40 (ref. pp.35-36), 139-140.
[catalogue entries for ‘Mr. and Mrs. Stephen Buckley’ & ‘Dinner at Smith Square’], in The Tate Gallery 1980-82: illustrated catalogue of acquisitions. London: Tate Gallery, 1984; pp.140-141.
The Museum of Modern Art, New York: the history and the collection. New York: Harry N. Abrams; London: Thames and Hudson, 1984 (repr. 1997); pp.37, 382.
JC [= John Caldwell]: ‘Howard Hodgkin: ‘The cylinder, the sphere and the cone’’, in Museum of Art, Carnegie Institute: collection handbook. Pittsburgh: Carnegie Institute, Museum of Art, 1985; pp.320-321.
H.H. Arnason: A history of modern art: painting, sculpture, architecture. New York: Harry N. Abrams, 1986; pp.658, 661-662 (2 illus.).
Jorge Lewinski: Portrait of the artist: twenty five years of British art. Manchester: Carcanet Press, 1987; pp.94-95.
Sandy Nairne: State of the art: ideas and images in the 1980s. London: Chatto and Windus, 1987 (A Channel Four Book); pp.115-120 (incl. interview).
The Whitworth Art Gallery: the first hundred years. Manchester: Whitworth Art Gallery, University of Manchester, 1988; pp.130-131, col. illus.; text by Greg Smith on ‘Interior at Oakwood Court’, 1978-83.
Alistair Hicks: The School of London: the resurgence of contemporary painting. Oxford: Phaidon, 1989; pp.14, 37-40.
Alistair Hicks: New British art in the Saatchi Collection. London: Thames and Hudson, 1989; pp.14-15, 46-55.
Anna Moszynska: Abstract art. London: Thames and Hudson (World of art), 1990; pp.221-224.
Simon Wilson: ‘Howard Hodgkin: Dinner at West Hill’ and ‘Howard Hodgkin: For Bernard Jacobson’, in Tate Gallery: an illustrated companion. London: Tate Gallery, 1990; pp.223 & 257.
Robert Hughes: ‘Howard Hodgkin’ [review of 1982 Knoedler exhib.], in The shock of the new: art and the century of change. London: Thames and Hudson, 1990, pp.281-285 (previously publ. as ‘A peeper into Paradise’ Time, 29 Nov. 1982, p.88).
Simon Wilson: ‘Howard Hodgkin: Rain’ and ‘Howard Hodgkin: For Bernard Jacobson’, in Tate Gallery: an illustrated companion. London: Tate Gallery, 1991 (2nd ed.); pp.284 & 299.
Wendy Mulford: The Bay of Naples. [collection of 26 poems, with dedication on p.1: “to Howard Hodgkin. After the exhibition ‘Forty paintings 1973-1984’, the Whitechapel Gallery 1985”]. London: Reality Studios, 1992; ISBN: 0950701882.
Patrick Elliott: The concise catalogue of the Scottish National Gallery of Modern Art. Edinburgh: National Galleries of Scotland, 1993; pp.157, 364.
* James Fenton: ‘In Paris with you’, in Out of danger. London: Penguin Books, 1994.
Brian Sewell: ‘Ivon Hitchens and Howard Hodgkin’, in The reviews that caused the rumpus, and other pieces. London: Bloomsbury, 1994; pp.280-284 (previously publ. in The Tatler, 1989); & ‘Howard Hodgkin’, pp.284-286 (previously publ. as ‘The mark of the lesser spotted leopard’ in Evening Standard, 28 Oct. 1993, p.23; also republ. in An alphabet of villains. London: Bloomsbury, 1995; pp.107-109).
The British Council Collection 1984-1994. London: British Council, 1995; pp.72-73, 167.
Contemporary art at Deutsche Bank, London. Frankfurt am Main: Deutsche Bank, 1996; pp.49-50, 56.
‘Howard Hodgkin’, in The dictionary of art. London: Macmillan Publishers Ltd.; New York: Grove Dictionaries Inc., 1996; vol.14, pp.611-612.
Brian Sewell: ‘Howard Hodgkin’, in An alphabet of villains. London: Bloomsbury, 1996; pp.107-109 (previously publ. as ‘The mark of the lesser spotted leopard’ in Evening Standard, 28 Oct. 1993, p.23; previously republ. in The reviews that caused the rumpus, and other pieces. London: Bloomsbury, 1994; pp.284-286).
Virginia Button: The Turner Prize. London: Tate Gallery Publishing, 1997; pp.34-39; 2nd edition, 1999, pp.34-39; 3rd edition, The Turner Prize: twenty years, 2003, pp.34-39.
Susannah Clapp: With Chatwin: portrait of a writer. London: Jonathan Cape, 1997; pp.75, 113-116, et al.
Gautier Deblonde (photographs), Mel Gooding (essay): Artists. London: Tate Gallery Publishing, 1999; p.107.
Government Art Collection of the United Kingdom: the twentieth century. London: Government Art Collection, 1997; p.69.
Nicholas Shakespeare: Bruce Chatwin. London: Harvill Press, 1999; pp.105, 111-112, et passim.
Wilfried Dickhoff: ‘Howard Hodgkin: the carnal presence of emotion’, in After Nihilism: essays on contemporary art. Cambridge: Cambridge University Press, 2000; pp.60-63 (previously publ. as ‘”Like an open book”’ in catalogue of HH exhibition at Galerie Michael Werner, Cologne, 1990, pp.4-9, & at M.Knoedler, New York, 1990, pp.4-6).
Nicholas Sinclair: Portraits of artists. London: Lund Humphries, 2000; p.33.
‘Howard Hodgkin: Hope, 2000 (week 39: October 16-21, 2000)’, in Fig-1: 50 projects in 50 weeks [ed. Mark Francis & Jay Jopling]. London: Spafax Publishing, in association with tate: the art magazine, 2001; folded poster, col. illus, with interview by Mark Francis.
Alistair Hicks (edited by Mary Findlay, Alistair Hicks and Friedhelm Hütte): Art works: British and German contemporary art 1960-2000. London: Deutsche Bank AG, & Merrell Publishing, 2001; pp.99-100, 240.
Richard Humphreys: The Tate Britain companion to British art. London: Tate Publishing, 2001; p.229.
Andrew Wilton: Five centuries of British painting: from Holbein to Hodgkin. London: Thames and Hudson (World of Art), 2001; pp.241-243 (1 col. illus.).
[interview with John Wyver], in Art now: interviews with modern artists. London, New York: Continuum, 2002 (transcript of interview in video-cassette publ. 2002 by Illuminations in series theEYE), pp.5, 28-45; introd. by Sandy Nairne.
Susan Sontag: ‘About Hodgkin’, in Where the stress falls: essays. London: Jonathan Cape, 2002; pp.151-160; previously publ. in Michael Auping, John Elderfield, Susan Sontag: Howard Hodgkin paintings. London: Thames and Hudson, with The Modern Art Museum of Fort Worth, 1995, pp.105-112.
Marion Boulton Stroud: New material as new media: the Fabric Workshop and Museum [Philadelphia]. Cambridge (MA): MIT Press, 2002, pp.138-141.
David Sylvester: [interview with HH, recorded for the Landseer/Arts Council film Howard Hodgkin: in conversation with David Sylvester, 1982], in London recordings. London: Chatto and Windus, 2003, pp. ix, 99-115.
John Tusa: ‘Howard Hodgkin: “The memory comes back in another form”’ [text of interview broadcast on BBC Radio 3 on 7 May 2000, & publ. as ‘Lessons in art and life’ in The Independent on Sunday, 7 May 2000], in On creativity: interviews exploring the process. London: Methuen, 2004; pp.167-182.
Richard Cork: ‘Howard Hodgkin’ [review of 1976 Serpentine Gallery exhib.], in Everything seemed possible: art in the 1970s. New Haven, London: Yale University Press, 2003, pp.221-224; previously publ. as ‘Every blob counts!’ in Evening Standard, 20 May 1976.
Richard Cork: ‘Howard Hodgkin’ [review of 1985 Whitechapel Art Gallery exhib.], in New spirit, new sculpture, new money: art i nthe 1980s. New Haven, London: Yale University Press, 2003, pp.180-183; previously publ. as ‘Howard’s way’ in The Listener, 10 Oct. 1985, vol.114 no.2930, p.37.
Richard Cork: ‘Howard Hodgkin’ [review of 1999 Anthony d’Offay Gallery exhib.], in Breaking down the barriers: art in the 1990s. New Haven, London: Yale University Press, 2003, pp.447-450; previously publ. as ‘Raging, ageing bull’ in The Times, 19 Nov. 1999, p.51.
Richard Cork: ‘Encounters: new art from old’ [review of 2000 National Gallery exhib.], in Annus mirabilis: art in the year 2000. New Haven, London: Yale University Press, 2003; pp. 119-123 (ref. pp. 119-120); previously publ. as ‘New, improved additional values’ in Times 2, 14 June 2000, pp.20-21.
Cecil Higgins Art Gallery: prints. Bedford: Cecil Higgins Art Gallery, 2004; p.113.
Stefan van Raay, Frances Guy, Simon Martin, Andrew Churchill: Modern British art at Pallant House Gallery [Chichester]. London: Scala Publishers, 2004; cover, p.117.
Treasures of the Fitzwilliam Museum. London: Scala Publishers, 2005; pp.174-175.
[reply to questionnaire appended to article by Norman Blamey, ‘The function of drawing’], in Monad 1: a magazine about painting (publ. by Chelsea Art School Students Union), Summer 1964, vol.1 no.1, pp.27-34 (ref. p.29, illus. on p.31).
[statement], in Jasia Reichardt (ed.): ‘On figuration and the narrative in art: statements by Howard Hodgkin, Patrick Hughes, Patrick Procktor, and Norman Toynton’ [based on session at Institute of Contemporary Arts, ‘Aspects of figuration and the narrative’, 8 Mar. 1966, chaired by Robert Hughes], in Studio International, Sept. 1966, vol.172 no.881, pp.140-144 (ref. p.140); section repr. in Towards another picture, 1977 (c.f.).
‘The relevance of Matisse: a discussion between Andrew Forge, Howard Hodgkin and Philip King’, in Studio International, July-Aug. 1968, vol.176 no.902, pp.9-17.
[untitled text in French], in Patrick Caulfield, Howard Hodgkin, Michael Moon. Paris: Galerie Stadler, 1972 (catalogue of exhibition 21 Mar. – 15 Apr. 1972); on loose sheet.
* A recorded talk on his paintings: Indian views, screenprints and lithographs. London: British Council, 1976 (pamphlet publ. Nov. 1976); section repr. in Towards another picture, 1977 (q.v.).
[texts reprinted from 1964 letter to Sunday Times, 1966 Studio International discussion, & 1976 British Council pamphlet], in (ed.) Andrew Brighton and Lynda Morris : Towards another picture: an anthology of writings by artists working in Britain 1945-77. Nottingham: Midland Group, 1977, pp.76-77, 96.
‘An artist in residence’ [account of HH’s residency at Brasenose College, 1976-1977], in Oxford Art Journal, Oct. 1978, no.1: Art in Oxford, pp.36-37.
[introduction] to The artist’s eye: an exhibition selected by Howard Hodgkin at the National Gallery. London: National Gallery, 1979 (catalogue of exhibition 20 June – 19 Aug. 1979), p.3; also commentaries on the 14 selected works.
‘Peter Blake and Howard Hodgkin in California’ [extracts from HH’s diary of a trip to California with Blake in Oct. 1979, staying with David Hockney, & 2 drawings; also 4 drawings by Peter Blake], in Ambit, 1980, no.83, pp.3-11 (ref. pp.3-7, 11)
‘The solipsist in his studio’ [review of ‘Matisse’ by Lawrence Gowing, Thames and Hudson 1979], in Times Literary Supplement, 21 Mar. 1980, no.4017, p.330.
‘Introduction’ to Paintingsby E. Box [= Eden Fleming, 1920 (?)-1988]: a retrospective exhibition, including the artist’s most recent work. London: David Carritt Limited, 1981 (catalogue of exhibition 23 Apr. – 15 May 1981); p.[6].
‘Artist’s notes’, in Howard Hodgkin: Indian leaves, with a portrait of the artist by Bruce Chatwin; London, New York: Petersburg Press, 1982, pp.51-53.
‘Foreword’, in Six Indian painters: Rabindranath Tagore, Jamini Roy, Amrita Sher-Gil, M.F. Husain, K.G. Subramanian, Bhupen Khakhar; London: Tate Gallery, 1982 (catalogue of exhibition, 7 Apr. – 23 May 1982), p.8.
‘How to be an artist’ [edited version of The William Townsend Memorial Lecture, given at Slade School of Fine Art, University College, London, on 15th Dec. 1981], in The Burlington Magazine, Sept. 1982, vol.124 no.954, cover & pp.552-554.
‘An introduction to the exhibition’ and 38 of the 52 catalogue notes, in Indian drawing: an exhibition chosen by Howard Hodgkin, introduction by Terence McInerney; London: Arts Council of Great Britain, 1983 (catalogue of exhibition at Hayward Gallery, London, 10 Feb. – 17 Apr. 1983, then travelling), pp.v-vi & unpaginated catalogue entries signed ‘HH’.
‘Howard Hodgkin and Patrick Caulfield in conversation’, in Art Monthly, July-Aug. 1984, no.78, pp.1, 4-6.
* ‘On and off the wall’, in The Observer, 3 July 1988, p.43.
‘Notes on the collection’, in Andrew Topsfield, Milo Cleveland Beach: Indian paintingsand drawings from the collection of Howard Hodgkin; New York: Thames and Hudson, 1991, pp.9-11; repr. 1992 (Thames and Hudson, London) & 1994 (British Museum Press).
‘About my collection’ [of Indian paintings & drawings], in Asian Art, Fall 1991, vol.6 no.4, pp.8-27; incl. excerpt from ‘A portrait of the artist’ by Bruce Chatwin, in Indian leaves, with a portrait of the artist by Bruce Chatwin, London, New York: Petersburg Press, 1982, pp.5-17; republ. as ‘Howard Hodgkin’ in Bruce Chatwin: What am I doing here, London: Jonathan Cape, 1985, pp.70-78.
‘On collecting Indian painting’, in Ashmolean, Winter 1992, no.23, pp.9-15.
‘Arboreal architecture’ [on his mural for the facade of Charles Correa’s British Council offices in New Delhi], in Design Quarterly, Winter 1993, no.158, pp.14-15.
‘Artist’s statements’ [selection of 13 statements and texts dating from 1984-1993], in Andrew Graham-Dixon: Howard Hodgkin; London: Thames and Hudson, 1994, pp.178-179; expanded version in revised ed, 2001, pp.214-217.
‘A London view’, in Granta 65: London: the lives of the city, Spring 1999, pp.112-113.