Essays, articles and books. 1959 – present.
Types
1987
Asmund Thorkildsen: ‘En samtale med Howard Hodgkin’ [interview], in Kunst og Kultur, 1987, vol.70 no.4, pp.220-234. The Saint Louis Art Museum Annual Report 1986, 1987, pp.4-5, 36. David Sylvester: ‘Artist’s dialogue: Howard Hodgkin: the texture of a dream’, in Architectural Digest, Mar. 1987, vol.44 no.3, pp.54, 62, 66, 70, 74. Leslie Geddes-Brown: ‘Preparing faces for posterity: commissioning portraits’, in Country Life, 7 May 1987, no.1881 (19), pp.100-101. Frederick Lowe: ‘None but the brave deserves the fair’, in Yellow Silk, July 1987, vol.23, pp.41-42, 44. Timothy Hyman: ‘Mapping London’s other landscape’, in Art International, Autumn 1987, no.1, pp.51-61 (ref. pp.57, 60-61). LSU [= Lora S. Urbanelli]: ‘Howard Hodgkin: “David’s Pool”’, in Rhode Island School of Design, Oct. 1987, vol.74 no.2 (‘Museum Notes 1987’), p.43.
State of the art: ideas and images (1 work). Institute of Contemporary Arts, London, 14 Jan. – 1 Mar. 1987; traveling to Laing Art Gallery, Newcastle, 13 Mar. – 26 Apr. 1987; Harris Museum and Art Gallery, Preston, 9 May – 21 June 1987; Cartwright Hall, Bradford, 27 June – 23 Aug. 1987; Sainsbury Centre for Visual Arts, Norwich, 1987. 2D/3D: art and craft made and designed for the twentieth century (1 work; illus. in col.). Laing Art Gallery, Newcastle upon Tyne, & Northern Centre for Contemporary Art, 14 Jan. – 8 Mar. 1987. British art in the 20th century: the Modern movement (3 works; illus. in col.). Royal Academy of Arts, London, 15 Jan. – 5 Apr. 1987; publ. by Prestel-Verlag, Munich; ref. pp.91 (text by Robert Rosenblum), 382-384 (essay by Norman Rosenthal, ‘Three painters of this time: Hodgkin, Kitaj and Morley’) &.434 (text by Mary Rose Beaumont). Current affairs: British painting and sculpture in the 1980s (3 works; illus, 2 in col.). Museum of Modern Art, Oxford, 1 – 29 Mar. 1987; tour organised by British Council, to Mücsarnok, Budapest, 24 Apr. – 31 May 1987; Národní Galerie, Prague, 19 June – 7 Aug. 1987; Zacheta, Warsaw, 14 Sept. – 31 Oct. 1987; text by David Elliott, p.20. Art of our time (4 works from The Saatchi Collection; illus. in col.). Royal Scottish Academy, Edinburgh, 7 Aug. – 5 Sept. 1987; organised by The Saatchi Collection; text on HH by Alastair Hicks, pp.13-14. New dimensions in colour and texture: contemporary tapestries, textiles and paperworks. Art for Offices and International Contemporary Art, The Galleries, London, 28 Oct. 1987 – (no catalogue; PV card).
1986
Recent abstract painting. John Good Gallery, New York, 9 Jan. – 8 Feb. 1986. 20th century original prints. Christopher Hull Gallery, London, 5 Feb. – 1 Mar. 1986 (no catalogue; PV card). Studies of the nude (1 work; illus. in col.). Marlborough Fine Art, London, 19 Mar. – 2 May 1986. The window in twentieth-century art (1 work; illus in col.). Neuberger Museum, State University of New York, Purchase (NY), 21 Sept. 1986 – 18 Jan. 1987; Contemporary Arts Museum, Houston, 24 Apr. – 29 June 1987. Looking into paintings, 2: Portraits (1 work; illus). Arts Council touring exhibition, at Castle Gallery, Nottingham, 22 Nov. 1986 – 1 Jan. 1987; Shipley Art Gallery, Gateshead, 10 Jan. – 8 Feb. 1987; Cartwright Gallery, Bradford, 14 Feb. – 15 Mar. 1987; City Museum and Art Gallery, Plymouth, 21 Mar. – 26 Apr. 1987.
Howard Hodgkin: prints. Albright-Knox Art Gallery, Buffalo, 1986. Howard Hodgkin (17 works illustrated). M. Knoedler & Co., New York, 10 May – 5 June 1986; 36p, 17 col ills. Howard Hodgkin collection for Designers Guild [4 fabrics designed by HH]. Designers Guild, London, 12 May 1986 – ; travelling to International Contemporary Art Fair, Olympia, London, 29 May – 1 June 1986; 1p. Howard Hodgkin: prints. Odette Gilbert Gallery, London, 30 July – 13 Sept. 1986 (no catalogue; PV card). Howard Hodgkin: prints: 1966-1986. Jan Turner Gallery, Los Angeles, 12 Sept. – 11 Oct. 1986, organised with Bernard Jacobson Gallery, London (no catalogue; PV card).
John Guy: ‘Desert Island objects: Howard Hodgkin selects’, in V & A Album, 1986, vol.5, pp.256-264. William Feaver: ‘London: allusions veiled and classical’ [review of Whitechapel exhib.], in Art News, Jan. 1986, vol.85 no.1, p.119. ‘Un prix pour l’art’ [on award of the Turner Prize], in Connaissance des Arts, Jan. 1986, no.407, p.96. John Caldwell: ‘Collecting and the International: seven new acquisitions’, in Carnegie Magazine, Jan. – Feb. 1986, vol.58 no.1, pp.6-10. G. Hedley: ‘Less haste, more Hodgkin’ [letter], in Museums Journal, 11 Feb. 1986, vol.25, p.208. ‘Prints & photographs published’, in The Print Collector’s Newsletter, Mar. – Apr. 1986, vol.17 no.1, pp.16-18 (ref. p.17). Susan Fisher: ‘Dolan Maxwell Gallery, Philadelphia’ [review of exhib.], in New Art Examiner, Apr. 1986, vol.13, p.60. Jed Perl: ‘Winter notebook: recent abstract painting’ [incl. review of John Good Gallery exhib.], in The New Criterion, Apr. 1986, vol.4 no.8, pp.57-67 (ref. pp.57-58). Keith Clemens: ‘Artists and places nine: Howard Hodgkin’, in The Artist, Aug. 1986, vol.101 no.8, pp.1, 12-14. Gregory Burn: [review of Odette Gilbert Gallery exhib.], in Arts Review, 1 Aug. 1986, vol.38 no.15, p.419. Susan Gill: ‘Howard Hodgkin: Knoedler’ [review of New York exhib.], in Art News, Sept. 1986, vol.85 no.7, pp.115-119. Gregory Galligan: ‘A small thing but painting: the new work of Howard Hodgkin’, in Arts Magazine, Sept. 1986, vol.61 no.1, pp.65-67. E. Heartney: ‘New editions’ [new prints], in Art News, Oct. 1985, vol.85 no.8, pp.101-105 (ref. p.105). M. Moorman: [review of new prints], in Art News, Oct. 1986, vol.85 no.8, p.105. Judith Dunham: ‘Howard Hodgkin’s accumulated memories’, in Print News, Winter 1986, no.8, pp.4-7, 25. ‘I begin pictures full of hope: four questions posed to Howard Hodgkin’ [interview with Luciana Mottola], in 891: international artists’ magazine, Dec. 1986, vol.3 no.7, pp.12-15.
1985
Made in India. Museum of Modern Art, New York, 1985. The Turner Prize 1985 (1 work illus.). Tate Gallery, London, [17 Oct. – 1 Dec.] 1985 (HH announced the winner on 12 Nov. 1985). 1985 Carnegie International (5 works; illus, 1 in col.). Museum of Art, Carnegie Institute, Pittsburgh, 9 Nov. 1985 – 5 Jan. 1986.
[Howard Hodgkin]. Bernard Jacobson Gallery, London, 1985. Howard Hodgkin: opera grafica 1977-1983 (3 works). Galleria Comunale d’Arte Moderna, Bologna, 1985; organised by the British Council. Milan: Nuove edizioni Gabriele Mazzotta, 1985; 52p, 31 illus (13 col.); biog., exhibs.; introd. by Malcolm Hardy, British Council; text by Enrico Crispolti, Appunti sulla “poetica” di Hodgkin, pp.11-16; ISBN: 8820206382. Howard Hodgkin: works on paper: paintings created in India, 1978. Hand colored prints, 1977-83 (5 paintings & 24 prints). L.A. Louver, Venice CA, 8 Jan. – 2 Feb. 1985; card, 4p. Howard Hodgkin: recent paintings. Yale Center for British Art, New Haven (CT), 15 Jan. 1985 – (PV card). Howard Hodgkin: Bilder 1973 bis 1984 (37 works). Kestner-Gesellschaft Hannover, 19 Apr. – 27 May 1985; biog., exhibs., bibl.; introd. by John McEwen, pp.15-22; interview with David Sylvester, pp.23-36 Howard Hodgkin: prints 1977 to 1983 (25 works). Tate Gallery, London, 18 Sept. – 1 Dec. 1985; 60p, 60 illus (17 col.); introd. by Richard Morphet, pp.9-17; Complete catalogue of prints 1977-1985, compiled by Elizabeth Knowles, pp.51-59; A printing chronology, p.60; ISBN: 0946590303. Howard Hodgkin: ten paintings 1979-85. Whitechapel Art Gallery, London, 20 Sept. – 3 Nov. 1985; 24p, 10 col illus.; introd. by Nicholas Serota; ISBN: 085488064X. (published as supplement to 1984 Venice Biennale catalogue, for the Whitechapel Art Gallery showing of the Venice Biennale exhib.).
Jane Addams Allen: ‘After ‘Year of the French’, can contemporary be far behind?’, in The Washington Times Magazine, 4 Jan. 1985. Shirley Gonzales: ‘Hodgkin’s trip into ‘deep space’’ [review of New Haven exhib.], in New Haven Register, 20 Jan. 1985. Naomi Ilzuka: ‘Splashing abstractions at the BAC’, in After Hours, 31 Jan. 1985, p.4. William Feaver: ‘Inside Europe: England’, in Art News, Feb. 1985, vol.85 no.2, pp.57-59 (ref. 58). Kenneth Baker: ‘Too much and/or not enough: a note of Howard Hodgkin’ [review of Washington exhib.], in Artforum, Feb. 1985, vol.23 no.5, pp.60-61. ‘Un peintre anglais en vue’ [review of New Haven exhib.], in Connaissance des Arts, Feb. 1985, no.396, p.16. Vivien Raynor: ‘At Yale, the ‘Afterthoughts’ of Howard Hodgkin’ [review of New Haven exhib.], in The New York Times, 10 Feb. 1985, p.C24. Bernard Hanson: ‘Hodgkin on view at Yale’ [review of New Haven exhib.], in The Hartford Courant, 24 Feb. 1985, p.49. Gregory Galligan: ‘Howard Hodgkin: forty paintings’ [review of Washington exhib.], in Arts Magazine, Mar. 1985, vol.59 no.7, pp.122-125. Eric Gibson: ‘The Hodgkin paradox’, in Studio International, Mar. 1985, vol.198 no.1008, pp.23-25. John Coleman: ‘Omnibus: the new art’, in Studio International, Mar. 1985, vol.198 no.1008, pp.34-35. Jeff Perrone: ‘Entrees: diaretics: entreaties: bowing (wowing) out’ [incl. review of New Haven exhib.], in Arts Magazine, Apr. 1985, vol.59 no.8, pp.78-83 (ref. pp.80-81). Ursula Bode: ‘Gefallig verwirren a: Der Maler Howard Hodgkin in Hannover’ [review of exhib.], in Hannoverische Allgemeine Zeitung, 24 Apr. 1985. Gisela Burkamp: ‘Durch und durch sinnenhaftes Ereignis’ [review of Hanover exhib.], in Lippische Landeszeitung, 30 Apr. 1985. David Sweet: ‘Howard Hodgkin at Yale Center for British Arts [sic] and Larry Poons at Andre Emmerich, New York’ [incl. review of New Haven exhib.], in Artscribe, May – June 1985, no.53 (i.e. 52), pp.52-53. Judith Higgins: ‘In a hot country’, in Art News, Summer 1985, vol.84 no.6, pp.56-65. Roberto Tassi: ‘Howard Hodgkin: un maestro della pittura inglese’, in Vogue (Italia), June 1985, pp.160-165. Christine Temin: ‘Hodgkin paints sensual emotions’, in The Boston Globe, 27 June 1985. Decorative vegetable gardens’, in Good Housekeeping, Aug. 1985, pp.75-78. Timothy Hyman: ‘Howard Hodgkin: making a riddle out of the solution’, in Art and Design, Sept. 1985, vol.1, pp.6-11. Edward Lucie-Smith: ‘Exhibitions’, in Illustrated London News, Sept. 1985, vol.273, p.76. William Feaver: ‘Art’, in Vogue (UK), Sept. 1985, vol.142, pp.46, 52. Laurence Marks: ‘Portrait of the artist as a compulsive collector’, in The Observer, 15 Sept. 1985, p.19. Michael Shepherd: ‘Hodgkin at the new Whitechapel’ [review of exhib.], in Sunday Telegraph, 22 Sept. 1985, p.15. William Packer: ‘An anniversary and return’, in Financial Times, 24 Sept. 1985, p.19. John Russell Taylor: ‘Toughness under the lyric grace’ [incl. review of Whitechapel & Tate exhibs.], in The Times, 24 Sept. 1985, p.9. Alistair Hicks: ‘Talking about art’ [review of Whitechapel exhib.], in The Spectator, 28 Sept. 1985, vol.255 no.8203, pp.35-36. Marina Vaizey: ‘The intimate room within’ [review of Whitechapel exhib.], in Sunday Times, 29 Sept. 1985, p.42. John Russell: ‘London and Yale, Hodgkin at Whitechapel’ [review of exhib.], in Burlington Magazine, Oct. 1985, vol.127 no.991, pp.729-730. Brian Sewell: ‘The mark of a hypnotist’ [review of Whitechapel & Tate exhibs.], in The London Standard, 3 Oct. 1985, p.23. John Spurling: ‘Dotted about the place’ [incl. review of Whitechapel & Tate exhibs.], in The New Statesman, 4 Oct. 1985, vol.110 no.2845, p.32. Frances Spalding: ‘The nub of feeling’ [review of Whitechapel & Tate exhibs.], in Times Literary Supplement, 4 Oct. 1985, no.4305, p.1103 (& illustration on p.1093). Richard Cork: ‘Howard’s way’[review of Whitechapel exhib.], in The Listener, 10 Oct. 1985, vol.114 no.2930, p.37; repr. as ‘Howard Hodgkin’ in Richard Cork: New spirit, new sculpture, new money: art in the 1980s. New Haven, London: Yale University Press, 2003; pp.180-183. Mary Rose Beaumont: ‘Howard Hodgkin: at the Whitechapel Art Gallery, the Tate Gallery and Bernard Jacobson’ [review of exhibs.], in Arts Review, 11 Oct. 1985, vol.37 no.20, p.515. Michael McNay: ‘Howard Hodgkin’ [review of Whitechapel exhib.], in The Guardian, 12 Oct. 1985, p.10. Sally Brampton: ‘Howard Hodgkin: art into life’, in Elle (UK), Nov. 1985, p.86. Andrew Graham-Dixon: ‘The abstract threshold’ [review of Whitechapel exhib.], in The Literary Review, Nov. 1985, p.89, pp.28-29. Anne McHardy: [on the award of the Turner Prize], in The Guardian, 13 Nov. 1985, p.32. Alistair Hicks: ‘Galleries’ [incl. comment on award of the Turner Prize], in The Times, 19 Nov. 1985, p.10. John Caldwell: ‘Collecting and the International: seven new acquisitions’, in Carnegie Magazine, Nov./Dec. 1985, vol.57 no.12, pp.1, 6-10 (ref. pp.1, 10). Charles Harrison: ‘Hodgkin’s moment’ [review of Whitechapel exhib.], in Artscribe, Dec. 1985 – Jan. 1986, no.55, pp.62-64. Ally van der Pauw: ‘Howard Hodgkins Zuchtjes van Pijn en Plezier’, in Haagse Post, 7 Dec. 1985, pp.52-55.
1984
Form colour surface: painting about itself. Barbara Krakow Gallery, Boston, 1984. Four rooms: an Arts Council touring exhibition devised by: Howard Hodgkin, Marc Camille Chaimowicz, Richard Hamilton, Anthony Caro (1 work by HH; 3 illus, 1 col.). Liberty, London, 10 Feb. – 10 Mar. 1984; Central Art Gallery, Wolverhampton, 7 Apr. – 12 May 1984; Southampton Art Gallery, 26 May – 8 July 1984; Newport Museum and Art Gallery, 21 July – 25 Aug. 1984; Aberdeen Art Gallery, 8 Sept. – 7 Oct. 1984; Mappin Art Gallery, Sheffield, 20 Oct. – 18 Nov. 1984; organised by Arts Council of Great Britain; incl. extract from interview with HH for BBC ‘Arena’ programme, 1984, by Nigel Finch, p.11. An international survey of recent painting and sculpture (1 work; illus.). Museum of Modern Art, New York, 17 May – 19 Aug. 1984. Summer selection. M. Knoedler & Co., New York, July – Aug. 1984. The hard-won image: traditional method and subject in recent British art (2 works; illus., 1 in col.); Tate Gallery, London, 4 July – 9 Sept. 1984; text by Richard Morphet. The Turner Prize (2 works). Tate Gallery, London, [26 Oct. – 2 Dec. 1984]. The British art show: old allegiences and new directions 1979-1984 (2 works). Arts Council touring exhibition, at Birmingham Museum and Art Gallery & Ikon Gallery, Birmingham, 2 Nov. – 22 Dec. 1984; Royal Scottish Academy, Edinburgh, 19 Jan. – 24 Feb. 1985; Mappin Art Gallery, Sheffield, 16 Mar. – 4 May 1985; Southampton Art Gallery, 18 May – 30 June 1985; publ. Orbis Publishing, London, 1984. The proper study: contemporary figurative paintings from Britain (4 works; illus, 1 in col.). Lalit Kala Akademi, Delhi, 1 – 31 Dec. 1984; Jehangir Nicholson Museum of Modern Art, Bombay, 1 – 28 Feb. 1985; organised by the British Council; text on HH by John McEwen, p.72.
Howard Hodgkin: recent work (12 works). M.K. Knoedler, New York, 21 Apr. – 10 May 1984; list of works, 1p. Howard Hodgkin: prints made in New York. Festival Gallery, Bath, 24 May – 16 June 1984 (PV card). Howard Hodgkin: forty paintings, 1973-84. British Pavilion, XLI Venice Biennale, 10 June – 23 Sept. 1984 (20 works); organised by The British Council & Whitechapel Art Gallery, London; enlarged exhibition (40 works) travelling to The Phillips Collection, Washington, 13 Oct. – 16 Dec. 1984; Yale Center for British Art, New Haven (CT), 16 Jan. – 17 Mar. 1985; Kestner-Gesellschaft Hannover, 19 Apr. – 27 May 1985; Whitechapel Art Gallery, London, June – Aug. 1985 (subsequently rescheduled to 20 Sept. – 3 Nov. 1985); 112p, 45 illus (41 col.); biog., exhibs., bibl.; introd. by John McEwen, pp.9-13; interview with David Sylvester, pp.97-106; ISBN: 0854880631; also 2p. poster/leaflet supplement for Venice Biennale with text by Teresa Gleadowe.
Oliver Matthews: ‘Indian paintings and drawings: Howard Hodgkin’ [review of Hayward exhib.], in Antique Collector, Mar. 1984, pp.58-59. Gijs Van Hensbergen: ‘Howard’s hues’, in Ritz, Mar. 1984, no.86, p.6. Graham Hughes: ‘Four rooms: Anthony Caro, Marc Camille Chaimowicz, Richard Hamilton, Howard Hodgkin’ [review of Liberty’s exhib.], in Arts Review, 2 Mar. 1984, vol.36 no.4, p.105. James Burr: ‘The most revealing things we do’ [incl. review of Wolverhampton exhib.], in Apollo, Apr. 1984, vol.266 no.119, p.300. Charlotte Ellis: ‘Four rooms’ [review of Liberty’s exhib.], in The Architectural Review, Apr. 1984, vol.175 no.1046, pp.62-63. Richard Shone: ‘Four rooms’ [review of Liberty’s exhib.], in Burlington Magazine, Apr. 1984, vol.126 no.973, pp.244-247. John Russell: ‘Maximum emotion with a minimum of definition’ [review of New York exhib.], in The New York Times, 15 Apr. 1984, p.H33. John Russell: ‘The ‘emotional situations’ of Howard Hodgkin’ [review of New York exhib.], in International Herald Tribune, 21-22 Apr. 1984, p.6. Michael Brenson: ‘Art: Howard Hodgkin and Paris legacy’ [incl. review of New York exhib.], in The New York Times, 27 Apr. 1984, p.C23. Christiane Bergob: ‘Letter from London’ [incl. review of Liberty’s exhib.], in Kunstforum International, Apr./May 1984, no.3-4, pp.312-314. Kay Larson: [review of New York exhib.], in New York Magazine, 28 May 1984, p.94. Jane Withers & Anthony Fawcett: ‘The man on the flip side’, in The Times, 29 May 1984, p.12. [32m. recorded interview with HH at his exhibition in the British Pavilion at the 1984 Venice Biennale’], in Audio Arts, 1984, vol.7 nos.1-2 (‘Actuality: Audio Arts at the Venice Biennale 1984’), audio-cassette 1 side 1. Anthony Fawcett, Jane Withers: ‘Howard Hodgkin at the Venice Biennale’, in Studio International, [Summer] 1984, vol.197 no.1005, pp.16-17. Hannah Vowles: ‘Taking liberties: Four rooms exhibition’ [review of Liberty’s exhibn.], in Studio International, [Summer] 1984, vol.197 no.1005, pp.26-27. Max Wykes-Joyce: ‘Howard Hodgkin: prints made in New York’ [review of Bath exhib.], in Art and Artists, June 1984, no.213, p.27. Alexandra Pringle: ‘Art: Howard’s blend of images and textures’, in Harpers & Queen, June 1984, p.189. Patrick Kinmonth: ‘Howard Hodgkin’, in Vogue (UK), June 1984, vol.141, pp.140-141. Marina Vaizey: ‘Dancing among the ruins’ [review of Venice exhib.], in Sunday Times, 10 June 1984, p.39. John McEwen: ‘Finding form at fifty’, in Sunday Times Magazine, 10 June 1984, pp.38-41. John Russell Taylor: ‘Myth taking on the cloak of reality’ [review of Venice exhib.], in The Times, 12 June 1984, p.9. William Feaver: ‘Copy, parody, variation, fake’, in The Observer, 17 June 1984, p.19. William Packer: ‘Venice through the looking glass’, in Financial Times, 19 June 1984, p.19. Dirceu Brisola: ‘Os eleitos de Veneza’ [incl. review of Venice exhib.], in Veja (Brazil), 20 June 1984, pp.134-135. Terence Mullaly: ‘Abstracts in abundance – and in a setting to suit’, in Daily Telegraph, 23 June 1984, p.11. Judith Bumpus: ‘A dream of Venice’ [interview], in Art and Artists, July 1984, no.214, pp.14-17. Robert Hughes: ‘Gliding over a dying reef: the Venice Biennale’ [review of exhib.], in Time, 2 July 1984, vol.214, pp.76-77. Manuela Hoelterhoff: ‘The Venice Biennale: no paradise for art’, The Wall Street Journal, 31 July 1984, p.32. ‘Howard Hodgkin and Patrick Caulfield in conversation’, in Art Monthly, July-Aug. 1984, no.78, pp.1, 4-6. [text], in Il Giornale della Biennale: Il Giornale dell’Arte, July – Aug. 1984, no.14, p.30. Paul Levy: ‘Venice vidi vici’ [incl. review of Venice exhib.], in Harpers & Queen, Aug. 1984, p.32. Annelie Pohlen: ‘A few highlights but no festival’ [review of Venice exhib.], in Artforum, Sept. 1984, vol.23 no.1, pp.103-106. John Yau: ‘Howard Hodgkin’ [incl. review of New York exhib.], in Artforum, Sept. 1984, vol.23 no.1, p.117. Milton Gendel: ‘Report from Venice: cultured pearls at the Biennale’, in Art in America, Sept. 1984, vol.72 no.8, pp.45-53 (ref. pp.48-49). William Feaver: ‘Venice: remembrance of things past’, in Art News, Sept. 1984, vol.83 no.7, pp.135-136 (ref. p.136). Edward Lucie-Smith: ‘Critic’s diary’ [incl. review of British Museum exhib.], in Art Review, Sept. 1994, vol.46, pp.15-17. Liana Bortolon: ‘I misteriosi giardini di Hodgkin’ [review of Venice exhib.], in Grazia, 2 Sept. 1984, vol.57 no.2271, pp.32-35. Prudence Carlson: ‘Howard Hodgkin at Knoedler’ [review of New York exhib.], in Art in America, Oct. 1984, vol.72 no.9, pp.192-193. Paul Richard: ‘Shining light: at the Phillips Collection, Howard Hodgkin’s gentle art’ [review of Washington exhib.], in The Washington Post, 11 Oct. 1984, pp.B1, B4. Jane Addams Allen: ‘Howard Hodgkin: letting it flow’ [review of Washington exhib.], in The Washington Post, 12 Oct. 1984, pp.C1-C2. Edward J. Sozanski: ‘Magnetic works of vibrant color’ [review of Washington exhib.], in The Philadelphia Enquirer, 23 Oct. 1984, p.4D. Pamela Kessler: ‘Forty storied paintings by Howard Hodgkin’ [review of Washington exhib.], in The Washington Post, 12 Oct. 1984. John McEwen: ‘Late bloomer’ [review of Washington exhib.], in Vanity Fair, Nov. 1984, vol.47, pp.68, 70, 73-74, 121. Gordon Burn: ‘The Tate’s bold stroke for British art’, in Sunday Times Magazine, 11 Nov. 1984, p.45. Bobbier Massie: ‘A palette of emotions’ [review of Washington exhib.], in The Washington Weekly, 12 Nov. 1984. Leone Lawrence: ‘Howard Hodgkin’ [review of Washington exhib.], in New Art Examiner, Dec. 1984, p.56. Mark Stevens: ‘A palette of emotions’ [review of Washington exhib.], in Newsweek, 3 Dec. 1984, p.82. Richard Lacayo: ‘Returning to the frame game’ [review of Washington exhib.], in Time, 3 Dec. 1984, p.72. Mary S. Cohen: ‘The general effect is one of celebration’ [review of Washington exhib.], in The Christian Science Monitor, 31 Dec. 1984, vol.77, pp.22-23. Michael Clark: ‘Howard Hodgkin, The Phillips Collection’ [review of Washington exhib.], in Washington Review, Dec. 1984 – Jan. 1985, p.26.
An artist’s commitment: Howard Hodgkin in conversation with Richard Cork. London: Lecon Arts Enterprises, 1984; booklet containing audiotape and 24 col.slides. Four rooms: Howard Hodgkin in conversation with Nigel Finch. BBC televsion series ‘Arena’, 21 Feb. 1984. Howard Hodgkin. WETA – TV (Washington, D.C.), Channel 26, 11 & 14 Nov. 1984; sponsored by The Phillips Collection, Washington (D.C.).
