Financial Times, Jackie Wullschlager: Review of Gagosian Gallery exhibition, Paris

‘Degas, Degas, Degas, Howard Hodgkin has repeated over recent years when I have asked him about influence. His dusty orange After Degas (1993) is the cover image for his catalogue raisonn̩, and early on it was easy to trace a line from, say, his great bedroom Interior with Figures (1977-84), with its undefined human forms, ecstatic bursts of colour and screen of pulsating dots, back to the heated eroticism of French 19th-century intimiste painting.’

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