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Hodgkin in his own words: Transcriptions of interviews with the artist. Learn from the critics’ insights.

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Howard Hodgkin: The Art of Collecting
by Antony Peattie

12th March 2021

GRIST TO THE MILL Collecting ran in Howard Hodgkin’s family: he was named after an ancestor, Luke Howard, who was the first man to identify and name cloud forms (Essay on the Modification of Clouds, 1803). Howard’s great-grandparents, John Eliot Hodgkin, and his wife Edith filled their house with English ceramic tiles, and published Examples […]

Howard Hodgkin, Art News, John Russell
by John Russell

May 1969

There is not much to show, 30 years later, by the way of memorial to the impulse of sympathy and affection through which so many English children were invited to the U.S. After June 1940. For many of them, the trip meant primarily a change of schooling and an uncomfortable boat-ride; but here and there […]

Painting’s Emotional Site
by Alberto Fiz

Gagosian Gallery, 2013

Originally printed in Howard Hodgkin (New York: Gagosian, 2013). A catalogue made for Hodgkin’s exhibition which opened at their gallery in Rome in the same year.

Howard Hodgkin, at Alan Cristea Gallery
by Andrew Graham-Dixon

Seven, The Sunday Telegraph, 20th June 2012

Exhibition: Alan Cristea Gallery, 2012

Woodwork by Hodgkin
by W.S. Di Piero

San Diego Reader, 16th March 2011

A review of the show of Hodgkin’s paintings 2001-2010 at the San Diego Museum of Art, from the San Diego Reader.  The writer, W.S. Di Piero, is a Professor of English at Stanford University and a published poet.

Howard Hodgkin Talks About His Work
by Leah Ollman

Los Angeles Times, 11th February 2011

At 78, Howard Hodgkin has slowed a bit, requiring a wheelchair lately to move about, but he remains quick as ever to speak his mind and, judging by the San Diego Museum of Art’s exhibition of his recent work, compelled as ever to paint the wealth of memories and sensations that occupy it.

On Print-Making at 107 Workshop
by Howard Hodgkin

Christie's, 2010

A note on print-making with the 107 Workshop. Written for Christie’s, South Kensington, where 40 of Jack Shirreff’s printer’s proofs went on sale on 14 September 2010.

One Day It Will Be Enough
by Stefan Kuiper, trans. Beth O'Brien

Vrij Nederland, 28th August 2010

An interview by Stefan Kuiper, printed in Vrij Nederland, 28 August 2010, translated by Beth O’Brien

The expertise of a brilliant panellist
by Ben Luke

Evening Standard, 8th December 2009

Exhibition: Gagosian Gallery, 2009

Beyond Boundaries
by Andrew Graham-Dixon

Seven Magazine, The Sunday Telegraph, 13th April 2008

Exhibition: Alan Cristea Gallery, 2008

Flirtation with abstraction
by Jackie Wullschlager

Financial Times, 15th June 2006

Exhibition: Tate Britain, 2006

On Seurat
by Howard Hodgkin and John-Paul Stonard

Art and Architecture, Courtauld Institute of Art, 2006

To coincide with a retrospective exhibition of his work (at the Irish Museum of Modern Art, Tate Britain and Museo Nacional Centro de Arte Reina Sofía in Madrid), Hodgkin reflected on works by Seurat in the Courtauld institute of Art Gallery in an interview with John-Paul Stonard, for Art and Architecture.

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