…Sea, 2007-2011 Richard Kendall writes in the catalogue which includes an up to date bibliography. David Ebony interviewed Hodgin for Art in America the day before the show opened: http://www.artinamericamagazine.com/news-opinion/conversations/2011-11-08/howard-hodgkin-gagosian/…

‘Pass the Peas’, an exhibition of largely unseen work by Patrick Caulfield (1936–2005) is currently open at Josh Lilley Gallery. The exhibition features a portrait of Hodgkin by Caulfield. Caulfield…

…now available as a free download on line. The British Labour politician Tony Benn said of it, ‘Above all this book will give hope – at the moment when we…

…name at all (or, at least, simply named the colours used in them), Hodgkin’s works’ names testify to personal experience, to a life outside the studio, the paint, the action….

…most unites these objects in a common vision, together with a horror vacui, that fear of empty spaces which underlies the impulse to adorn. Howard Hodgkin began with the 1937…

…as a compositional element, his work is testament to his immersion in the intangibility of thoughts, feelings, and fleeting private moments. The full catalogue notes can be accessed through the…

…with a Srab and Muller and then applied to the print, layer by layer. The hand torn paper is 300gsm – Somerset white satin, mould-made, 100% cotton and acid free….

Silkscreen print retails at £169.95. Paper size: 100 × 115 cm. Image size: 100 × 115 cm.

…Phillips added to his house. Opened in 1921 it became America’s first museum of contemporary art. The two 20 foot long prints face one another and their impact is heightened…

…a reality test. It sets itself deliberately in opposition to the dominant aesthetic process, which tends to distance itself from any kind of sensorial involvement, preferring instead to engage in…

…lecture is made possible by the generous support of Jeff Soref and Paul Lombardi. Free with Museum admission, though advance registration is required. Note: Space is limited; first come, first served.  Registration…

…met with Gagosian senior director Serena Cattaneo Adorno to discuss the Olympic Games’ long engagement with artists and culture, including the Olympic Museum, commissions, and the collaborative two-part exhibition, The…