Bibliography

Andrew Topsfield, Milo Cleveland Beach: Indian paintings and drawings from the collection of Howard Hodgkin. New York: Thames and Hudson, 1991; 111p, 55 illus (48 col); texts by HH, Notes on the collection, pp.9-11, & Andrew Topsfield, Rajput and Mughal painting in Howard Hodgkin’s collection, pp.13-19; Catalogue, pp.20-109; bibliography pp.110-111; repr. 1992 by Thames and Hudson, London; repr. 1994 by British Museum Press, on the occasion of exhibition of the collection at British Museum, 27 May – 21 Aug. 1994; ISBN: 0714114669.. Indian paintings and drawings from the collection of Howard Hodgkin (42 works). British Museum, London, 27 May – 21 Aug. 1991; Arthur M. Sackler Gallery, Smithsonian Institution, Washington, 15 Sept. 1991 – 12 Jan. 1992; Museum Zeitberg, Zürich, 21 June – 11 Oct. 1992 (as The artist as collector); Ashmolean Museum, Oxford, 20 Oct, 1992 – 7 Feb. 1993; monograph by Andrew Topsfield & Milo Cleveland Beach as catalogue; bibl.; text by HH, Notes on the collection, pp.9-11.

Smith collects contemporary. Smith College Museum of Art, Northampton (MA), 1991. The absent presence: the uninhabited interior in 19th and 20th century British art (1 work; illus. in col.). Graves Art Gallery, Sheffield, 19 Jan. – 2 Mar. 1991; Geffrye Museum, London, 21 Mar. – 2 June 1991. British art from 1930 (1 work; illus. in col.). Waddington Galleries, London, 27 Feb. – 23 Mar. 1991. Not Pop: what the others were doing. Bernard Jacobson Gallery, London, 10 Sept. – 8 Oct. 1991. British contemporary art 1910-1990: eighty years of collecting by The Contemporary Art Society (1 work; illus. in col.). Hayward Gallery, London, 3 Dec. 1991 – 19 Jan. 1992; Maclaurin Art Gallery, Ayr, 1 Feb. – 15 Feb. 1992; City Museum and Art Gallery, Bristol, 21 Mar. – 3 May 1992; Walker Art Gallery, Liverpool, 9 May – 21 June 1992.

[Howard Hodgkin]. McLellan Galleries, Glasgow, 1990. [Howard Hodgkin]. Jan Kesner Gallery, Los Angeles, 1990. [Howard Hodgkin]. Ganz Gallery, Cambridge, 1990. Howard Hodgkin (14 works illustrated). Michael Werner, Cologne, 18 Sept. – 15 Oct. 1990; 56p, 23 illus (14 col.); exhibs.; texts by Wilfried Dickhoff, “Like an open book”/”Wie ein offense Buch”, pp.4-9, & Timothy Hyman, Making a riddle out of the solution/Die Losung zum Ratsel machen, pp.10-25 (parallel English/German text); repr. as Howard Hodgkin: the carnal presence of emotion in Wilfried Dickhoff: After Nihilism: essays on contemporary art, Cambridge: Cambridge University Press, 2000, pp.60-63. Howard Hodgkin (14 works illustrated). M. Knoedler & Co., New York, 6 Nov. – 1 Dec. 1990; 44p, 22 illus (14 col.); exhibs., bibl.; texts by Wilfried Dickhoff, “Like an open book”, pp.4-6, & Timothy Hyman, Making a riddle out of the solution, pp.7-13. Howard Hodgkin: small paintings 1975-1989 (27 works). Musée des Beaux-Arts, Nantes, 15 June – 15 Sept. 1990; travelling to Centre Cultural de la Fundació Caixa de Pensions, Barcelona, 1 Oct. – 18 Nov. 1990; Scottish National Gallery of Modern Art, Edinburgh, 8 Dec. 1990 – 24 Feb. 1991; Douglas Hyde Gallery, Trinity College, Dublin, Mar. – May 1991; organised by British Council; 96p, 40 illus (35 col.); biog., exhibs., bibl.; texts by Henry-Claude Cousseau, Hodgkin: inalienable painting, pp.6-8, Timothy Hyman, Howard Hodgkin: making a riddle out of the solution, pp.9-15, & Deepak Ananth, Hodgkin’s poetics, pp.81-84; ISBN: 0863551076. Howard Hodgkin: graphic work: fourteen hand-coloured lithographs and etchings 1977-1987. Lumley Cazalet Ltd., London, 21 June – 20 July 1990; 31p, 14 col. Illus.; biog., exhibs.; introd. by John Russell, pp.2-3. Howard Hodgkin: petits formats 1975-1989 (27 works). Centre Cultural de la Fundació Caixa de Pensions, Barcelona, 1 Oct. – 18 Nov. 1990; organised by The British Council; previously in Musée des Beaux-Arts, Nantes, 15 June – 15 Sept. 1990; travelling to Scottish National Gallery of Modern Art, Edinburgh, 8 Dec. 1990 – 24 Feb. 1991; Douglas Hyde Gallery, Trinity College, Dublin, Apr. – May 1991; 119p, 40 illus (33 col.); biog., exhibs., bibl.; texts by Henry-Claude Cousseau, Hodgkin, la pintura inalienable, pp.6-8 (Catalan translation pp.101-102; English translation pp.111-112), Timothy Hyman, Howard Hodgkin: fer de la solució un enigma, pp.9-15 (Catalan translation pp.103-106, English original pp.113—116), Francisco Calvo Serraller, L’emoció i l’ordre, pp.81-85 (Spanish translation pp.106-109, English translation pp.116-119); ISBN: 8476642830.

Nicholas Treadwell: ‘Nicholas Treadwell on Hodgkin’, in The Independent, 30 Jan. 1990. Andrew Graham-Dixon: ‘Velazquez: the greatest living artist’, in Vogue (UK), Mar. 1990, vol.154, pp.314-318, 368. Alistair Hicks: ‘The fire of London’, in Art and Auction, May 1990, vol.12, pp.212-217. Andrew Graham-Dixon: ‘Hanging in the balance’ [interview], in The Independent, 10 July 1990, p.11. Guy Burn: [review of Lumley Cazalet exhib.], in Arts Review, 13 July 1990, vol.42 no.14, pp.374-375. [review of Nantes exhib.], in L’Oeil, July/Aug. 1990, nos.420-421, p.111. Alexandra Enders: ‘At home and abroad’, in Art and Antiques, Nov. 1990, vol.7, p.39. [review of Nantes exhib.], in Connaissance des Arts, Nov. 1990, no.465, p.28. Robin Stemp: [review of Cambridge exhib.], in Arts Review, 2 Nov. 1990, vol.42 no.22, p.600. John Russell: ‘A Hodgkin original’ [review of New York exhib.], in The New York Times Magazine, 11 Nov. 1990, pp.56-60, 62. Michael Kimmelman: ‘Howard Hodgkin / The British imagination: 20th-century paintinbgs, sculpture and paintings’, in The New York Times, 23 Nov. 1990, p.C4. Richard Dorment: ‘Howard’s way’, in Telegraph Weekend Magazine, 24 Nov. 1990, pp.50-55. Michael M. Thomas: ‘He behaved at the Pierre, got shocked at Bergdorf’s …’, in The New York Observer, 26 Nov. 1990, pp.1, 17. Ian Brunskill: ‘Hodgkin steps out’ [review of British Council touring exhib.], in Artscribe International, Nov. – Dec. 1990, no.84, pp.14-15. Andreas Beyer: ‘Howard Hodgkin: Titelei’, in Kunstforum, Nov.-Dec. 1990, Bd.110, pp.210-222. Mark Stevens: ‘Shades of the past’, in Vanity Fair, Dec. 1990, vol.53, pp.172-173. Richard Cork: ‘Painting to ease the passing of time’ [interview on the occasion of Edinburgh erxhib.], in The Times Saturday Review, 1 Dec. 1990, pp.16-17. Andrew Gibbon Williams: ‘Small works of wisdom’ [review of Edinburgh exhib.], in The Times, 14 Dec. 1990, p.17. Tom Lubbock: ‘Viewer virtuosity and red herrings’ [review of Edinburgh exhib.], in The Independent on Sunday, 16 Dec. 1990, p.19. John McEwen: ‘Marriage of material and temperament’ [incl. review of Edinburgh exhib.], in Sunday Telegraph, 16 Dec. 1990. Marina Vaizey: ‘Flying international colours’ [incl. review of Edinburgh exhib.], in Sunday Times, 16 Dec. 1990, section 5, p.8. Sir Richard Francis: ‘Pictorial guide to Venice’ [in series Picture Choice], in The Independent, 18 Dec. 1990, p.21. David Heaphy: ‘Art critic swallows the Tate line’ [letter in response to review of 22 Dec. 1990], in The Scotsman, 31 Dec. 1990. Andreas Beyer: ‘Howard Hodgkin: Galerie Michael Werner, Koln’, in Artis: Zeitschrift für neue Kunst, Dec. 1990 – Jan. 1991, no.42, pp.70-71. William Crozier: ‘Howard Hodgkin: the artist’s eye’, in Modern Painters, Winter 1990/1991, vol.3 no.4, pp.16-19, 21.

Pharmacy. Jan Kesner Gallery, Los Angeles, 1990. Glasgow’s Great British art exhibition (2 works; 1 illus. [upside-down] in col.). McLellan Galleries, Glasgow Museums and Art Galleries, 27 Mar. – 9 May 1990. Tribute to Peter Fuller (1 work). Beaux Arts, Bath, 20 Oct. – 20 Nov. 1990. Masterpieces from the Arts Council Collection. Ueno Royal Museum, Tokyo, 25 – 29 Oct. 1990. The British imagination: twentieth-century paintings, sculpture and drawings (3 works; illus. in col.). Hirschl & Adler Galleries, New York, 10 Nov. 1990 – 12 Jan. 1991; text by Douglas Dreishpoon, p.129.

[Howard Hodgkin]. Museum Ludwig, Cologne, 1989. [Howard Hodgkin]. Joanne Chapwell Gallery, San Francisco, 1989.

Brian Sewell: ‘Ivon Hitchens and Howard Hodgkin’, in The Tatler, 1989; repr. in The reviews that caused the rumpus, and other pieces. London: Bloomsbury, 1994; pp.280-284. Brooks Adams: ‘Review of exhibitions: New York’ [incl. review of Knoedler exhib.], in Art in America, Jan. 1989, vol.77 no.1, pp.143-144. Margaret Moorman: ‘Reviews: Howard Hodgkin’ [review of Knoedler exhib.], in Art News, Jan. 1989, vol.88 no.1, p.129. Peggy Cyphers: ‘New York in review’ [incl. review of Knoedler exhib.], in Arts Magazine, Jan. 1989, vol.63 no.5, p.106. Patricia G. Walker: ‘Howard Hodgkin: M. Knoedler & Co., Inc.’ [review of exhib.], in Cover, 1 Jan. 1989, p.16. Mirabel Cecil: ‘Howard’s way’, in World of Interiors, Feb. 1989, pp.70-79. Christopher Andreae: ‘Each Hodgkin painting holds layers of pondering’ [review of Knoedler exhib.], in The Christian Science Monitor, 13 Apr. 1989, vol.81, pp.10-11. Alistair Hicks: ‘Howard Hodgkin – the artist as collector’, in Antique, Summer 1989, pp.21-24. Jann Parry: ‘An eye for a dance’ [on HH’s designs for the Royal Ballet], in The Observer, 16 July 1989, p.39. Pauline Peters: ‘The collector’, in Telegraph Weekend Magazine, 28 Oct. 1989, pp.18-27. Colin Gleadell: ‘The art market: Auction trends in the Eighties’, in Art International, Winter 1989, vol.9, pp.72-75. Lynne Cooke: ‘Special report: British art in the Eighties’, in Journal of Art, Nov. 1989, vol.2, pp.24-26.

Works on paper (1 work; illus. in col.). Waddington Galleries, London, 1 – 25 Feb. 1989. Bilderstreit: Widerspruch, Einheit und Fragment in der Kunst seit 1960 (3 works). Museum Ludwig, Cologne, 8 Apr. – 28 June 1989. Twentieth century works (1 work; illus. in col.). Waddington Galleres, London, 26 Apr. – 20 May 1989. The 1980s: prints from the collection of Joshua P. Smith (2 works; illus.). National Gallery of Art, Washington, 17 Dec. 1989 – 8 Apr. 1990.

[Howard Hodgkin]. Bjorn Olsson Gallery, Stockholm, 1988. Howard Hodgkin (13 works illustrated). Waddington Galleries, London, 24 Aug. – 17 Sept. 1988; traveling to M. Knoedler & Co., New York, 8 Oct. – 3 Nov. 1988; 32p, 13 col. Illus. Howard Hodgkin: solo prints. Solo Gallery, New York, 8 Nov. – 10 Dec. 1988 (PV card).

David Sylvester: ‘Colour dialogue’ [interview], in Vogue (UK), Jan. 1988, vol.149, pp.122-125. Margaret Sheffield: ‘Frame ups (& downs)’, in Connoisseur, Mar. 1988, pp.112-117 (ref. p.117). Andrew Graham-Dixon: ‘On the edge’, in The Independent, 5 Apr. 1988, p.13. William Feaver: ‘Whoosh in Venice’, in The Observer, 9 Apr. 1988, p.38. Geoffrey Newman: ‘Celebrations of radiance’, in Times Higher Education Supplement, 27 May 1988, p.15. Brian Sewell: ‘Art’, in Evening Standard, 9 Aug. 1988. David Sexton: ‘Howard’s way back’, in Sunday Telegraph Magazine, 21 Aug. 1988, p.65. Richard Dorment: ‘Drawn towards the light’ [review of Waddington exhib.], in Daily Telegraph, 26 Aug. 1988, p.12. Tim Hilton: ‘Beyond the boundary’ [review of Waddington exhib.], in The Guardian, 31 Aug. 1988, p.17. Peter Fuller: ‘Howard Hodgkin and Robert Natkin’ [incl.review of Waddington exhib.], in Modern Painters, Autumn 1988, vol.1 no.3, pp.76-77. William Feaver: ‘Hodgkin’s Venice: the greedy eye attracted’, in World of Interiors, Sept. 1988, p.173. Giles Auty: ‘Howard’s way’ [review of Waddington exhib.], in The Spectator, 3 Sept. 1988, vol.261 no.8356, p.30. William Feaver: ‘Whoosh in Venice’ [review of Waddington exhib.], in The Observer, 4 Sept. 1988, p.38. Andrew Graham-Dixon: ‘Drawing on life’ [incl. review of Waddington exhib.], in The Independent, 6 Sept. 1988, p.16. William Packer: ‘Overlaid with witty eroticism’ [review of Waddington exhib.], in Financial Times, 6 Sept. 1988. Alistair Hicks: ‘Beneath the surface’ [incl. review of Waddington exhib.], in The Times, 6 Sept. 1988, p.16. Mark Currah: ‘Howard Hodgkin, Waddingtons’ [review of exhib.], in City Limits, 8-15 Sept. 1988, p.81. Larry Berryman: ‘Howard Hodgkin’ [review of Waddington exhib.], in Arts Review, 9 Sept. 1988, vol.40 no.18, p.616. Michael Shepherd: ‘Hodgkin’s Venetian hours’ [review of Waddington exhib.], in Sunday Telegraph, 11 Sept. 1988, p.19. Marina Vaizey: ‘British shows of strength’ [incl. review of Waddington exhib.], in Sunday Times, 11 Sept. 1988, p.C 11. Michael Archer: ‘Howard Hodgkin’ [review of Waddington exhib.], in Art Monthly, Oct. 1988, no.120, pp.16-17. John Russell: ‘The poetic renderings of Howard Hodgkin’ (review of Knoedler exhib.], in The New York Times, 14 Oct. 1988, p.C24.

1900 to now: Modern Art from Rhode Island Collections. Museum of Art, Rhode Island School of Design, Providence (RI), 22 Jan. – 1 May 1988. Works on paper (1 work; illus. in col.). Waddington Galleries, London, 1 – 25 Feb. 1989. The British picture (1 work; illus. in col.). L.A. Louver, Venice (CA), 5 Feb. – 5 Mar. 1988. Twentieth century works (1 work; illus. in col.). Waddington Galleries, London, 26 Apr. – 20 May 1989. 1988: the world of art today (1 work; illus in col.). Milwaukee Art Museum, 6 May – 28 Aug. 1988. A golden age: the artist works with paper: a selection of very fine prints and works on paper by JanetFish, Howard Hodgkin [et al.] (1 work; illus. in col.). Meredith Long & Company, Houston, 19 July – 9 Sept. 1988. 100 years of art in Britain (1 work; illus. in col.). Leeds City Art Gallery, 4 Oct. 1988 – 15 Jan. 1989. The pastoral landscape: the legacy of Venice and the modern vision (1 work). National Gallery of Art & Phillips Collection, Washington, 6 Nov. 1988 – 22 Jan. 1989; catalogue publ. as Places of delight: the pastoral landscape, Washington: Phillips Collection; London: Weidenfeld & Nicolson, 1988. Corsham: a celebration: the Bath Academy of Art 1946-72 (1 work; illus.). Victoria Art Gallery, Bath, 18 Dec. 1988 – 14 Jan. 1989; Brighton Polytechnic Gallery, 23 Jan. – 14 Feb. 1989; Michael Parkin Gallery, London, 22 Feb. – 24 Mar. 1989; publ. by Michael Parkin Gallery.

Asmund Thorkildsen: ‘En samtale med Howard Hodgkin’ [interview], in Kunst og Kultur, 1987, vol.70 no.4, pp.220-234. The Saint Louis Art Museum Annual Report 1986, 1987, pp.4-5, 36. David Sylvester: ‘Artist’s dialogue: Howard Hodgkin: the texture of a dream’, in Architectural Digest, Mar. 1987, vol.44 no.3, pp.54, 62, 66, 70, 74. Leslie Geddes-Brown: ‘Preparing faces for posterity: commissioning portraits’, in Country Life, 7 May 1987, no.1881 (19), pp.100-101. Frederick Lowe: ‘None but the brave deserves the fair’, in Yellow Silk, July 1987, vol.23, pp.41-42, 44. Timothy Hyman: ‘Mapping London’s other landscape’, in Art International, Autumn 1987, no.1, pp.51-61 (ref. pp.57, 60-61). LSU [= Lora S. Urbanelli]: ‘Howard Hodgkin: “David’s Pool”’, in Rhode Island School of Design, Oct. 1987, vol.74 no.2 (‘Museum Notes 1987’), p.43.