Oliver Matthews: ‘Indian paintings and drawings: Howard Hodgkin’ [review of Hayward exhib.], in Antique Collector, Mar. 1984, pp.58-59. Gijs Van H

Oliver Matthews: ‘Indian paintings and drawings: Howard Hodgkin’ [review of Hayward exhib.], in Antique Collector, Mar. 1984, pp.58-59. Gijs Van Hensbergen: ‘Howard’s hues’, in Ritz, Mar. 1984, no.86, p.6. Graham Hughes: ‘Four rooms: Anthony Caro, Marc Camille Chaimowicz, Richard Hamilton, Howard Hodgkin’ [review of Liberty’s exhib.], in Arts Review, 2 Mar. 1984, vol.36 no.4, p.105. James Burr: ‘The most revealing things we do’ [incl. review of Wolverhampton exhib.], in Apollo, Apr. 1984, vol.266 no.119, p.300. Charlotte Ellis: ‘Four rooms’ [review of Liberty’s exhib.], in The Architectural Review, Apr. 1984, vol.175 no.1046, pp.62-63. Richard Shone: ‘Four rooms’ [review of Liberty’s exhib.], in Burlington Magazine, Apr. 1984, vol.126 no.973, pp.244-247. John Russell: ‘Maximum emotion with a minimum of definition’ [review of New York exhib.], in The New York Times, 15 Apr. 1984, p.H33. John Russell: ‘The ‘emotional situations’ of Howard Hodgkin’ [review of New York exhib.], in International Herald Tribune, 21-22 Apr. 1984, p.6. Michael Brenson: ‘Art: Howard Hodgkin and Paris legacy’ [incl. review of New York exhib.], in The New York Times, 27 Apr. 1984, p.C23. Christiane Bergob: ‘Letter from London’ [incl. review of Liberty’s exhib.], in Kunstforum International, Apr./May 1984, no.3-4, pp.312-314. Kay Larson: [review of New York exhib.], in New York Magazine, 28 May 1984, p.94. Jane Withers & Anthony Fawcett: ‘The man on the flip side’, in The Times, 29 May 1984, p.12. [32m. recorded interview with HH at his exhibition in the British Pavilion at the 1984 Venice Biennale’], in Audio Arts, 1984, vol.7 nos.1-2 (‘Actuality: Audio Arts at the Venice Biennale 1984’), audio-cassette 1 side 1. Anthony Fawcett, Jane Withers: ‘Howard Hodgkin at the Venice Biennale’, in Studio International, [Summer] 1984, vol.197 no.1005, pp.16-17. Hannah Vowles: ‘Taking liberties: Four rooms exhibition’ [review of Liberty’s exhibn.], in Studio International, [Summer] 1984, vol.197 no.1005, pp.26-27. Max Wykes-Joyce: ‘Howard Hodgkin: prints made in New York’ [review of Bath exhib.], in Art and Artists, June 1984, no.213, p.27. Alexandra Pringle: ‘Art: Howard’s blend of images and textures’, in Harpers & Queen, June 1984, p.189. Patrick Kinmonth: ‘Howard Hodgkin’, in Vogue (UK), June 1984, vol.141, pp.140-141. Marina Vaizey: ‘Dancing among the ruins’ [review of Venice exhib.], in Sunday Times, 10 June 1984, p.39. John McEwen: ‘Finding form at fifty’, in Sunday Times Magazine, 10 June 1984, pp.38-41. John Russell Taylor: ‘Myth taking on the cloak of reality’ [review of Venice exhib.], in The Times, 12 June 1984, p.9. William Feaver: ‘Copy, parody, variation, fake’, in The Observer, 17 June 1984, p.19. William Packer: ‘Venice through the looking glass’, in Financial Times, 19 June 1984, p.19. Dirceu Brisola: ‘Os eleitos de Veneza’ [incl. review of Venice exhib.], in Veja (Brazil), 20 June 1984, pp.134-135. Terence Mullaly: ‘Abstracts in abundance – and in a setting to suit’, in Daily Telegraph, 23 June 1984, p.11. Judith Bumpus: ‘A dream of Venice’ [interview], in Art and Artists, July 1984, no.214, pp.14-17. Robert Hughes: ‘Gliding over a dying reef: the Venice Biennale’ [review of exhib.], in Time, 2 July 1984, vol.214, pp.76-77. Manuela Hoelterhoff: ‘The Venice Biennale: no paradise for art’, The Wall Street Journal, 31 July 1984, p.32. ‘Howard Hodgkin and Patrick Caulfield in conversation’, in Art Monthly, July-Aug. 1984, no.78, pp.1, 4-6. [text], in Il Giornale della Biennale: Il Giornale dell’Arte, July – Aug. 1984, no.14, p.30. Paul Levy: ‘Venice vidi vici’ [incl. review of Venice exhib.], in Harpers & Queen, Aug. 1984, p.32. Annelie Pohlen: ‘A few highlights but no festival’ [review of Venice exhib.], in Artforum, Sept. 1984, vol.23 no.1, pp.103-106. John Yau: ‘Howard Hodgkin’ [incl. review of New York exhib.], in Artforum, Sept. 1984, vol.23 no.1, p.117. Milton Gendel: ‘Report from Venice: cultured pearls at the Biennale’, in Art in America, Sept. 1984, vol.72 no.8, pp.45-53 (ref. pp.48-49). William Feaver: ‘Venice: remembrance of things past’, in Art News, Sept. 1984, vol.83 no.7, pp.135-136 (ref. p.136). Edward Lucie-Smith: ‘Critic’s diary’ [incl. review of British Museum exhib.], in Art Review, Sept. 1994, vol.46, pp.15-17. Liana Bortolon: ‘I misteriosi giardini di Hodgkin’ [review of Venice exhib.], in Grazia, 2 Sept. 1984, vol.57 no.2271, pp.32-35. Prudence Carlson: ‘Howard Hodgkin at Knoedler’ [review of New York exhib.], in Art in America, Oct. 1984, vol.72 no.9, pp.192-193. Paul Richard: ‘Shining light: at the Phillips Collection, Howard Hodgkin’s gentle art’ [review of Washington exhib.], in The Washington Post, 11 Oct. 1984, pp.B1, B4. Jane Addams Allen: ‘Howard Hodgkin: letting it flow’ [review of Washington exhib.], in The Washington Post, 12 Oct. 1984, pp.C1-C2. Edward J. Sozanski: ‘Magnetic works of vibrant color’ [review of Washington exhib.], in The Philadelphia Enquirer, 23 Oct. 1984, p.4D. Pamela Kessler: ‘Forty storied paintings by Howard Hodgkin’ [review of Washington exhib.], in The Washington Post, 12 Oct. 1984. John McEwen: ‘Late bloomer’ [review of Washington exhib.], in Vanity Fair, Nov. 1984, vol.47, pp.68, 70, 73-74, 121. Gordon Burn: ‘The Tate’s bold stroke for British art’, in Sunday Times Magazine, 11 Nov. 1984, p.45. Bobbier Massie: ‘A palette of emotions’ [review of Washington exhib.], in The Washington Weekly, 12 Nov. 1984. Leone Lawrence: ‘Howard Hodgkin’ [review of Washington exhib.], in New Art Examiner, Dec. 1984, p.56. Mark Stevens: ‘A palette of emotions’ [review of Washington exhib.], in Newsweek, 3 Dec. 1984, p.82. Richard Lacayo: ‘Returning to the frame game’ [review of Washington exhib.], in Time, 3 Dec. 1984, p.72. Mary S. Cohen: ‘The general effect is one of celebration’ [review of Washington exhib.], in The Christian Science Monitor, 31 Dec. 1984, vol.77, pp.22-23. Michael Clark: ‘Howard Hodgkin, The Phillips Collection’ [review of Washington exhib.], in Washington Review, Dec. 1984 – Jan. 1985, p.26.