Bibliography

Howard Hodgkin: recent paintings (16 works). Arthur Tooth & Sons, London, 28 Feb. – 25 Mar. 1967; 12p, 10 illus (1 col); biog., exhibs.

Cinquième Biennale de Paris: Manifestation Biennale et Internationale des Jeunes Artistes (2 works). Musée d’Art Moderne de la Ville de Paris, 30 Sept. – 5 Nov. 1967. Recent British painting: Peter Stuyvesant Foundation Collection (2 works). Tate Gallery, London, 15 Nov. – 22 Dec. 1967.

Susan Groome: [review of Tooth exhib.], in Arts Review, 4 Mar. 1967, vol.19 no.4, p.64. Keith Sutton: ‘Galleries’, in London Look, 11 Mar. 1967, p.44. Guy Brett: ‘Painter’s series of shaped canvases’ [review of Tooth exhib.], in The Times, 11 Mar. 1967, p.7. Nigel Gosling: ‘Heroic pessimism on a bicycle’, in The Observer, 12 Mar. 1967, p.25. David Thompson: ‘Art: Howard Hodgkin’, in Queen, 15 Mar. 1967, no.428, p.24. Bryan Robertson: ‘Howard’s end?’ [review of Tooth exhib.], in The Spectator, 24 Mar. 1967, vol.218 no.7239, pp.347-348. Edward Lucie-Smith: ‘London’ [incl. review of Tooth exhib.], in Studio International, Apr. 1967, vol.137 no.888, pp.196-198. Norbert Lynton: ‘London’ [incl. review of Tooth exhib.], in Art International, 20 Apr. 1967, vol.11 no.4, pp.46-47. John Russell: ‘London’ [incl. review of Tooth exhib.], in Art News, May 1967, vol.68 no.3, pp.18, 57, 61-64 (ref. p.62, ‘Hodgkin local colors’).

Colour, form and texture (2 works; 1 illus.). Arthur Tooth & Sons, 1 – 19 Feb. 1966. London under forty (1 work). Galleria Milano, Milan, 13 Apr.1966 – ; travelling to Galleria de’Foscherari, Bologna, 7 – 25 June 1966. Howard Hodgkin, Peter Philips, Allen Jones. Galerie Aujourd’hui, Palais des Beaux-Arts, Brussels, May 1966.

British painters (3 works). Arthur Tooth & Sons, London, 12 – 30 Jan. 1965. Pop Art, Nouveau Realisme etc… (1 work). Palais des Beaux-Arts, Brussels, 5 Feb. – 1 Mar. 1965. Op & Pop, aktuell Engelsk konst. Riksforbundet für bildende konst och SAN, Stockholm, 1965. London: the new scene (9 works). Walker Art Center, Minneapolis, 6 Feb. – 14 Mar. 1965; travelling to Washington Gallery of Modern Art, Washington DC, 1 Apr. – 2 May 1965; Institute of Contemporary Art, Boston, 12 June – 25 1965; Seattle Art Museum Pavilion, 8 Sept. – 10 Oct. 1965; Vancouver Art Gallery, 30 Oct. – 28 Nov. 1965; Art Gallery of Ontario, Toronto, 8 Jan. – 6 Feb. 1966; National Gallery of Canada, Ottawa, 18 Feb. – 20 Mar. 1966; organised by Walker Art Center, Minneapolis, in association with the Calouste Gulbenkian Foundation, in collaboration with the British Council; text by Martin Friedman (ref. pp.22-24), Alan Bowness, Jasia Reichardt (ref. p.60). Trends in contemporary British painting (1 work). Bear Lane Gallery, Oxford, 3 June – 3 July 1965. 25 peintres, 5 pays, Chateau de Sarraz, Prix International de Peinture. Vaud, Switzerland, 6 June – 26 Sept. 1965. Corsham painters and sculptors: an exhibition of paintings, drawings and sculpture by some artists now teaching at Bath Academy of Art, Corsham, with a retrospective section of photographs of works by these and other artists teaching at Corsham during the period 1946 to 1965; organized for the Bath Festival 1965 (3 works & 6 photographs; 1 illus.). Arts Council touring exhib., June 1965; traveling to Dartington College of Art, Totnes, 17 July – 7 Aug. 1965; Graves Arts Gallery, Sheffield, 14 Aug. – 4 Sept. 1965; Walsall Art Gallery, 11 Sept. – 2 Oct. 1965; Arts Council Gallery, Cambridge, 9 – 30 Oct. 1965; Middlesbrough Art Gallery, 13 Nov. – 6 Dec. 1965. Quattordicesimo premio Lissone, Biennale internazionale di pittura (1 work, illus.). Lissone, 17 – 31 Oct. 1965.

Edward Lucie-Smith: ‘Howard Hodgkin’, in The London Magazine, Mar. 1965, vol.4 no.12, pp.71-75 (with 4p of plates). Franz Schulze: ‘London’s boisterous new art’, in Chicago Daily News, 6 Mar. 1965, p.5. Robert Melville: ‘Objets d’art’ [incl. review of Tooth exhib.], in Architectural Review, Apr. 1965, vol.137, pp.291-293. ‘Howard Hodgkin’, in Ark: the Journal of the Royal College of Art, Summer 1965, no.38, pp.18-21 (4 illus., 2 in col.). John Russell: ‘The London Summer season’ [incl. review of Tooth exhib.], in Art in America, June 1965, vol.53 no.3, pp.130-133. Jasia Reichardt: ‘La jeune génération en Grande Bretagne’, in Aujourd’hui, July 1965, vol.9 no.50, pp.68-81 (ref. pp.76-77) . Patricia Boyd Wilson: ‘The home forum’, in The Christian Science Monitor, 17 July 1965, vol.57, p.8.

Howard Hodgkin: recent paintings (10 works). Arthur Tooth & Sons, London, 21 Jan. – 15 Feb. 1964; 8p, 4 illus (1 col); biog., exhibs.

London, the new scope. Arthur Tooth & Sons, London, 1964. Figuratie en Defiguratie. Museum voor Schone Kunsten, Ghent, 1964; travelling to Musée des Beaux Arts, Brussels. Profile III: Englische Kunst der Gegenwart [selected by] Sir Herbert Read, Roland Penrose (3 works; 1 illus.). Stadtische Kunstgalerie Bochum, 19 Apr. – 7 June 1964. Britische Malerei der Gegenwart (3 works; 1 illus.). Kunstverein für die Rheinlande und Westfalen Düsseldorf, 24 May – 5 July 1964; travelling to Stuttgart; Haus am Waldsee, Berlin, 30 Oct. – 5 Dec. 1964; & Bremen. Nieuwe realisten (1 work, illus.). Haags Gemeentemuseum, The Hague, 24 June – 30 Aug. 1964. New painting 61-64 (1 work, illus.). Arts Council of Great Britain, [11 July – 24 Oct. 1964]. The new image (2 works). Arts Council Gallery, Belfast, [Sept.] 1964. ICA screen-print project (1 work, illus.). Institute of Contemporary Arts, London, 10 – 28 Nov. 1964. Neue Realisten & Pop Art (1 work). Akademie der Künste, Berlin, 20 Nov. 1964 – 3 Jan. 1965. ICA picture fair. Institute of Contemporary Arts, London, 2 – 16 Dec. 1964.

Roger Berthoud: ‘One-man show by one of our best’ [review of Tooth exhib.], in Evening Standard, 24 Jan. 1964, p.5. ‘London day by day: all shapes and sizes’, in Daily Telegraph, 25 Jan. 1964, p.8. Roger Coleman: ‘Up with the Jones’s’ [review of Tooth exhib.], in Arts Review, 25 Jan. – 8 Feb. 1964, vol.16 no.1, p.4 (col. illus.). Michael Levey: ‘Twist and shout’, in Sunday Times, 26 Jan. 1964, p.32. Norbert Lynton: ‘Great high spirits’ [incl. review of Tooth exhib.], in The New Statesman, 31 Jan. 1964, vol.67 no.1716, pp.179-180. James Burr: ‘Round the London galleries: Born of stress’ [incl. review of Tooth exhib.], in Apollo, Feb. 1964, vol.79 no.24, pp.145-148 (ref. pp.146-147). Edwin Mullins: ‘Unknown master’ [review of Tooth exhib.], in Sunday Telegraph, 2 Feb. 1964, p.13. Robert Wraight: ‘On galleries: Buskin’ with Ruskin’, in The Tatler, 5 Feb. 1964, no.251, p.283. Peter Stone: ‘A potential Renoir’, in Jewish Chronicle, 6 Feb. 1964, p.33. ‘Mr. Howard Hodgkin’ [review of Tooth exhib.], in The Times, 6 Feb. 1964, p.6. Roger Coleman: ‘Up with the Jones’ [incl. review of Tooth exhib.], in Arts Review, 8 Feb. 1964, vol.16 no.1, p.4. Gene Baro: ‘Some London galleries’ [incl. review of Tooth exhib.], in Arts Magazine, Mar. 1964, vol.38 no.6, p.15. Norbert Lynton: ‘London letter’ [incl. review of Tooth exhib.], in Art International, Apr. 1964, vol.8 no.3, p.73.

Critic’s choice: an exhibition of contemporary British painting and sculptureselected by Philip James, C.B.E.(1 work). Stone Gallery, Newcastle upon Tyne, July 1963. British painting in the Sixties: an exhibition organized by the Contemporary Art Society (3 works, exhib. at Whitechapel Art Gallery; illus). Tate Gallery & Whitechapel Art Gallery, London, 1 – 30 June 1963 (Summer 1963 (1 work). A.I.A. Gallery, London, 11 – 30 July 1963.

‘One choice of British art: formula changed’, in The Times, 30 Jan. 1963, p.13. Jasia Reichardt: ‘Pop Art and after’, in Art International, 25 Feb. 1963, vol.7 no.2, pp.42-47 (ref. p.47). Norbert Lynton: ‘London letter’ [incl. review of Tooth exhib.], in Art International, Mar. 1963, vol.7 no.3, pp.55-59, 64 (ref. p.58.). Robert Melville: [incl. review of Tooth exhib.], in Architectural Review, Apr. 1963, vol.133 no.794, pp.288-290. Edward Lucie-Smith: ‘The orators’ [incl. review of Whitechapel exhib.], in The Listener, 6 June 1963, vol.49 no.1784, p.970. J.P.Hodin: [incl. review of Tooth exhib.], in Quadrum, Summer 1963, vol.14, pp.161-164 (ref. p.163). Edward Lucie-Smith: ‘The impact-makers’, in Vogue (UK), Aug. 1963, vol.120, pp.58-59. Jane Stockwood: ‘Sometimes it makes a good portrait’, in Harper’s Bazaar, Nov. 1963, pp.107-108, 110.

Britisk Kunst. Sammenslutningen af Danske Kunstforeningen, Copenhagen, 1962-1963 (touring exhib.) ICA picture fair. Institute of Contemporary Arts, London, 28 Nov. – 18 Dec. 1962. British painting and sculpture today and yesterday (4 works; 1 illus.). Arthur Tooth & Sons, London, 3 – 28 Apr. 1962. 1962: one year of British art selected by Edward Lucie-Smith (3 works; 1 illus.). Arthur Tooth & Sons, London, 22 Jan. – 9 Feb. 1962.